Was Pablo Picasso a modern Midas, who not only turned the trash of everyday life into the gold of cubist collage but, touching all of old-master art, gave it fabulous new value? Or was he a monster counterfeiter who mercilessly raided the styles of others? Arguing that counterfeit and genuine are not opposites but, instead, two sides of the same condition, Krauss brilliantly brings Picasso's work into focus as the "sublimated" underbelly of cubism itself .
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Rosalind E. Krauss, University Professor at Columbia University and an editor and cofounder of October magazine, is the author of The Originality of the Avant-Garde and Other Modernist Myths (1985), The Optical Unconscious (1993), The Picasso Papers (1999), and Bachelors (1999), all published by the MIT Press, and coauthor (with Yve-Alain Bois) of Formless: A User's Guide (Zone Books, 1997).From Library Journal:
One of the country's foremost critics and theorists, Krauss here offers a unique, scholarly look at Picasso's numerous styles, with some of the most fascinating analysis examining the juncture between them. In the first section, the book's title becomes a play on the materials from which Picasso constructed his cubist works. Krauss deconstructs many individual pieces in terms of background and foreground and grants the newspapers the role of dialog among subjects. What is most interesting and unique about the analysis is her convincing argument that the introduction of color into the cubist palette was the impetus for the artist's abandoning that style. Later she discusses Picasso's frequent borrowings?from Ingress and Cezanne, Seurat and even photography?the idea of synthesis, and the existence of a work as unique hybrid. Throughout, she critiques the innumerable previous writings on Picasso, and in the book's final section she offers a deeper look at a few titles and the purpose they serve in the making of the Modern master. Not a biography for Picasso novices, this is nonetheless accessible to informed lay readers and deserves a place in larger public as well as all academic collections.?Douglas McClemont, New York
Copyright 1997 Reed Business Information, Inc.
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Descrizione libro Farrar Straus & Giroux, New York, 1998. Hardcover. Condizione libro: New. Condizione sovraccoperta: As New. 1st Edition. First edition stated 1998, first printing. Hardcover with DJ. Condition as new, square tight and crisp book, no markings of any kind, no names no underlinings no highlights no bent pages, Not a reminder. DJ as new, bright, no tears no chips no edgewear, Price Not clipped, 8vo, XVI + 272 pages, 76 illustrattions. Codice libro della libreria 013101
Descrizione libro Farrar Straus & Giroux (T), 1998. Hardcover. Condizione libro: New. book. Codice libro della libreria M0374232091
Descrizione libro Farrar Straus & Giroux (T), 1998. Hardcover. Condizione libro: New. Codice libro della libreria DADAX0374232091
Descrizione libro Condizione libro: Brand New. Book Condition: Brand New. Codice libro della libreria 97803742320921.0
Descrizione libro Farrar Straus & Giroux (T), 1998. Hardcover. Condizione libro: New. Codice libro della libreria P110374232091