Cutting for Stone: A Novel - Rilegato

Verghese, Abraham

Rilegato

ISBN 10: 0375414495 ISBN 13: 9780375414497

Casa editrice: Alfred a Knopf Inc, 2009

Riassunto

A sweeping, emotionally riveting first novel—an enthralling family saga of Africa and America, doctors and patients, exile and home.

Marion and Shiva Stone are twin brothers born of a secret union between a beautiful Indian nun and a brash British surgeon at a mission hospital in Addis Ababa. Orphaned by their mother’s death in childbirth and their father’s disappearance, bound together by a preternatural connection and a shared fascination with medicine, the twins come of age as Ethiopia hovers on the brink of revolution. Yet it will be love, not politics—their passion for the same woman—that will tear them apart and force Marion, fresh out of medical school, to flee his homeland. He makes his way to America, finding refuge in his work as an intern at an underfunded, overcrowded New York City hospital. When the past catches up to him—nearly destroying him—Marion must entrust his life to the two men he thought he trusted least in the world: the surgeon father who abandoned him and the brother who betrayed him.

An unforgettable journey into one man’s remarkable life, and an epic story about the power, intimacy, and curious beauty of the work of healing others.

Su questo libro

Recensione:

“Abraham Verghese is a doctor, an accomplished memoirist and, as he proves in Cutting for Stone, something of a magician as a novelist. This sprawling, 50-year epic begins with a touch of alchemy: the birth of conjoined twins to an Indian nun in an Ethiopian hospital in 1954. The likely father, a British surgeon, flees upon the mother’s death, and the (now separated) baby boys are adopted by a loving Indian couple who run the hospital. Filled with mystical scenes and deeply felt characters–and opening a fascinating window onto the Third World–Cutting for Stone is an underdog and a winner. Shades of Slumdog Millionaire.”

–Jocelyn McClurg, USA Today

“A novel set in Africa bears a heavy burden. The author must bring the continent home to help the reader sit in a chair and imagine vast, ancient, sorrowful, beautiful Africa. In the last decade I’ve read books narrated by characters homesick for Africa; books by or about child soldiers; books about politics; books full of splintering history. Cutting for Stone is the first straightforward novel set in and largely about Africa that I’ve read in a good long time–the kind Richard Russo or Cormac McCarthy might write, the kind that shows how history and landscape and accidents of birth and death conspire to create the story of a single life. Perhaps it is because the narrator is a doctor that you know there will be pain, healing, distance, perspective and a phoenix rising from the ashes of human error. Marion Stone reconstructs his half-century with a child’s wonder . . . Verghese knows that beauty is the best way to draw us in . . . The landscape and the characters who live and work [at Missing Hospital] create something greater than a community, more like an organism. The intimacy of the twins . . . the ghostly purity of their mother and the daily rhythms of the hospital create an inhabitable, safe place, on and off the page. In lesser hands, melodrama would be irresistible . . . but Verghese has created characters with integrity that will not be shattered by any event. . . . Verghese makes the point in his gentle way that violence begets violence; that fanaticism is born from pain. . . . Cutting for Stone owes its goodness to something greater than plot. It would not be possible to give away the story by simply telling you what happens. Verghese creates this story so lovingly that it is actually possible to live within it for the brief time one spends with this book. You may never leave the chair. . . Lush and exotic . . . richly written.”

