Warm Flesh, Cold Marble: Canova, Thorvaldsen, and Their Critics

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9780300197891: Warm Flesh, Cold Marble: Canova, Thorvaldsen, and Their Critics

This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757 1822) and his illustrious Danish rival Bertel Thorvaldsen (1770 1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors’ own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating their sculptures specifically in response to those debates. Warm Flesh, Cold Marble considers such intriguing topics as the aesthetic autonomy of works of art, the gender of the subject, the efficacy of marble as an imitative medium, the question of color and texture in relation to ideas and practices of antiquity, and the relationship between the whiteness of marble and ideas of race.

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Book Description:

This is the first in-depth investigation into how philosophical and critical debates may have shaped their works of the two most important sculptors of the early 19th century.

About the Author:

David Bindman is Emeritus Durning-Lawrence Professor of the History of Art, University College London, and visiting professor, history of art, Harvard University.
 

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David Bindman
Editore: Yale University Press, United States (2014)
ISBN 10: 0300197896 ISBN 13: 9780300197891
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Descrizione libro Yale University Press, United States, 2014. Hardback. Condizione libro: New. Language: English . Brand New Book. This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757-1822) and his illustrious Danish rival Bertel Thorvaldsen (1770-1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating their sculptures specifically in response to those debates. Warm Flesh, Cold Marble considers such intriguing topics as the aesthetic autonomy of works of art, the gender of the subject, the efficacy of marble as an imitative medium, the question of color and texture in relation to ideas and practices of antiquity, and the relationship between the whiteness of marble and ideas of race. Codice libro della libreria AAH9780300197891

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Descrizione libro Yale University Press, United States, 2014. Hardback. Condizione libro: New. Language: English . Brand New Book. This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757-1822) and his illustrious Danish rival Bertel Thorvaldsen (1770-1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating their sculptures specifically in response to those debates. Warm Flesh, Cold Marble considers such intriguing topics as the aesthetic autonomy of works of art, the gender of the subject, the efficacy of marble as an imitative medium, the question of color and texture in relation to ideas and practices of antiquity, and the relationship between the whiteness of marble and ideas of race. Codice libro della libreria AAH9780300197891

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Descrizione libro Yale University Press, New Haven, 2014. HARD BACK. Condizione libro: New. Condizione sovraccoperta: New. First.. 219pp. 61 colour plates This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757--1822) and his illustrious Danish rival Bertel Thorvaldsen (1770--1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating their sculptures specifically in response to those debates. Warm Flesh, Cold Marble considers such intriguing topics as the aesthetic autonomy of works of art, the gender of the subject, the efficacy of marble as an imitative medium, the question of color and texture in relation to ideas and practices of antiquity, and the relationship between the whiteness of marble and ideas of race. Size: 283x162mm. Book. Codice libro della libreria 17807

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Descrizione libro Yale University Press 2014-04-04, New Haven, 2014. hardback. Condizione libro: New. Codice libro della libreria 9780300197891

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Descrizione libro Yale University Press, 2014. Condizione libro: New. Focusing on the aesthetic concerns of the two most important sculptors of the early 19th century, the Italian sculptor Antonio Canova (1757-1822) and his Danish rival Bertel Thorvaldsen (1770-1844), this book considers: the aesthetic autonomy of works of art, the gender of the subject, and the efficacy of marble as an imitative medium. Num Pages: 192 pages, 30 colour images + 30 black-&-white illustrations. BIC Classification: ACV; AFKB; AGB. Category: (G) General (US: Trade). Dimension: 242 x 164 x 21. Weight in Grams: 742. . 2014. Hardcover. . . . . . Codice libro della libreria V9780300197891

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Descrizione libro Yale University Press. Hardback. Condizione libro: new. BRAND NEW, Warm Flesh, Cold Marble: Canova, Thorvaldsen, and Their Critics, David Bindman, This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757--1822) and his illustrious Danish rival Bertel Thorvaldsen (1770--1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors' own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating their sculptures specifically in response to those debates. Warm Flesh, Cold Marble considers such intriguing topics as the aesthetic autonomy of works of art, the gender of the subject, the efficacy of marble as an imitative medium, the question of color and texture in relation to ideas and practices of antiquity, and the relationship between the whiteness of marble and ideas of race. Codice libro della libreria B9780300197891

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Descrizione libro Yale University Press. Condizione libro: New. Focusing on the aesthetic concerns of the two most important sculptors of the early 19th century, the Italian sculptor Antonio Canova (1757-1822) and his Danish rival Bertel Thorvaldsen (1770-1844), this book considers: the aesthetic autonomy of works of art, the gender of the subject, and the efficacy of marble as an imitative medium. Num Pages: 192 pages, 30 colour images + 30 black-&-white illustrations. BIC Classification: ACV; AFKB; AGB. Category: (G) General (US: Trade). Dimension: 242 x 164 x 21. Weight in Grams: 742. . 2014. Hardcover. . . . . Books ship from the US and Ireland. Codice libro della libreria V9780300197891

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Descrizione libro Yale University Press, 2014. Condizione libro: New. book. Codice libro della libreria ria9780300197891_rkm

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Descrizione libro 2014. Condizione libro: New. This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757-1822) and his illustrious Danish r.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 192 pages. 0.740. Codice libro della libreria 9780300197891

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