Science writer Joe Rose is spending a day in the country with his long-time lover, Clarissa, when he witnesses a tragic accident--a balloon with a boy trapped in it is being tossed by the wind, and, in an attempt to save the child, a man is killed. As though that isn't disturbing enough, a man named Jed Parry, who has joined Rose in helping to bring the balloon to safety, believes that something has passed between him and Rose--something that sparks in Parry a deranged, obsessive kind of love.
Soon Parry is stalking Rose, who turns to science to try to understand the situation. Parry apparently suffers from a condition known to psychiatrists as de Clerambault Syndrome, in which the afflicted individual obsessively pursues the object of his desire until the frustrated love turns to hate and rage--transforming one of life's most valued experiences into pathological horror. As Rose grows more paranoid and terrified, as his treasured relationship with Clarissa breaks under the tension of his fear, Rose realizes that he needs to find something beyond the cold reasoning of science if this love is to be endured.
With the cool brilliance and deep compassion that defined his best novels (The Comfort of Strangers, The Innocent), Ian McEwan has once again spun a tale of life intruded upon by shocks of violence-and discovered profound truths about the nature of love and the power of forgiveness.
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Joe Rose has planned a postcard-perfect afternoon in the English countryside to celebrate his lover's return after six weeks in the States. To complete the picture, there's even a "helium balloon drifting dreamily across the wooded valley." But as Joe and Clarissa watch the balloon touch down, their idyll comes to an abrupt end. The pilot catches his leg in the anchor rope, while the only passenger, a boy, is too scared to jump down. As the wind whips into action, Joe and four other men rush to secure the basket. Mother Nature, however, isn't feeling very maternal. "A mighty fist socked the balloon in two rapid blows, one-two, the second more vicious than the first," and at once the rescuers are airborne. Joe manages to drop to the ground, as do most of his companions, but one man is lifted sky-high, only to fall to his death.
In itself, the accident would change the survivors' lives, filling them with an uneasy combination of shame, happiness, and endless self-reproach. (In one of the novel's many ironies, the balloon eventually lands safely, the boy unscathed.) But fate has far more unpleasant things in store for Joe. Meeting the eye of fellow rescuer Jed Parry, for example, turns out to be a very bad move. For Jed is instantly obsessed, making the first of many calls to Joe and Clarissa's London flat that very night. Soon he's openly shadowing Joe and writing him endless letters. (One insane epistle begins, "I feel happiness running through me like an electrical current. I close my eyes and see you as you were last night in the rain, across the road from me, with the unspoken love between us as strong as steel cable.") Worst of all, Jed's version of love comes to seem a distortion of Joe's feelings for Clarissa.
Apart from the incessant stalking, it is the conditionals--the contingencies--that most frustrate Joe, a scientific journalist. If only he and Clarissa had gone straight home from the airport... If only the wind hadn't picked up... If only he had saved Jed's 29 messages in a single day... Ian McEwan has long been a poet of the arbitrary nightmare, his characters ineluctably swept up in others' fantasies, skidding into deepening violence, and--worst of all--becoming strangers to those who love them. Even his prose itself is a masterful and methodical exercise in defamiliarization. But Enduring Love and its underrated predecessor, Black Dogs, are also meditations on knowledge and perception as well as brilliant manipulations of our own expectations. By the novel's end, you will be surprisingly unafraid of hot-air balloons, but you won't be too keen on looking a stranger in the eye.From the Publisher:
"Vibrant and unsettling...a tour de force."--The New York Times Book Review
"Brilliant...a marvellous fiction...an imaginative reconstruction of a superior kind."--Anita Brookner
"McEwan has fashioned a remarkable novel, haunting and original and written in prose that anyone who writes can only envy."--The Washington Post
"Cleverly imagined, beautifully executed...a pleasure to read...[McEwan] has few peers."--The Wall Street Journal
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Descrizione libro Nan A. Talese, 1998. Hardcover. Condizione libro: New. New item. May have light shelf wear. Codice libro della libreria 170531030
Descrizione libro Nan A. Talese, 1998. Hardcover. Condizione libro: New. Never used!. Codice libro della libreria P110385491123
Descrizione libro Nan A. Talese, 1998. Hardcover. Condizione libro: New. New Condition, Codice libro della libreria 1708180141
Descrizione libro Nan A. Talese, 1998. Hardcover. Condizione libro: New. New Hardcover! Pristine unmarked pages, may have very slight warehouse wear, no remainder marks, still a great buy straight from warehouse unread, sealed in plastic, exact artwork as listed, Codice libro della libreria 140170519273
Descrizione libro Nan A. Talese, 1998. Hardcover. Condizione libro: New. Codice libro della libreria DADAX0385491123
Descrizione libro Nan A. Talese. Hardcover. Condizione libro: New. 0385491123 New Condition. Codice libro della libreria NEW7.0125529
Descrizione libro Nan A. Talese, 1998. Hardcover. Condizione libro: New. book. Codice libro della libreria M0385491123