–Susan Salter Reynolds, Los Angeles Times

“Any doubts you might harbor about a 534-page first novel by a physician in his 50s will be allayed in the first few pages of this marvelous book. Abraham Verghese has written two graceful memoirs, but Cutting for Stone, his wildly imaginative fictional debut, is looser, bigger, even better. The narrative begins as a nun of staff at a charity hospital in Ethiopia dies giving birth to twin boys. No one on staff had known she was pregnant, least of all her surgeon lover, who promptly decamps. Just when you think you’re holding a grim epic of abandonment, Verghese changes keys, launching a buoyant tale of family happiness. [The] newborns are adopted by Hema, the hospital’s gynecologist, and her physician husband Ghosh. Introduced as a cheerful buffoon, Ghosh emerges as Verghese’s most achingly soulful creation, man as wise as he is tender. Verghese has the rare gift of showing his characters in different lights as the story evolves, from tragedy to comedy to melodrama, with an ending that is part Dickens, part Grey’s Anatomy. The novel works as a family saga, but it is also something more, a lovely ode to the medical profession. Verghese can write about the repair of a twisted bowel with the precision and poetry usually reserved for love scenes. The doctor in him sees the luminous beauty of the physician’s calling; the artist recognizes that there remain wounds no surgeon can men. ‘Where silk and steel fail, story must succeed,’ Marion muses. This one does.”

–Jennifer Reese, Entertainment Weekly; Grade: A

“An epic tale about love, abandonment, betrayal and redemption, Verghese’s first novel is a masterpiece of traditional storytelling. Not a word is wasted in this larger-than-life saga that spans three countries and six decades. . . . So adept at keeping his readers engaged, Verghese (a doctor himself, as well as a professor at Stanford) is able to relate technically detailed accounts of medical procedures without ever slowing the pace of the narrative. Detail, in fact, is Verghese’s forte. Every character has a history–and Verghese expertly weaves the threads of numerous story lines into one cohesive opus. The writing is graceful, the characters compassionate and the story full of nuggets of wisdom. Verghese’s august talent for storytelling is apparent in the dramatic arc of every chapter, but it is his handling of the human condition, of sins and salvation, of flaws and forgiveness, that makes this work particularly moving. From [Marion and Shiva Stone’s] dramatic upbringing in a politically unstable nation to their heartbreaks and humiliations, Verghese’s prose is teeming with memorable dialogue and description. Marion’s arrival in New York City captures the wonderment of an immigrant . . . Although Verghese’s nonfiction works exemplify the sensitivity and awareness evident in Cutting for Stone, neither achieves the depth or breadth of this fictional tour de force. With all the traits of a great 19th century novel–a personal and intense narrative with coincidences and an unexpected denouement–Cutting for Stone is destined for success.”

–Meghan Ward, San Francisco Chronicle

“Blood is thicker than water, and more copious, in this expansive novel about identical twin boys born in Addis Ababa in 1954 and instantly orphaned–their mother dies, their father flees. Raised by doctors at the hospital, Shiva and Marion soon begin practicing medicine themselves, but their lives unhappily diverge. The twins have a telepathic connection, and Marion, the narrator, believes he can recall their relationship in the womb. Verghese, a doctor, has an affinity for unstinting detail and unscientific intuition. The exhaustive gore of the medical procedures is matched by a poetic perception of the outside world–arriving in New York, Marion misses the cacophony of Addis Ababa’s roads, observing that in America ‘the cars were near silent, like a school of fish.’ Verghese bends history and coincidence to his narrative needs–characters cross paths when they should and find the information they seek–creating a story much like the human bodies Marion painstakingly describes: beautiful [and] amazing.”

–The New Yorker

“Masterful . . . Verghese’s gripping narrative moves over decades and generations from India to Ethiopia to an inner-city hospital in New York, describing the cultural and spiritual pull of these places. . . . Even with its many stories and layers, Cutting for Stone remains clear and concise. Verghese paints a vivid picture of these settings, the practice of medicine (he is also a physician) and the characters’ inner conflicts. I felt as though I were with these people, eating dinner with them even, feeling the hot spongy injera on my fingers as they dipped it into a spicy wot. In The Interior Castle, Saint Teresa’s work on mystical theology, she wrote, ‘I began to think of the soul as if it were a castle made of a single diamond or of very clear crystal, in which there are many rooms, just as in Heaven there are many mansions.’ Cutting for Stone shines like that place.”

