Terrible Honesty is the biography of a decade, a portrait of the soul of a generation - based on the lives and work of more than a hundred men and women. In a strikingly original interpretation that brings the Jazz Age to life in a wholly new way, Ann Douglas arugues that when, after World War I, the United States began to assume the economic and political leadership of the West, New York became the heart of a daring and accomplished historical transformation.
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Ann Douglas has taught American Studies at Harvard, Princeton, and Columbia University, where she is now professor of English and Comparative Literature. Her previously published works include The Feminization of American Culture.
"One of the most amazing books on America to appear in recent years. In its sheer ambition, in the utter comprehensiveness of its determination to probe the lived realities of the age, Terrible Honesty stands apart. It sparkles with something like that same vital essence that Douglas locates at the core of the 1920s in the United States [and] is by far the most racially inclusive cultural study of its type by an American scholar."—Arnold Rampersad, The New York Times Book Review
"First rate . . . A lucid portrayal of an era, a persuasive interpretation of a piece of cultural history by a courageous and original scholar."—Jeanne Schinto, The Boston Sunday Globe
"Douglas' dense, rat-a-tat-tat narrative is full of surprises. Few readers probably know that Samuel Goldwyn once offered Freud $100,000 to write a 'love story' for his movie studio . . . An erudite portrait of a dazzling decade and metropolis, both of which had a sense 'of having been a specially privileged and charged site of American experience.' We shall not see their like again."—Time
"While Hemingway, Stein, Fitzgerald, et al. were finding Paris a movable feast, for hundreds of other American artists, writers, and musicians who remained at home, Manhattan in the 1920s was a kind of Roman candle hurtling into hyperborean space, its glitter and energy sparking a decade of creativity. And though the expatriates were mining established European cultures, for them, too, Manhattan was their defining center, whether escaping or embracing it. This book is a cornucopia of anecdote and commentary on some 120 stars of the Jazz Age. Douglas devotes considerable attention to the city's impact on the legendary black musicians and theirs on it; to its architectural ebullience; and above all to the literary and publishing mavens who worshipped the integrity of the word . . . This is a sprawling, erudite, provocative study of an expanding artistic universe that crashed with the Depression and, like it, left a powerful imprint on the American consciousness."—Publishers Weekly
"It is rare when somebody comes along to cast a bright and clarifying new light on a subject that will never again seem the same. But Anne Douglas has done just that in her intensely analytical and, at the same time, readably anecdotal cultural history. The depth of Ms. Douglas' knowledge and her consistent grasp of the complexity of things made her argument a powerful one . . . Her remarkable scholarship is going to set the standard for a long time to come."—Richard Bernstein, The New York Times
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Descrizione libro Farrar, Straus and Giroux. Condizione libro: Brand New. Ships from USA. FREE domestic shipping. Codice libro della libreria 0374524629
Descrizione libro Farrar, Straus and Giroux, 1996. Paperback. Condizione libro: New. Codice libro della libreria DADAX0374524629
Descrizione libro Farrar, Straus and Giroux, 1996. Paperback. Condizione libro: New. book. Codice libro della libreria 0374524629
Descrizione libro Farrar, Straus and Giroux, 1996. Paperback. Condizione libro: New. Codice libro della libreria P110374524629
Descrizione libro Farrar, Straus and Giroux. PAPERBACK. Condizione libro: New. 0374524629 New Condition. Codice libro della libreria NEW6.0171936