Linwood Barclay is back with more unexpected twists and superb characters in a spine-tingling, mesmerizing thriller about a husband whose wife disappears, along with everything he thought he knew about their life together.
David Harwood, a reporter in Promise Falls, New York, is stressed out. The newspaper he works for is outsourcing jobs to India, he can't get a solid lead on the corrupt for-profit prison moving to town, and his wife, Jan, is struggling with a bout of depression. As a much-needed break, David and Jan decide to take their four-year-old son, Ethan, to a local amusement park for a day of ice cream, rollercoasters, and carefree fun. But revelry is quickly replaced by panic when, within an hour of arriving at the park, Ethan goes missing. Though he is soon found, panic escalates to full-blown terror when Jan suddenly disappears. Confused and worried, David finds himself desperately searching for any clue that could lead him to his wife - even if it means unraveling a tangle of lies and deception that become more complicated at every turn.
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Amazon Best Books of the Month, March 2010 With a storyline that's wound tighter than a rattlesnake's coil, author Linwood Barclay returns to play upon our deepest fears with Never Look Away. Journalist David Harwood is left only with questions after a family outing becomes a terrifying nightmare in the mere blink of an eye. Someone, it would seem, is out to get him, and when suspicious evidence labels him a “person of interest” in a mysterious disappearance, the unassuming Harwood is forced to bare his teeth in pursuit of the truth. Fans of Fear the Worst, Too Close to Home, and No Time for Goodbye should already know the drill: Barclay refuses to grant readers any respite with gut-wrenching plot twists that keep firing until the final page. But those unfamiliar with his work would be wise to clear their calendars for this engaging non-stop thriller. --Dave Callanan
Amazon Exclusive: Linwood Barclay on Never Look Away
Years ago, when I worked on the city desk for The Toronto Star, every once in a while someone would phone in with a hot tip. Something they’d heard from a friend of a friend. The story was that children were being spirited away from a local theme park. Grabbed, disguised, thrown into a van and driven away so fast their parents hadn’t even noticed they were gone yet.
And the kicker was, the story was being suppressed because the theme park owners didn’t want bad publicity.
There was never, ever anything to it. I’d worked in the news business long enough to know that when a kid goes missing. That story gets out. Big time.
Our theme park was not the only one where this urban myth played out. I’d heard the same story about a number of big attractions. But never with any real names attached. It always happened to the boyfriend of someone’s cousin’s brother’s boss.
But the story stayed with me just the same. I started playing around with it in my head. I thought, okay, let’s start with the myth, but then let’s do something entirely different. Someone’s going to disappear, all right, but not the person you’re expecting...
As I began working out the storyline for my new thriller, Never Look Away, the amusement park scene became a way in to a very different kind of tale for me. One about secrets, about past, hidden lives, about how sometimes the people we’re closest to are the ones we know the least. One significant way in which it differs from my previous novels is that it is not told entirely in first person. This time, there were things I had to keep from my protagonist that the reader just had to know.
That time on the city desk was part of more than 30 years I spent working in newspapers. It was a period in which papers mattered a great deal. They still do, but it’s hardly news to point out they’re facing tough times, a perfect storm of changing technology meeting harsh economic realities. So when it came to deciding what that protagonist would do for a living, I decided to make him a reporter at a small daily that’s more concerned with maintaining revenues than breaking scandals, especially if breaking them will hurt the bottom line. (I like to point out, I never encountered anything like that at The Star.)
I was well into writing this novel when Michael Connelly’s terrific novel The Scarecrow came out, which is also set against the backdrop of a newspaper in decline. I suspect these will not be the only two novels to explore--either in depth or in a tangential way--the significant changes this institution is going through.
Another urban myth that used to get called into the paper now and again was that some unscrupulous developer was building houses so cheaply, someone’s piano went right through the living room floor. We never found that house, but there might still be a murder mystery in that story, especially if there was some poor bastard in that basement. --Linwood BarclayAbout the Author:
LINWOOD BARCLAY is a former columnist for the Toronto Star, and the author of seven novels, including Fear the Worst, Too Close to Home, and No Time for Goodbye. He lives near Toronto with his wife.
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Descrizione libro Doubleday Canada, 2010. Hardcover. Condizione libro: New. book. Codice libro della libreria M038566804X