–W. Ralph Eubanks, The Washington Post Book World

“Stupendous . . . The best novel to come along so far this year. [Cutting for Stone] doesn’t really belong to any familiar genre. Rather, it has invented its own: the epic medical romance, surgery meets history. [Verghese is] an original talent; a writing that can deliver with both pen and scalpel. . . . Verghese’s eye is acutely diagnostic. Like Tolstoy (the comparison is not completely far-fetched), he spots the symptomatic, involuntary tics and twitches of body language and nails something bigger: the rough force of politics with which the twins Shiva and Marion . . . have to deal as they grow to maturity in embattled Ethiopia. . . . In War and Peace, the field hospital was a place of last resort for Tolstoy’s antagonists to discover the point of the life from which they are about to exit. For Verghese, the hospital is the world itself, laid out in a state of extreme emotional exposure–for Cutting for Stone is also, at its core, a story of erotic upheavals and familial betrayals. Its action takes place within the arc of the two terrifying procedures that form its beginning and end, and in this sense it reaches for the ambitions of Greek tragedy. . . . Beautiful and deeply affecting.”

–Simon Schama, Financial Times

“Three and a half stars. Conjoined twins, Shiva and Marion Stone are separated by the doctor whose Caesarean fails to save their mother. Raised near the Ethiopian hospital where they were born, the brothers lock into a struggle that mirrors the country’s political tension: Their family is touched by murder, a coup, betrayal. Verghese plays straight to the heart in his first novel, which will keep you in its thrall.”

–Michelle Green, People

“Engrossing . . . Endearing . . . A passionate, vivid, and informative novel . . . [Verghese] paints a colorful, fact-filled, and loving portrait . . . Verghese is at his best describing the landscape, the genial wisdom of the man who raises [twin brothers Marion and Shiva], the political upheavals that rupture the land he loves, and . . . the medical and surgical challenges that confront this family of doctors. . . . Cutting for Stone is worth reading. Verghese is clearly a compassionate man in love with words and the subject matter to which he applies them.”

–Julie Wittes Schlack, The Boston Globe

“[An] astonishing, breath-taking and heartrending human epic about two little boys who become enamored of medicine, but whose paths violently diverge . . . A perfectly pitched, endlessly rewarding symphony of a debut novel. If you have time to read only one novel this year, make it this one.”

–Sheila Anne Feeney, Newark Star-Ledger

“Absorbing, exhilarating . . . Rich . . . Worthy of ‘Once-upon-a-time’ status. . . . If you’re hungry for an epic that begins in 1940s Madras, sails through a typhoid outbreak, stumbles through a sordid khat den in Yemen, lingers in a plucky mission clinic in Addis Ababa and climaxes in a gritty New York City hospital before alighting, for a mystical moment, in a small Italian chapel graced by Bernini’s sculpture of St. Teresa, then open the covers of Cutting for Stone, [then] don’t expect to do much else. . . . [Verghese] skillfully captures the tensions and insights triggered by cultural crosscurrents. [He] details with equal adroitness the thrashing of 10,000 Italian soldiers by barefoot Ethiopian fighters in 1896; the patois of frankincense-scented brothels; a vasectomy performed with the aid of space heater and Johnnie Walker Red–the description of the latter so charming and surgically precise, it could serve, in a pinch, as how-to manual. Verghese’s love of medicine is palpable. He’s equally passionate about narrative. . . . He sprinkles medical nuggets throughout his novel to reveal the raw complexity of life . . . His intimate depiction of humanity makes your pulse race, your eyes tear, and your lungs exhale a satisfied sigh.”

