Rolling Stone's Jon Landau described Otis Redding's music as "the highest level of expression rock 'n' roll has yet attained." And now from the critically acclaimed author of Midnight Riders: The Story of the Allman Brothers Band comes an intimate look at soul brother number one and the undisputed king of soul, Otis Redding.
Music was his sole occupation. Inspired by the works of Little Richard, a singer raised in a small town just miles from his own, Otis Redding knew he wanted to become a singer. This dream, his father said, would lead him nowhere, but when Otis Redding first burst onto the scene in 1962 with his R&B hit "These Arms of Mine" music enthusiasts knew they were listening to the voice of a star. With over fourteen songs gracing the top 20 chart, Otis Redding soon became a music phenomenon. Crooning tunes such as "Respect," "I Can't Stop Loving You," and "Try a Little Tenderness," Otis Redding defined a new generation of R&B music.
He solidified his position as a superstar by stealing the spotlight at concerts like the Monterey Pop Festival in 1967. But at the height of his career, three days after completing his most popular song "(Sittin' On) The Dock of the Bay," Otis Redding died in a tragic plane crash over Madison, Wisconsin.
Now, Otis!: The Otis Redding Story tells the true life story of the Rock and Roll Hall of Fame legend who changed the face of R&B music. This revealing portrait is hailed as the most definitive text on the man who embodied the very essence of soul.
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Scott Freeman is the author of Midnight Riders: The Story of the Allman Brothers Band. He has received more than two dozen awards for his journalism, including two nominations for the Pulitzer Prize. He is a senior editor at Atlanta Magazine.
Before his death in 1967 at the age of 26, the legendary soul singer Otis Redding was the premier act of the Stax-Volt record company, whose recordings by Booker T. & the MG's and Sam & Dave, among others, offered a Southern-based brew of R&B, funk and blues that was Motown Records' main competitor in the mid- to late-1960s. Freeman, whose excellent Midnight Riders explored the Allman Brothers' revolutionary Southern rock, has produced another well-written, expertly researched and culturally sensitive chapter in the history of Southern popular music, as well as the first truly in-depth view of the man whose powerful stage presence and commanding vocals made him the first soul artist to cross over to a predominantly white, rock-oriented audience. Redding's music is given its proper context in the black community of Macon, Ga. which also produced Little Richard and James Brown and in the managing career of Phil Walden, a young white soul fan who managed and directed Redding's career and began a Macon-based musical empire that, unlike most Southern labels, achieved success based on a true unity of black and white musicians . But Freeman is no hagiographer: he makes it clear that both Redding and Walden were tough characters with their eyes on the money, too. This nuanced account of Redding's celebrated career, which ended only three days after he recorded the song "The Dock of the Bay," proves that he deserves his place in the pantheon of great American singers. Eight pages of photos not seen by PW. (Dec.) Forecast: With a national radio campaign and supported by the enduring popularity of Redding's music, this should be a success with audiences interested in classic American roots music.
Copyright 2001 Cahners Business Information, Inc.
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Descrizione libro St. Martin's Press, 2001. Hardcover. Condizione libro: New. Codice libro della libreria P110312262175
Descrizione libro St. Martin's Press, 2001. Hardcover. Condizione libro: New. book. Codice libro della libreria 0312262175
Descrizione libro St. Martin's Press. Hardcover. Condizione libro: New. 0312262175 New Condition. Codice libro della libreria NEW6.0134898
Descrizione libro St. Martin's Press, 2001. Hardcover. Condizione libro: New. Codice libro della libreria DADAX0312262175