Vonnegut writes with beguiling wit and wisdom about his favorite comedians, country music, a dead friend, and many other facets of his all-too-human journey through life, in a work that resonates with the magic sound of a born storyteller--a self-portrait of an American literary genius. Reissue.
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Kurt Vonnegut is a unique voice in the American canon — a writer whose works are hard to categorize, often straddling the space between literature and science fiction, and filled with cutting satire and dark humor. Like Mark Twain before him, Vonnegut's reputation and impact on American writing and reading will continue to grow steadily and increase in relevance as new insights are made. Vonnegut was born in 1922 in Indianapolis, and studied at the University of Chicago and the University of Tennessee. In the Second World War, he became a German prisoner of war and was present during the bombing of Dresden. This experience provided inspiration for his most successful and influential novel, Slaughterhouse-Five. Vonnegut — admired as much for his views and his “Vonnegutisms” as for his publications — wrote extensively in many forms, including novels, short stories, essays, plays, articles, speeches, and correspondence, some of which was published posthumously.Excerpt. © Reprinted by permission. All rights reserved.:
The First Amendment
I am a member of what I believe to be the last recognizable generation of full-time, life-time American novelists. We appear to be standing more or less in a row. It was the Great Depression which made us similarly edgy and watchful. It was World War II which lined us up so nicely, whether we were men or women, whether we were ever in uniform or not. It was an era of romantic anarchy in publishing which gave us money and mentors, willy-nilly, when we were young–while we learned our craft. Words printed on pages were still the principal form of long-distance communication and stored information in America when we were young.
Nor are there many publishers and editors and agents left who are eager to find some way to get money and other forms of encouragement to young writers who write as clumsily as member of my literary generation did when we started out. The wild and wonderful and expensive guess was made back then that we might acquire some wisdom and learn how to write halfway decently by and by. Writers were needed that much back then.
It was an amusing and instructive time for writers–for hundreds of them.
Television wrecked the short-story branch of the industry, and now accountants and business school graduates dominate book publishing. They feel that money spent on someone's first novel is good money down a rat hole. They are right. It almost always is.
So, as I say, I think I belong to America's last generation of novelists. Novelists will come one by one from now on, not in seeming families, and will perhaps write only one or two novels, and let it go at that. Many will have inherited or married money.
The most influential of my bunch, in my opinion, is still J. D. Salinger, although he has been silent for years. The most promising was perhaps Edward Lewis Wallant, who died so young. And it is my thinking about the death of James Jones two years ago, who was not all that young, who was almost exactly my age, which accounts for the autumnal mood of this book. There have been other reminders of my own mortality, to be sure, but the death of Jones is central–perhaps because I see his widow Gloria so often and because he, too, was a self-educated midwesterner, and because he, too, in a major adventure for all of us, which was the Second World War, had been an enlisted man. And let it here be noted that the best-known members of my literary generation, if they wrote about war, almost unanimously despised officers and made heroes of sketchily educated, aggressively unaristocratic enlisted men.
• • •
James Jones told me one time that his publisher and Ernest Hemingway's, Charles Scribner's Sons, had once hoped to get Jones and Hemingway together–so that they could enjoy each other's company as old warriors.
Jones declined, by his own account, because he did not regard Hemingway as a fellow soldier. He said Hemingway in wartime was free to come and go from the fighting as he pleased, and to take time off for a fine meal or woman or whatever. Real soldiers, according to Jones, damn well had to stay where they were told, or go where they were told, and eat swill, and take the worst the enemy had to throw at them day after day, week after week.
• • •
It may be that the most striking thing about members of my literary generation in retrospect will be that we were allowed to say absolutely anything without fear of punishment. Our American heirs may find it incredible, as most foreigners do right now, that a nation would want to enforce as a law something which sounds more like a dream, which reads as follows:
"Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof, or abridging the freedom of the press, or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances."
How could a nation with such a law raise its children in an atmosphere of decency? It couldn't–it can't. So the law will surely be repealed soon for the sake of children.
And even now my books, along with books by Bernard Malamud and James Dickey and Joseph Heller and many other first-rate patriots, are regularly thrown out of public-school libraries by school board members, who commonly say that they have not actually read the books, but that they have it on good authority that the books are bad for children.
• • •
My novel Slaughterhouse-Five was actually burned in a furnace by a school janitor in Drake, North Dakota, on instructions from the school committee there, and the school board made public statements about the unwholesomeness of the book. Even by the standards of Queen Victoria, the only offensive line in th entire novel is this: "Get out of the road, you dumb motherfucker." This is spoken by an American antitank gunner to an unarmed American chaplain's assistant during the Battle of the Bulge in Europe in December 1944, the largest single defeat of American arms (the Confederacy excluded) in history. The chaplain's assistant had attracted enemy fire.
So on November 16, 1973, I wrote as follows to Charles McCarthy of Drake, North Dakota:
Dear Mr. McCarthy:
I am writing to you in your capacity as chairman of the Drake School Board. I am among those American writers whose books have been destroyed in the now famous furnace of your school.
Certain members of your community have suggested that my work is evil. This is extraordinarily insulting to me. The news from Drake indicates to me that books and writers are very unreal to you people. I am writing this letter to let you know how real I am.
I want you to know, too, that my publisher and I have done absolutely nothing to exploit the disgusting news from Drake. We are not clapping each other on the back, crowing about all the books we will sell because of the news. We have declined to go on television, have written no fiery letters to editorial pages, have granted no lengthy interviews. We are angered and sickened and saddened. And no copies of this letter have been sent to anybody else. You now hold the only copy in your hands. It is a strictly private letter from me to the people of Drake, who have done so much to damage my reputation in the eyes of their children and then in the eyes of the world. Do you have the courage and ordinary decency to show this letter to the people, or will it, too, be consigned to the fires of your furnace?
