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Indiana Jones and the Kingdom of the Crystal Skull - Rilegato

 
9780345501288: Indiana Jones and the Kingdom of the Crystal Skull
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Daring adventurer-archaeologist Indiana Jones returns in an all new, action-packed saga, in the novelization of the fourth, long-anticipated Indiana Jones movie. 300,000 first printing. (A Lucasfilms/Paramount Pictures film, written by David Koepp from a story by George Lucas, directed by Steven Spielberg, releasing May 2008, starring Harrison Ford, Karen Allen, Cate Blanchett, Shia LeBeouf, John Hurt, Ray Winstone, & Jim Broadbent)

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L'autore:
James Rollins is the bestselling author of eight previous novels: Subterranean, Excavation, Deep Fathom, Amazonia, Ice Hunt, Sandstorm, Map of Bones, and Black Order. He has a doctorate in veterinary medicine and his own practice in Sacramento, California. An amateur spelunker and a certified scuba enthusiast, he can often be found either underground or underwater.

www.jamesrollins.com
Estratto. © Riproduzione autorizzata. Diritti riservati.:
1546

RETURN ...

Francisco de Orellana stumbled the last steps toward the cliff ’s edge. At the lip of the precipice, he fell to his knees.The wide desert plain spread far below him. As the sun sank, he stared across that parched and rocky landscape, a reflection of his own soul. From this height he saw strange pictures carved into the desert floor, mon­strously large, stretching many leagues across the rocky plain, giant figures of monkeys, insects, snakes, along with flowers and strange angular shapes.

It was a God- cursed and demonic land. He should never have come.

Francisco tore the conquistador’s helmet from his head and tossed it behind him. While the sun gave up its last light, he planted his sword deep into the hot, sandy soil. The Spanish pommel and grip formed a cross against the setting sun.

Francisco prayed for release, for forgiveness, for salvation.

El dios querido, me perdona.

But there could be no forgiveness for the murder he had committed.

Blood bathed his gilded armor, dripped from his sword, and soiled his breastplate. The blood came from his own men, slaugh­tered at his own hand.

With his gold dagger, Francisco had slit the throats of the twin brothers, Iago and Isidro. He had used his sword to gut Gaspar like a pig and had come close to cleaving Rogelio’s head clean from his wide shoulders. He had stabbed Oleos in the back as he tried to flee; the same with Diego, cutting him off at the knees. The last man’s screams had chased Francisco to this perch atop the cliff.

But all had fallen silent.

The slaughter was complete.

Return ...

Francisco clawed at his face and dragged deep gouges. The command filled his skull. He sought to dig it out, cursing himself and the trespass he had committed. It would not let him go. The urge cut through his entrails like a rusted hook. It dug deeper than his spine, hooking him and trapping him.

For weeks he had fled that cursed place, sure he had escaped with a wealth to challenge kings, with wonders that would make queens weep. He had chests of gold and silver, another full of rubies and emeralds. A boat waited only a few days away, ported in a deepwater cove.

So close.

Return ...

He sank around his sword, begging for release. As this day had dawned, he had finally succumbed to the command etched into his bones. With each step away from that accursed valley, the word had grown louder in his skull. There was no escaping it. At last he found it impossible to continue, to take another step toward his ship. He became trapped in amber, unable to move forward. Only one path was left.

His men felt no such compunction. They chattered like boys, ex­cited to return home, reveling in how they’d spend their wealth, full of grand schemes and great dreams. They would not listen when he spoke of going back. They had fought him, urged him, and swore at him. They meant to take the treasure and continue to the ship, even if it meant leaving him behind.

And Francisco would have let them.

But in their greed, the men moved to take that which belonged to Francisco alone. That could not be! In a blind rage, he had cut them down like a scythe through wheat. Nothing must stop him, not even his own men.

Return ...

Now he was alone at last.

Now he could go back.

As the sun dropped below the far horizon and night fell, he gained his feet, retrieved his helmet, and pulled his sword from the soil. He turned, ready at last to obey the command. He headed down the dark slope–but movement drew his eye.

Below, figures shifted out of shadows and from behind tall boulders. They rose from holes and crawled from the limbs of twisted trees. They climbed toward him from all directions. He heard the knock of naked knees and the clop of stony heels.

An army, stripped of flesh . . . made of bones.

He paled and backed away, knowing now he was truly cursed.

The living dead closed toward him.

Come to drag him to Hell.

Where he truly belonged.

Still, he screamed to the night sky–not in terror, but in anguish, knowing he was forever damned. For he had failed, failed to obey the command burning in his skull. Merciless, relentless, the dead advanced toward him. His scream ripped into the night, but all Francisco de Orellana heard was one word.

Return ...
ONE

Yucatán Peninsula, 1957

Each stone told a story.

