All Souls: A Family Story from Southie - Brossura

MacDonald, Michael Patrick

Brossura

ISBN 10: 034544177X ISBN 13: 9780345441775

Casa editrice: Ballantine Books, 2000

Riassunto

The author recounts growing up in a poor Irish neighborhood, and remembers the four brothers he lost to violence.

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Recensione:

"If you were charmed by Frank McCourt's Angela's Ashes . . . try All Souls, Michael Patrick MacDonald's guileless and powerful memoir."
--Time

"ALL SOULS IS THE WRITTEN EQUIVALENT OF AN IRISH WAKE, WHERE REVELERS DANCE AND SING THE DEAD PERSON'S PRAISES. In that same style, the book leavens tragedy with dashes of humor but preserves the heartbreaking details."
--The New York Times Book Review

"SEARING POWER . . . [MACDONALD'S] SWIFT, CONVERSATIONAL STYLE SWEEPS YOU INTO HIS ANGER AND SORROW."
--USA Today

"A DEEPLY AMERICAN STORY . . . BUT WHAT IT SHARES WITH ANGELA'S ASHES IS A SENSE OF INSPIRATION. From terrible times came two good men, both gifted in storytelling."
--Chicago Sun-Times

Estratto. © Riproduzione autorizzata. Diritti riservati.:

I was back in Southie, "THE BEST PLACE IN THE WORLD," as Ma used to say before the kids died.  That's what we call them now, "the kids."  Even when we want to say their names, we sometimes get confused about who's dead and who's alive in my family.  After so many deaths, Ma just started to call my four brothers "the kids" when we talked about going to see them at the cemetery.  But I don't go anymore.  They're not at the cemetery; I never could find them there.  When I accepted the fact that I couldn't feel them at the graves, I figured it must be because they were in heaven, or the spirit world, or whatever you want to call it.  The only things I kept from the funerals were the mass cards that said, "Do not stand at my grave and weep, I am not there, I do not sleep.  I am the stars that shine through the night," and so on.  I figured that was the best way to look at it.  There are seven of us kids still alive, and sometimes I'm not even sure if that's true.
        I came back to Southie in the summer of 1994, after everyone in my family had either died or moved to the mountains of Colorado.  I'd moved to downtown Boston after Ma left in 1990, and was pulled one night to wander through Southie.  I walked from Columbia Point Project, where I was born, to the Old Colony Project where I grew up, in the "Lower End," as we called it.  On that August night, after four years of staying away, I walked the streets of my old neighborhood, and finally found the kids.  In my memory of that night I can see them clear as day.  They're right here, I thought, and it was an ecstatic feeling.  I cried, and felt alive again myself.  I passed by the outskirts of Old Colony, and it all came back to me - the kids were joined in my mind by so many others I'd last seen in caskets at Jackie O'Brien's Funeral Parlor.  They were all here now, all of my neighbors and friends who had died young from violence, drugs, and from the other deadly things we'd been taught didn't happen in Southie.
        
We thought we were in the best place in the world in this neighborhood, in the all-Irish housing projects where everyone claimed to be Irish, even if his name was Spinnoli.  We were proud to be from here, as proud as we were to be Irish.  We didn't want to own the problems that took the lives of my brothers and of so many others like them: poverty, crime, drugs - those were black things that happened in the ghettos of Roxbury.  Southie was Boston's proud Irish neighborhood.  
On this night in Southie, the kids were all here once again - I could feel them.  The only problem was no one else in the neighborhood could.  My old neighbors were going on with their nightly business - wheeling and dealing on the corners, drinking on the stoops, yelling up to windows, looking for a way to get by, or something to fight for.  Just like the old days in this small world within a world.  It was like a family reunion to me.  That's what we considered each other in Southie - family.  There was always this feeling that we were protected, as if the whole neighborhood was watching our backs for threats, watching for all the enemies we could never really define.  No "outsiders" could mess with us.  So we had no reason to leave, and nothing ever to leave for.  It was a good feeling to be back in Southie that night, surrounded by my family and neighbors; and I remember hating having to cross over the Broadway Bridge again, having to leave the peninsula neighborhood and go back to my apartment in downtown Boston.
Not long after, I got a call at Citizens for Safety, where I'd been working on antiviolence efforts across Boston since 1990.  It was a reporter from U.S. News & World Report who was working on an article about what they were calling " the white underclass."  The reporter had found through demographic studies that Southie showed three census tracts with the highest concentration of poor whites in America.  The part of Southie he was referring to was the Lower End, my own neighborhood at the bottom of the steep hills of City Point, which was the more middle-class section with nicer views of the harbor.  The magazine's findings were based on rates of joblessness and single-parent female-headed households.  Nearly three-fourths of the families in the lower end had no fathers.  Eighty-five percent of Old Colony collected welfare.  The reporter wasn't telling me anything new - I was stunned that someone was taking notice.  No one had ever seemed to believe me or to care when I told them about the amount of poverty and social problems where I grew up.  Liberals were usually the ones working on social problems, and they never seemed to be able to fit urban poor whites into their world view, which tended to see blacks as the persistent dependent and their own white selves as provider.  Whatever race guilt they were holding onto, Southie's poor couldn't do a thing for their consciences.  After our violent response to court-ordered busing in the 1970's, Southie was labeled as the white racist oppressor.  I saw how that label worked to take the blame away from those able to leave the city and drive back to all-white suburban towns at the end of the day.
Outsiders were also used to the image, put out by our own politicians, that we were a working-class and middle-class community with the lowest rates of social problems anywhere, and that we wanted to keep it that way by not letting blacks in with all their problems.  Growing up, I felt alone in thinking this attitude was an injustice to all the Southie people I knew who'd been murdered.  Then there were all the suicides that no one wanted to talk about.  And all the bank robbers and truck hijackings, and the number of addicts walking down Broadway, and the people limping around or in wheelchairs, victims of violence.
        
