Cinema Eye, Cinema Ear: Some Key Film-makers of the Sixties

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9780415726511: Cinema Eye, Cinema Ear: Some Key Film-makers of the Sixties

Since the cinema first began to be taken seriously as an art form, there has been a constant debate on the question: who is the real creator of the film, the writer or the director? This study of a group of key film-makers in the sixties suggests that during this decade there was an emergence of a generation of film-makers who conceived a whole film in their minds just as an architect conceives a whole cathedral or a composer a whole symphony.

The book presents detailed critical studies of the work of six commanding figures in the international cinema: four who have made their major reputations since 1950, the Italians Frederico Fellini and Michelangelo Antonioni, the Frenchman Robert Bresson and the Swede Ingmar Bergman; and two film-makers of an older generation, the Spaniard Luis Buñuel and the Anglo-American Alfred Hitchcock, who have reached the height of their powers and exerted their most important influence on the cinema during the same period. There is also a section on the new talents to emerge more recently in the French ‘New Wave’, in particular François Truffaut, Jen-Luc Godard and Alain Resnais. In addition, the book contains detailed filmographies of the directors discussed.

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About the Author:

This study looks at how the movie industry organisation functioned between the late '40s and 1983 when it was originally published. It describes the changing role of domestic exhibition through this time and analyses the wider film industry to provide a model of the exhibition structure in relation to production, distribution and outside factors. It addresses the growing issues of the cable and video markets as competition to the film exhibition business at that time and looks forward into a highly turbulent environment. With particular interest now as the film industry address a new range of threats and adaptations of its working structure, this book offers and integral understanding of a key stage in cinema history.

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Descrizione libro Routledge, 2016. Paperback. Condizione libro: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Codice libro della libreria ria9780415726511_lsuk

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Descrizione libro Routledge, 2013. Hardback. Condizione libro: NEW. 9780415726511 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Codice libro della libreria HTANDREE0404726

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Descrizione libro Routledge. Hardcover. Condizione libro: New. Hardcover. 312 pages. Dimensions: 9.4in. x 6.1in. x 1.1in.Since the cinema first began to be taken seriously as an art form, there has been a constant debate on the question: who is the real creator of the film, the writer or the directorThis study of a group of key film-makers in the sixties suggests that during this decade there was an emergence of a generation of film-makers who conceived a whole film in their minds just as an architect conceives a whole cathedral or a composer a whole symphony. The book presents detailed critical studies of the work of six commanding figures in the international cinema: four who have made their major reputations since 1950, the Italians Frederico Fellini and Michelangelo Antonioni, the Frenchman Robert Bresson and the Swede Ingmar Bergman; and two film-makers of an older generation, the Spaniard Luis Buuel and the Anglo-American Alfred Hitchcock, who have reached the height of their powers and exerted their most important influence on the cinema during the same period. There is also a section on the new talents to emerge more recently in the French New Wave, in particular Franois Truffaut, Jen-Luc Godard and Alain Resnais. In addition, the book contains detailed filmographies of the directors discussed. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Codice libro della libreria 9780415726511

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Descrizione libro Taylor Francis Ltd, United Kingdom, 2013. Hardback. Condizione libro: New. New.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Since the cinema first began to be taken seriously as an art form, there has been a constant debate on the question: who is the real creator of the film, the writer or the director? This study of a group of key film-makers in the sixties suggests that during this decade there was an emergence of a generation of film-makers who conceived a whole film in their minds just as an architect conceives a whole cathedral or a composer a whole symphony. The book presents detailed critical studies of the work of six commanding figures in the international cinema: four who have made their major reputations since 1950, the Italians Frederico Fellini and Michelangelo Antonioni, the Frenchman Robert Bresson and the Swede Ingmar Bergman; and two film-makers of an older generation, the Spaniard Luis Bunuel and the Anglo-American Alfred Hitchcock, who have reached the height of their powers and exerted their most important influence on the cinema during the same period. There is also a section on the new talents to emerge more recently in the French New Wave , in particular Francois Truffaut, Jen-Luc Godard and Alain Resnais. In addition, the book contains detailed filmographies of the directors discussed. Codice libro della libreria BTE9780415726511

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Descrizione libro Routledge, 2013. Hardcover. Condizione libro: Brand New. 312 pages. 6.14x9.21x0.94 inches. In Stock. Codice libro della libreria __0415726514

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Descrizione libro Taylor Francis Ltd, United Kingdom, 2013. Hardback. Condizione libro: New. New.. Language: English . Brand New Book ***** Print on Demand *****. Since the cinema first began to be taken seriously as an art form, there has been a constant debate on the question: who is the real creator of the film, the writer or the director? This study of a group of key film-makers in the sixties suggests that during this decade there was an emergence of a generation of film-makers who conceived a whole film in their minds just as an architect conceives a whole cathedral or a composer a whole symphony. The book presents detailed critical studies of the work of six commanding figures in the international cinema: four who have made their major reputations since 1950, the Italians Frederico Fellini and Michelangelo Antonioni, the Frenchman Robert Bresson and the Swede Ingmar Bergman; and two film-makers of an older generation, the Spaniard Luis Bunuel and the Anglo-American Alfred Hitchcock, who have reached the height of their powers and exerted their most important influence on the cinema during the same period. There is also a section on the new talents to emerge more recently in the French New Wave , in particular Francois Truffaut, Jen-Luc Godard and Alain Resnais. In addition, the book contains detailed filmographies of the directors discussed. Codice libro della libreria APC9780415726511

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John Russell Taylor
Editore: Taylor Francis Ltd, United Kingdom (2013)
ISBN 10: 0415726514 ISBN 13: 9780415726511
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Descrizione libro Taylor Francis Ltd, United Kingdom, 2013. Hardback. Condizione libro: New. New.. Language: English . Brand New Book ***** Print on Demand *****.Since the cinema first began to be taken seriously as an art form, there has been a constant debate on the question: who is the real creator of the film, the writer or the director? This study of a group of key film-makers in the sixties suggests that during this decade there was an emergence of a generation of film-makers who conceived a whole film in their minds just as an architect conceives a whole cathedral or a composer a whole symphony. The book presents detailed critical studies of the work of six commanding figures in the international cinema: four who have made their major reputations since 1950, the Italians Frederico Fellini and Michelangelo Antonioni, the Frenchman Robert Bresson and the Swede Ingmar Bergman; and two film-makers of an older generation, the Spaniard Luis Bunuel and the Anglo-American Alfred Hitchcock, who have reached the height of their powers and exerted their most important influence on the cinema during the same period. There is also a section on the new talents to emerge more recently in the French New Wave , in particular Francois Truffaut, Jen-Luc Godard and Alain Resnais. In addition, the book contains detailed filmographies of the directors discussed. Codice libro della libreria APC9780415726511

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