He edged on his stomach across the circular floor. Its surface had been carved into a Mayan calendar: a massive wheel made up of concentric rings of glyphs dug deep into the rock. Ahead, in the center, rose a large statue of a serpent’s head, cowled by stone feath­ers, its fanged mouth stretched wide, ready to swallow the unwary. The opening was large enough for a man to crawl through.

But what was in there?

He had to know.

If only he could reach it . . .

He tried to go faster, but the roof pressed against his back. He could not even lift up onto an elbow.The chamber required the sup­plicant to slither across the floor like a snake, perhaps in representa­tion of the Mayan god, Kukulkan, the feathered serpent. Except this current worshipper wore no feathers, only scuffed khaki pants, a faded leather bomber jacket, and a battered brown fedora.

Covered in mud, he crawled across the limestone floor. It had been raining in the Yucatán for the past week. The sun was just a distant memory. And now a tropical storm was due to strike this night, threatening to drive them away from the jungle- covered Mayan ruins that hugged the Yucatán coast.

“Indiana!” The call came from the stairs behind him.

“Little busy here, Mac!” he yelled back.

“The sun’s gone down, mate!” his friend urged, his British accent thickening with worry. “The winds are kicking up fierce. A coconut flew right past my head a minute ago.”

“It’s only a tropical storm!”

“Indy, it’s a hurricane!”

“Okay, so it’s a big tropical storm! Still busy down here. I’m not leaving till I see what’s hidden in the center of that statue. It has to be important.”

Indy had discovered the secret entrance to the temple two days earlier. It lay beneath a Mayan city complex on the central coast of the Yucatán. Hours of careful digging had been required to open the chute that led down to the inner chamber. Jungles still shrouded most of it, keeping it hidden for centuries from prying eyes and the sticky fingers of robbers.

Indy read the calendar wheel as he worked across the floor. The outer ring told the genesis myth of the Maya, as related from the Popul Vuh, the sacred book of the Maya. It listed the birth date of the world as:

13.0.0.0.0 4- Ahwa 8- Kumk’u

In the Gregorian calendar, this corresponded to August 13, 3114 BC. The inner rings continued the story of the K’iche Maya tribe, who had mostly settled Guatemala. Their writings were never seen this far north. The tale told of the birth and rise of Kukulkan, the feathered serpent god.

Indy ignored the ache in his knees and continued his crawl toward the innermost ring and the strange sculpture in the center.
The last ring spoke of the end of the Long Count calendar, the end of the world itself: December 21, AD 2012.

Fifty- five years from now.

Would the world truly end that day?

He continued onward. Plenty of time to worry about that later.

Indy reached the snake god’s head and lifted his lantern between the stone fangs. A small chamber opened beyond the mouth–but it had no floor. A pit dropped, like the dark throat of the stone ser­pent itself. It was deep, too dark to see the bottom, but a whispery rush echoed up to him.

Indy squirmed into the mouth and lowered his lantern. He caught a glint of silver, but it was still too dark to make out any details.

“Indiana!” Mac called from the stairs. “What are you doing?”

“What does it look like I’m doing?”

“It looks like you’re being swallowed by a snake!”

Indy shuddered at the thought. It was his worst nightmare. He twisted around and loosed his bullwhip from his shoulder. He tied the end around the handle of his lantern and lowered the light into the pit. The darkness fell back as the lantern descended. The walls of the well appeared to be raw polished limestone.

At last his light revealed the source of the silvery glint: water flowing past the bottom of the pit. The hole opened into one of the numerous underground rivers that ran through the porous lime­stone peninsula of the Yucatán. Hundreds of miles of such rivers and tunnels riddled the underworld here. The Maya considered such openings to be pathways to the next life.

Indy lowered the lantern a bit deeper. The river surged fast and fierce, storm- fed by the weeks of rain and the current typhoon. But through the rush of crystal- clear water, his lantern’s glow revealed a final glyph, carved into the bottom of the river channel.

He could almost make it out.

Indy sidled farther into the statue, half hanging into the pit, his arm outstretched. The glyph came into better focus. Indy recog­nized it. He had seen the same carving on the lintel above one of the temples outside. It was a figure of a man, upside down as if falling, symbolizing mankind’s birth into this world.

Or maybe it was more literal: a warning to be careful.

Too late. The lip of stone broke ...

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  • EditoreDel Rey
  • Data di pubblicazione2008
  • ISBN 10 0345501284
  • ISBN 13 9780345501288
  • RilegaturaCopertina rigida
  • Numero edizione1
  • Numero di pagine330
  • Valutazione libreria

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9780345502889: Indiana Jones and the Kingdom of the Crystal Skull (TM)

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ISBN 10:  0345502884 ISBN 13:  9780345502889
Casa editrice: Random House Worlds, 2008
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  • 9780766631953: Indiana Jones and the Kingdom of the Crystal Skull Collector's Guide with Full-Size Poster by Modern Publishing (2008-05-07)

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    Ebury ..., 2008
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