Seeing Differently: A History and Theory of Identification and the Visual Arts

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9780415543835: Seeing Differently: A History and Theory of Identification and the Visual Arts

Seeing Differently offers a history and theory of ideas about identity in relation to visual arts discourses and practices in Euro-American culture, from early modern beliefs that art is an expression of an individual, the painted image a "world picture" expressing a comprehensive and coherent point of view, to the rise of identity politics after WWII in the art world and beyond.

The book is both a history of these ideas (for example, tracing the dominance of a binary model of self and other from Hegel through classic 1970s identity politics) and a political response to the common claim in art and popular political discourse that we are "beyond" or "post-" identity. In challenging this latter claim, Seeing Differently critically examines how and why we "identify" works of art with an expressive subjectivity, noting the impossibility of claiming we are "post-identity" given the persistence of beliefs in art discourse and broader visual culture about who the subject "is," and offers a new theory of how to think this kind of identification in a more thoughtful and self-reflexive way.

Ultimately, Seeing Differently offers a mode of thinking identification as a "queer feminist durational" process that can never be fully resolved but must be accounted for in thinking about art and visual culture. Queer feminist durationality is a mode of relational interpretation that affects both "art" and "interpreter," potentially making us more aware of how we evaluate and give value to art and other kinds of visual culture.

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

L'autore:

Amelia Jones is Professor and Grierson Chair in Visual Culture at McGill University in Montréal. Her recent publications include major essays on Marina Abramovi? (in TDR), on feminist art and curating, and on performance art histories, as well as the edited volume Feminism and Visual Culture Reader (2003, 2010). Her most recent book is Self/Image: Technology, Representation, and the Contemporary Subject (2006), will be followed in 2012 and her major volume, Perform Repeat Record: Live Art in History, co-edited with Adrian Heathfield, is due out in 2011.

Contenuti:

Chapter 1. Introduction, The Leaking Frame of the Argument on How to See Differently  Chapter 2.  Art as a Binary Proposition; Identity as a Binary Proposition  Chapter 3. Fetishizing the Gaze and the Anamorphic Perversion: "The Other is You"  Chapter 4. Multiculturalism, Intersectionality, and "Post-Identity"  Chapter 5. Queer Feminist Durationality: Time and Materiality as a Means of Resisting Spatial Objectification  Chapter 6. Seeing and Reconceiving Difference, Concluding Thoughts, without Final Conclusions

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Amelia Jones
Editore: Taylor Francis Ltd, United Kingdom (2012)
ISBN 10: 0415543835 ISBN 13: 9780415543835
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Descrizione libro Taylor Francis Ltd, United Kingdom, 2012. Paperback. Condizione libro: New. 230 x 154 mm. Language: English . Brand New Book. Seeing Differently offers a history and theory of ideas about identity in relation to visual arts discourses and practices in Euro-American culture, from early modern beliefs that art is an expression of an individual, the painted image a world picture expressing a comprehensive and coherent point of view, to the rise of identity politics after WWII in the art world and beyond. The book is both a history of these ideas (for example, tracing the dominance of a binary model of self and other from Hegel through classic 1970s identity politics) and a political response to the common claim in art and popular political discourse that we are beyond or post- identity. In challenging this latter claim, Seeing Differently critically examines how and why we identify works of art with an expressive subjectivity, noting the impossibility of claiming we are post-identity given the persistence of beliefs in art discourse and broader visual culture about who the subject is, and offers a new theory of how to think this kind of identification in a more thoughtful and self-reflexive way. Ultimately, Seeing Differently offers a mode of thinking identification as a queer feminist durational process that can never be fully resolved but must be accounted for in thinking about art and visual culture. Queer feminist durationality is a mode of relational interpretation that affects both art and interpreter, potentially making us more aware of how we evaluate and give value to art and other kinds of visual culture. Codice libro della libreria AAZ9780415543835

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Amelia Jones
Editore: Taylor Francis Ltd, United Kingdom (2012)
ISBN 10: 0415543835 ISBN 13: 9780415543835
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Descrizione libro Taylor Francis Ltd, United Kingdom, 2012. Paperback. Condizione libro: New. 230 x 154 mm. Language: English . Brand New Book. Seeing Differently offers a history and theory of ideas about identity in relation to visual arts discourses and practices in Euro-American culture, from early modern beliefs that art is an expression of an individual, the painted image a world picture expressing a comprehensive and coherent point of view, to the rise of identity politics after WWII in the art world and beyond. The book is both a history of these ideas (for example, tracing the dominance of a binary model of self and other from Hegel through classic 1970s identity politics) and a political response to the common claim in art and popular political discourse that we are beyond or post- identity. In challenging this latter claim, Seeing Differently critically examines how and why we identify works of art with an expressive subjectivity, noting the impossibility of claiming we are post-identity given the persistence of beliefs in art discourse and broader visual culture about who the subject is, and offers a new theory of how to think this kind of identification in a more thoughtful and self-reflexive way. Ultimately, Seeing Differently offers a mode of thinking identification as a queer feminist durational process that can never be fully resolved but must be accounted for in thinking about art and visual culture. Queer feminist durationality is a mode of relational interpretation that affects both art and interpreter, potentially making us more aware of how we evaluate and give value to art and other kinds of visual culture. Codice libro della libreria AAZ9780415543835

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Descrizione libro Routledge 2012-03-21, 2012. Condizione libro: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Codice libro della libreria NU-GRD-04830229

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Descrizione libro Routledge, 2012. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria GB-9780415543835

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Descrizione libro Paperback. Condizione libro: New. Not Signed; Seeing Differently offers a history and theory of ideas about identity in relation to visual arts discourses and practices in Euro-American culture, from early modern beliefs that art is an expression of an individual, the painted image a world picture expressing a comprehensive and coherent point. book. Codice libro della libreria ria9780415543835_rkm

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Descrizione libro Taylor & Francis Ltd, 2012. Condizione libro: New. 2012. 1st Edition. Paperback. Num Pages: 288 pages, colour illustrations, black & white tables, figures. BIC Classification: ABA. Category: (UU) Undergraduate. Dimension: 235 x 164 x 14. Weight in Grams: 480. . . . . . . Codice libro della libreria V9780415543835

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