–Paula Bock, The Seattle Times

“Compelling . . . A story [that] refuses to let go of the readers. . . . Cutting for Stone [is] a coming-of-age novel. But it’s also a novel about doctors and nurses living amid the rich contradictions of Ethiopia. Then again, it’s a novel about the making of a surgeon, an expatriate who leaves Ethiopia to learn the art in a not-so-nice neighborhood in the Bronx. On another level, it’s a surgical thriller. Finally, Cutting for Stone is a novel of character–of a family held together by love and split by betrayal. . . . Readers will put this novel down at book’s end knowing that it will stick with them for a long time to come. . . . Unlike many doctors, Verghese can write. . . . And, unlike so many doctors, Verghese (or at least the surgeon in this novel, his first) insists on seeing patients as humans. . . . Somehow, even using the jargon that surgeons use, Verghese makes the process clear to readers. So, read it for the medical education. Or for the characters. Or for the action, or for the dynamics of an unhappy family. But do yourself a favor. Read it.”

–Harry Levins, St. Louis Post-Dispatch

“Gripping . . . Admirably accessible, Verghese takes every opportunity to make the language of medicine fascinating to the outsider. . . . His novel has more in common with the large, ambitious, action-packed novels of the 19th century than with any more recent models. References to George Eliot’s Middlemarch are layered into the book, perhaps as an indicator of the kind of sweeping social novel Verghese is attempting. What’s most memorable about Cutting for Stone is Verghese’s compassionate authorial generosity toward his characters, particularly in his medical scenes. Verghese’s doctors never forget that they are operating on human beings. . . . Refreshing.”

–Laura C. J. Owen, Minneapolis Star Tribune

“Epic/intimate storytelling in the tradition of Forster, Conrad, Dinesen, Maugham, Naipaul. . . . All signs point in the affirmative that Verghese has succeeded in his ambition to write ‘the great medical novel.’”

–Steve Bennett, San Antonio Express-News

“The novel is full of compassion and wise vision. . . . I feel I changed forever after reading this book, as if an entire universe had been illuminated for me. It’s an astonishing accomplishment to make such a foreign world familiar to a reader by the book’s end.”

–Sandra Cisneros, San Antonio Express-News

“Dr. Marion Praise Stone, the narrator of Cutting for Stone, [holds] his audience spellbound. Call him a little miracle, a fictional character so richly imagined and situated that neither he nor the book he lives in will ever be forgotten. Verghese’s first novel is a whopper, illuminating the magic and the tragedy of our lives, brimming with wisdom about the human condition. Such fun to read, too–with a huge cast, a sweeping multi-continental plot arc, a zillion lovely moments along the way: sharp descriptions, recurrent jokes, cultural observations and medical asides both witty and profound. (Wait till you get to the vasectomy.) In charting the destiny of this family–twins born attached at the head, adoptive parents whose devotion is a force of nature, biological parents whose absence is a wound, a servant’s daughter who becomes a semi-sibling, Verghese tells the brightest and darkest truths of what it means to be connected to another human. . . In Cutting for Stone, we get all we were promised and then some. Verghese’s previous two books established [him] as a gifted memoirist, a devoted doctor whose skillful storytelling transformed sad stories into fine reading. Yet these books gave no hint of the incredible imaginative power found in this first novel, a power that recalls contemporary fabulists like Salman Rushdie and John Irving. Like Rushdie, Verghese takes us wholly away to a foreign place, culture and history. Like John Irving, he invents ch...

L'autore:

Abraham Verghese is Professor and Senior Associate Chair for the Theory and Practice of Medicine at the Stanford University School of Medicine. He was the founding director of the Center for Medical Humanities & Ethics at the University of Texas Health Science Center, San Antonio, where he is now an adjunct professor. He is the author of My Own Country, a 1994 NBCC Finalist and a Time Best Book of the Year, and The Tennis Partner, a New York Times Notable Book. A graduate of the Iowa Writers’ Workshop, he has published essays and short stories that have appeared in The New Yorker, The New York Times, The Atlantic Monthly, Esquire, Granta, The Wall Street Journal, and elsewhere. He lives in Palo Alto, California.

Su questa edizione

• Editore: Alfred a Knopf Inc
• Data di pubblicazione: 2009
• ISBN 10: 0375414495
• ISBN 13: 9780375414497
• Rilegatura: Copertina rigida
• Numero edizione: 1
• Numero di pagine: 541