The Renaissance Portrait: From Donatello to Bellini

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9780300175912: The Renaissance Portrait: From Donatello to Bellini

In the words of cultural historian Jacob Burkhardt, fifteenth-century Italy was "the place where the notion of the individual was born." In keeping with that idea, early Renaissance Italy was a key participant in the first great age of portraiture in Europe. As groundbreaking artists strove to evoke the identity or personality of their sitters-from heads of state and church, military commanders, and wealthy patrons to scholars, poets, and artists-they evolved daring new representational strategies that would profoundly influence the course of Western art. More than a mere likeness, the fifteenth-century Italian portrait was an attempt to wrest from the unpredictability of life and the shadow of mortality and image that could be passed down to future generations. The Renaissance Portrait, which accompanies a landmark exhibition at the Bode-Museum, Berlin, and The Metropolitan Museum of Art, New York, provides new research and insight into the early history of portraiture in Italy, examining in detail how its major art centers-Florence, the princely courts, and Venice-saw the rapid development of portraiture as closely linked to Renaissance society and politics, ideas of the individual, and concepts of beauty. Essays by leading scholars provide a thorough introduction to Renaissance portraiture, while individual catalogue entries illustrate and extensively discuss more than 160 magnificent examples of painting, drawing, manuscript illumination, sculpture, and medallic portraiture by such artists as Donatello, Filippo Lippi, Botticelli, Verrocchio, Ghirlandaio, Pisanello, Mantegna, Antonello da Messina, and Giovanni Bellini. With abundant style and visual ingenuity, these masters transformed the plain facts of observation into something beautiful to behold.

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Weppelmann, Stefan (edt); Christiansen, Keith (edt)
ISBN 10: 0300175914 ISBN 13: 9780300175912
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Descrizione libro Condizione libro: New. Codice libro della libreria 12523700-n

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Rubin, Patricia; Brown, Beverly Louise; Humfrey, Peter
Editore: Yale University Press, United States (2011)
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Descrizione libro Yale University Press, United States, 2011. Hardback. Condizione libro: New. 287 x 236 mm. Language: English . Brand New Book. In the words of cultural historian Jacob Burkhardt, fifteenth-century Italy was the place where the notion of the individual was born. In keeping with that idea, early Renaissance Italy was a key participant in the first great age of portraiture in Europe. As groundbreaking artists strove to evoke the identity or personality of their sitters-from heads of state and church, military commanders, and wealthy patrons to scholars, poets, and artists-they evolved daring new representational strategies that would profoundly influence the course of Western art. More than a mere likeness, the fifteenth-century Italian portrait was an attempt to wrest from the unpredictability of life and the shadow of mortality and image that could be passed down to future generations. The Renaissance Portrait, which accompanies a landmark exhibition at the Bode-Museum, Berlin, and The Metropolitan Museum of Art, New York, provides new research and insight into the early history of portraiture in Italy, examining in detail how its major art centers-Florence, the princely courts, and Venice-saw the rapid development of portraiture as closely linked to Renaissance society and politics, ideas of the individual, and concepts of beauty. Essays by leading scholars provide a thorough introduction to Renaissance portraiture, while individual catalogue entries illustrate and extensively discuss more than 160 magnificent examples of painting, drawing, manuscript illumination, sculpture, and medallic portraiture by such artists as Donatello, Filippo Lippi, Botticelli, Verrocchio, Ghirlandaio, Pisanello, Mantegna, Antonello da Messina, and Giovanni Bellini. With abundant style and visual ingenuity, these masters transformed the plain facts of observation into something beautiful to behold. Codice libro della libreria AAH9780300175912

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Rubin, Patricia; Brown, Beverly Louise; Humfrey, Peter
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Descrizione libro Yale University Press, United States, 2011. Hardback. Condizione libro: New. 287 x 236 mm. Language: English Brand New Book. In the words of cultural historian Jacob Burkhardt, fifteenth-century Italy was the place where the notion of the individual was born. In keeping with that idea, early Renaissance Italy was a key participant in the first great age of portraiture in Europe. As groundbreaking artists strove to evoke the identity or personality of their sitters-from heads of state and church, military commanders, and wealthy patrons to scholars, poets, and artists-they evolved daring new representational strategies that would profoundly influence the course of Western art. More than a mere likeness, the fifteenth-century Italian portrait was an attempt to wrest from the unpredictability of life and the shadow of mortality and image that could be passed down to future generations. The Renaissance Portrait, which accompanies a landmark exhibition at the Bode-Museum, Berlin, and The Metropolitan Museum of Art, New York, provides new research and insight into the early history of portraiture in Italy, examining in detail how its major art centers-Florence, the princely courts, and Venice-saw the rapid development of portraiture as closely linked to Renaissance society and politics, ideas of the individual, and concepts of beauty. Essays by leading scholars provide a thorough introduction to Renaissance portraiture, while individual catalogue entries illustrate and extensively discuss more than 160 magnificent examples of painting, drawing, manuscript illumination, sculpture, and medallic portraiture by such artists as Donatello, Filippo Lippi, Botticelli, Verrocchio, Ghirlandaio, Pisanello, Mantegna, Antonello da Messina, and Giovanni Bellini. With abundant style and visual ingenuity, these masters transformed the plain facts of observation into something beautiful to behold. Codice libro della libreria AAH9780300175912

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CHRISTIANSEN, Keith & WEPPELMANN, Stefan (Edited)
Editore: Metropolitan Museum of Art & Yale University Press, New Haven and London (2012)
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Descrizione libro Metropolitan Museum of Art & Yale University Press, New Haven and London, 2012. Hardcover. Condizione libro: New. Condizione sovraccoperta: New. Qto. 423 pages, 261 illustrations, including 255 colour plates. A New copy in dust jacket. Codice libro della libreria 071763

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Keith Christiansen
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Descrizione libro Yale University Press, 2011. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WY-9780300175912

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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97803001759120000000

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Descrizione libro Yale Univ Pr, 2011. Condizione libro: New. Codice libro della libreria EH9780300175912

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Descrizione libro YALE University Press. Condizione libro: New. Brand New. Codice libro della libreria 0300175914

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Descrizione libro Metropolitan Museum of Art, 2011. Hardcover. Condizione libro: Brand New. 400 pages. 11.50x9.25x1.50 inches. In Stock. Codice libro della libreria __0300175914

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Descrizione libro 2011. Hardcover. Condizione libro: New. 237mm x 32mm x 286mm. Hardcover. In the words of cultural historian Jacob Burkhardt, fifteenth-century Italy was the place where the notion of the individual was born. In keeping with that idea, early Renaissance Italy wa.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 420 pages. 2.182. Codice libro della libreria 9780300175912

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