Warm Flesh, Cold Marble: Canova, Thorvaldsen, and Their Critics

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9780300197891: Warm Flesh, Cold Marble: Canova, Thorvaldsen, and Their Critics

This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757--1822) and his illustrious Danish rival Bertel Thorvaldsen (1770--1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors' own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating their sculptures specifically in response to those debates. Warm Flesh, Cold Marble considers such intriguing topics as the aesthetic autonomy of works of art, the gender of the subject, the efficacy of marble as an imitative medium, the question of color and texture in relation to ideas and practices of antiquity, and the relationship between the whiteness of marble and ideas of race.

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Bindman, David
ISBN 10: 0300197896 ISBN 13: 9780300197891
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Descrizione libro Condizione libro: New. Codice libro della libreria 20320560-n

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David Bindman
Editore: Yale University Press, United States (2014)
ISBN 10: 0300197896 ISBN 13: 9780300197891
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Descrizione libro Yale University Press, United States, 2014. Hardback. Condizione libro: New. 238 x 162 mm. Language: English . Brand New Book. This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757-1822) and his illustrious Danish rival Bertel Thorvaldsen (1770-1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating their sculptures specifically in response to those debates. Warm Flesh, Cold Marble considers such intriguing topics as the aesthetic autonomy of works of art, the gender of the subject, the efficacy of marble as an imitative medium, the question of color and texture in relation to ideas and practices of antiquity, and the relationship between the whiteness of marble and ideas of race. Codice libro della libreria AAH9780300197891

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David Bindman
Editore: Yale University Press, United States (2014)
ISBN 10: 0300197896 ISBN 13: 9780300197891
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Descrizione libro Yale University Press, United States, 2014. Hardback. Condizione libro: New. 238 x 162 mm. Language: English . Brand New Book. This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757--1822) and his illustrious Danish rival Bertel Thorvaldsen (1770--1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating their sculptures specifically in response to those debates. Warm Flesh, Cold Marble considers such intriguing topics as the aesthetic autonomy of works of art, the gender of the subject, the efficacy of marble as an imitative medium, the question of color and texture in relation to ideas and practices of antiquity, and the relationship between the whiteness of marble and ideas of race. Codice libro della libreria AAH9780300197891

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Bindman David
Editore: Yale University Press, New Haven (2014)
ISBN 10: 0300197896 ISBN 13: 9780300197891
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Descrizione libro Yale University Press, New Haven, 2014. HARD BACK. Condizione libro: New. Condizione sovraccoperta: New. First.. 219pp. 61 colour plates This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757--1822) and his illustrious Danish rival Bertel Thorvaldsen (1770--1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating their sculptures specifically in response to those debates. Warm Flesh, Cold Marble considers such intriguing topics as the aesthetic autonomy of works of art, the gender of the subject, the efficacy of marble as an imitative medium, the question of color and texture in relation to ideas and practices of antiquity, and the relationship between the whiteness of marble and ideas of race. Size: 283x162mm. Book. Codice libro della libreria 17807

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Descrizione libro Yale University Press. Hardback. Condizione libro: new. BRAND NEW, Warm Flesh, Cold Marble: Canova, Thorvaldsen, and Their Critics, David Bindman, This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757--1822) and his illustrious Danish rival Bertel Thorvaldsen (1770--1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors' own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating their sculptures specifically in response to those debates. Warm Flesh, Cold Marble considers such intriguing topics as the aesthetic autonomy of works of art, the gender of the subject, the efficacy of marble as an imitative medium, the question of color and texture in relation to ideas and practices of antiquity, and the relationship between the whiteness of marble and ideas of race. Codice libro della libreria B9780300197891

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Bindman, David
Editore: Yale University Press (2014)
ISBN 10: 0300197896 ISBN 13: 9780300197891
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Descrizione libro Yale University Press, 2014. Condizione libro: New. Focusing on the aesthetic concerns of the two most important sculptors of the early 19th century, the Italian sculptor Antonio Canova (1757-1822) and his Danish rival Bertel Thorvaldsen (1770-1844), this book considers: the aesthetic autonomy of works of art, the gender of the subject, and the efficacy of marble as an imitative medium. Num Pages: 192 pages, 30 colour images + 30 black-&-white illustrations. BIC Classification: ACV; AFKB; AGB. Category: (G) General (US: Trade). Dimension: 242 x 164 x 21. Weight in Grams: 742. . 2014. Hardcover. . . . . . Codice libro della libreria V9780300197891

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Bindman, David
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Descrizione libro Yale University Press, 2014. Condizione libro: New. book. Codice libro della libreria ria9780300197891_rkm

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Descrizione libro Yale University Press 2014-04-04, New Haven, 2014. hardback. Condizione libro: New. Codice libro della libreria 9780300197891

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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97803001978910000000

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Bindman, David
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ISBN 10: 0300197896 ISBN 13: 9780300197891
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Descrizione libro Yale University Press. Condizione libro: New. Focusing on the aesthetic concerns of the two most important sculptors of the early 19th century, the Italian sculptor Antonio Canova (1757-1822) and his Danish rival Bertel Thorvaldsen (1770-1844), this book considers: the aesthetic autonomy of works of art, the gender of the subject, and the efficacy of marble as an imitative medium. Num Pages: 192 pages, 30 colour images + 30 black-&-white illustrations. BIC Classification: ACV; AFKB; AGB. Category: (G) General (US: Trade). Dimension: 242 x 164 x 21. Weight in Grams: 742. . 2014. Hardcover. . . . . Books ship from the US and Ireland. Codice libro della libreria V9780300197891

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