Kay Scarpetta has arranged to meet an inmate at the high-security Georgia Prison for Women. The prisoner is a convicted sex offender and the mother of a vicious and diabolically brilliant killer. Against advice, Scarpetta is determined to hear this woman out - she believes she may hold some answers to the murder of her former deputy. But soon she finds connections to a string of grisly killings, including the slaughter of a Savannah family years earlier. She can see a pattern to these killings, but who is behind them and why? As she learns more, Scarpetta is compelled to conclude that this is only the beginning of something far more destructive: a terrifying terrain of conspiracy and potential terrorism on an international scale. And she is the only one who can stop it.
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“When it comes to the forensic sciences, nobody can touch Cornwell.”— The New York Times Book Review
“Cornwell has created a character so real, so compelling, so driven that this reader has to remind herself regularly that Scarpetta is just a product of an author’s imagination.”— USA Today
“Scarpetta is one of the most believable characters in crime fiction.”— The Vancouver Sun
Patricia Cornwell was born on June 9, 1956, in Miami, Florida, and grew up in Montreat, North Carolina.
Following graduation from Davidson College in 1979, she began working at the Charlotte Observer, rapidly advancing from listing television programs to writing feature articles to covering the police beat. She won an investigative reporting award from the North Carolina Press Association for a series of articles on prostitution and crime in downtown Charlotte.
Her award-winning biography of Ruth Bell Graham, A Time for Remembering, was published in 1983. From 1984 to 1990 she worked as a technical writer and a computer analyst at the Office of the Chief Medical Examiner in Richmond, Virginia.
Her first crime novel, Postmortem, was published by Scribner’s in 1990. Initially rejected by seven major publishing houses, it became the first novel to win the Edgar, Creasey, Anthony, and Macavity awards as well as the French Prix du Roman d’Aventure in a single year. In Postmortem, Cornwell introduced Dr. Kay Scarpetta as the intrepid Chief Medical Examiner of the Commonwealth of Virginia. In 1999, Dr. Scarpetta herself won the Sherlock Award for best detective created by an American author.
Following the success of her first novel, Cornwell has written a series of bestsellers featuring Kay Scarpetta, her detective sidekick Pete Marino, and her brilliant and unpredictable niece, Lucy Farinelli: Body of Evidence (1991), All That Remains (1992), Cruel and Unusual (1993) [which won Britain’s prestigious Gold Dagger Award for the year’s best crime novel], The Body Farm (1994), From Potter’s Field (1995), Cause of Death (1996), Unnatural Exposure (1997), Point of Origin (1998), Black Notice (1999), The Last Precinct (2000), Blow Fly (2003), Trace (2004), Predator (2005), Book of the Dead (2007) [which won the 2008 Galaxy British Book Awards’ Books Direct Crime Thriller of the year; she is the first American ever to win this award], Scarpetta (2008), and The Scarpetta Factor (2009).
In addition to the Scarpetta novels, she has written three best-selling novels featuring Andy Brazil: Hornet’s Nest (1996), Southern Cross (1998), and Isle of Dogs (2001); two cook books: Scarpetta’s Winter Table (1998) and Food to Die For (2001); and a children’s book: Life’s Little Fable (1999). In 1997, she updated A Time for Remembering, and it was reissued as Ruth, A Portrait: The Story of Ruth Bell Graham. Intrigued by Scotland Yard’s John Grieve’s observation that no one had ever tried to use modern forensic evidence to solve the murders committed by Jack the Ripper, Cornwell began her own investigation of the serial killer’s crimes. In Portrait of a Killer: Jack the Ripper—Case Closed (2002), she narrates her discovery of compelling evidence to indict the famous artist Walter Sickert as the Ripper.
In January 2006, the New York Times Magazine began a 15-week serialization of At Risk, featuring Massachusetts State Police investigator Win Garano and his boss, District Attorney Monique Lamont. Its sequel, The Front, was serialized in the London Times in the spring of 2008.
Both novellas were subsequently published as books and promptly optioned for adaptation by Lifetime Television Network, starring Daniel Sunjata and Andie MacDowell. In April 2009, Fox acquired the film rights to the Scarpetta novels, featuring Angelina Jolie as Dr.Kay Scarpetta. Cornwell herself wrote and co-produced the movie ATF for ABC.
Often interviewed on national television as a forensic consultant, Cornwell is a founder of the Virginia Institute of Forensic Science and Medicine; a founding member of the National Forensic Academy; a member of the Advisory Board for the Forensic Sciences Training Program at the Office of the Chief Medical Examiner, NYC; and a member of the Harvard-affiliated McLean Hospital’s National Council, where she is an advocate for psychiatric research. She is also well known for her philanthropic contributions to animal rescue and criminal justice as well as endowing college scholarships and promoting the cause of literacy on the national scene. Some of her projects include the establishment of an ICU at Cornell’s Animal Hospital, the archaeological excavation of Jamestown, and the scientific study of the Confederacy’s submarine H.L. Hunley. Most recently she donated a million dollars to Harvard’s Fogg Museum to establish a chair in inorganic science.
Her books are translated into thirty-six languages across more than fifty countries, and she is regarded as one of the major international best-selling authors. Her novels are praised for their meticulous research and an insistence on accuracy in every detail, especially in forensic medicine and police procedures. She is so committed to verisimilitude that, among other accomplishments, she became a helicopter pilot and a certified scuba diver and qualified for a motorcycle license because she was writing about characters who were doing these things. “It is important to me to live in the world I write about,” she often says. “If I want a character to do or know something, I want to do or know the same thing.”
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