The reporter asked me if I knew anyone in Southie he could talk to.  He wanted to see if the socioeconomic conditions in the neighborhood had some of the same results evident in the highly concentrated black ghettos of America.  I called some people, but most of them didn't want to talk.  We were all used to the media writing about us only when something racial happened, ever since the neighborhood had erupted in anti-busing riots during the seventies.  Senator Billy Bulger, president of the Massachusetts Senate, had always reminded us of how unfair the media was with its attacks on South Boston.  He told us never to trust them again.  No news was good news.  And his brother, neighborhood drug lord James "Whitey" Bulger, had liked it better that way.  Whitey probably figured that all the shootings in the nearby black neighborhood of Roxbury, and all the activists willing to talk over there, would keep the media busy.  They wouldn't meddle in Southie as long as we weren't as stupid and disorganized as Roxbury's drug dealers.  And by the late eighties, murders in Southie had started to be less visible even to us in the community.  Word around town was that Whitey didn't allow bodies to be left on the streets anymore; instead, people went missing, and sometimes were found hog-tied out in the suburbs, or washed up on the shores of Dorchester Bay.  The ability of our clean-cut gangsters to keep up appearances complemented our own need to deny the truth.  Bad guy stuff seemed to happen less often within the protected turf of South Boston.  Maybe a few suicides here and there, or maybe an addict "scumbag," but that was the victim's own problem.  Must have come from a bad family - nothing to do with "Our Beautiful World," as the South Boston Tribune was used to calling it, above pictures of church bazaars, bake sales, christenings, and weddings.
I agreed to take the reporter on a tour through Southie.  We stayed in the car, because I was too nervous to walk around with an "outsider" in a suit.  It was bad enough that I was driving his rented sports car.  People in Southie usually drove big Chevys, or when they were in with "the boys," as we called our revered gangsters, they'd upgrade to an even bigger Caddy or Lincoln Continental.  I wore sunglasses and a scally cap, the traditional local cap once favored by hard-working Irish immigrants and longshoremen, and more recently made popular by tough guys and wannabes.  I disguised myself so I wouldn't be identified collaborating with an outsider.  Everyone knew I was an activist working to reduce violence and crime.  But when they saw me on the news, I was usually organizing things over in Roxbury or Dorchester, the black places that my neighbors thanked God they didn't live in.  "That stuff would never happen in Southie," a mother in Old Colony once told me.  Her own son had been run over by gangsters for selling cocaine on their turf without paying up.
When I rode around the Lower End with the reporter, I pointed to the landmarks of my childhood: St. Augustine's grammar school, where Ma struggled to keep up with tuition payments so we wouldn't be bused to black neighborhoods; the Boys and Girls Club, where I was on the swim team with my brother Kevin; Darius Court, where I played and watched the busing riots; the liquor store with a giant green...

Su questa edizione

• Editore: Ballantine Books
• Data di pubblicazione: 2000
• ISBN 10: 034544177X
• ISBN 13: 9780345441775
• Rilegatura: Copertina flessibile
• Numero di pagine: 266