I gather from what I read in the papers and hear on television that you imagine me, and some other writers, too, as being sort of ratlike people who enjoy making money from poisoning the minds of young people. I am in fact a large, strong person, fifty-one years old, who did a lot of farm work as a boy, who is good with tools. I have raised six children, three my own and three adopted. They have all turned out well. Two of them are farmers. I am a combat infantry veteran from World War II, and hold a Purple Heart. I have earned whatever I own by hard work. I have never been arrested or sued for anything. I am so much trusted with young people and by young people that I have served on the faculties of the University of Iowa, Harvard, and the City College of New York. Every year I receive at least a dozen invitations to be commencement speaker at colleges and high schools. My books are probably more widely used in schools than those of any other living American fiction writer.
If you were to bother to read my books, to behave as educated persons would, you would learn that they are not sexy, and do not argue in favor of wildness of any kind. They beg that people be kinder and more responsible than they often are. It is true that some of the characters speak coarsely. That is because people speak coarsely in real life. Especially soldiers and hardworking men speak coarsely, and even our most sheltered children know that. And we all know, too, that those words really don't damage children much. They didn't damage us when we were young. It was evil deeds and lying that hurt us.
After I have said all this. I am sure you are still ready to respond, in effect, "Yes, yes–but it still remains our right and our responsibility to decide what books our children are going to be made to read in our community." This is surely so. But it is also true that if you exercise that right and fulfill that responsibility in an ignorant, harsh, un-American manner, then people are entitled to call you bad citizens and fools. Even your own children are entitled to call you that.
I read in the newspaper that your community is mystified by the outcry from all over the country about what you have done. Well, you have discovered that Drake is a part of American civilization, and your fellow Americans can't stand it that you have behaved in such an uncivilized way. Perhaps you will learn from this that books are sacred to free men for very good reasons, and that wars have been fought against nations which hate books and burn them. If you are an American, you must allow all ideas to circulate freely in your community, not merely your own.
If you and your board are now determined to show that you in fact have wisdom and maturity when you exercise your powers over the eduction of your young, then you should acknowledge that it was a rotten lesson you taught young people in a free society when you denounced and then burned books–books you hadn't even read. You should also resolve to expose your children to all sorts of opinions and information, in order that they will be better equipped to make decisions and to survive.
Again: you have insulted me, and I am a good citizen, and I am very real.
• • •
That was seven years ago. There has so far been no reply. At this very moment, as I write in New York City, Slaughterhouse-Five has been banned from school libraries not fifty miles from here. A legal battle begun several years ago rages on. The school board in question has found lawyers eager to attack the First Amendment tooth and nail. There is never a shortage anywhere of lawyers eager to attack the First Amendment, as though it were nothing more than a clause in a lease from a crooked slumlord.
At the start of that particular litigation, on March 24th of 1976, I wrote a comment for the Op-Ed page of the Long Island edition of The New York Times. It went like this:
A school board has denounced some books again–out in Levittown this time. One of the books was mine. I hear about un-American nonsense like this twice a year or so. One time out in North Dakota, the books were actually burned in a furnace. I had a laugh. It was such an ignorant, dumb, superstitious thing to do.
It was so cowardly, too–to make a great show of attacking artifacts. It was like St. George attacking bedspreads and cuckoo clocks.
Yes, and St. Georges like that seem to get elected or appointed to school committees all the time. They are actually proud of their illiteracry. They imagine that they are somehow celebrating the bicentennial when they boast, as some did in Levittown, that they hadn't actually read the books they banned.
Such lunks are often the backbone of volunteer fire departments and the United States Infantry and cake sales and so on, and they have been thanked often enough for that. But they have no business supervising the eductions of children in a free society. They are just too bloody stupid.
Here is how I propose to end book-banning in this country once and for all: Every candidate for school committee should be hooked up to a lie-detector and asked this question: "Have you read a book from start to finish since high school? Or did you even read a book from start to finish in high school?"
If the truthful answer is "no," then the candidate should be told politely that he cannot get on the school committee and blow off his big bazoo about how books make children crazy.
Whenever ideas are squashed in this country, literate lovers of the American experiment write careful and intricate explanations of why all ideas must be allowed to live. It is time for them to realize that they are attempting to explain America at its bravest and most optimistic to orangutans.
From now on, I intend to limit my discourse with dimwitted Savonarolas to this advice: "Have somebody read the First Amendment to the United States Constitution out loud to you, you God damned fool!"
Well–the American Civil Liberties Union or somebody like that will come to the scene of trouble, as they always do. They will explain what is in the Constitution, and to whom it applies.
They will win.
And there will be millions who are bewildered and heartbroken by the legal victory, who think some things should never be said–especially about religion.
They are in the wrong place at the wrong time.
• • •
Why is it so ordinary for American citizens to show such scorn for the First Amendment? I discussed that some at a fund raiser for the American Civil Liberties Union at Sands Point, New York, out on Long Island, on September 16, 1979. The house where I spoke, incidentally, was said to be the model for Gatsby's house in F. Scott Fitzgerald's The Great Gatsby. I saw no reason to doubt the claim.
I said this in such a setting:
"I will not speak directly to the ejection of my book Slaughterhouse-Five from the school libraries of Island Trees. I have a vested interest. I wrote the book, after all, so why wouldn’t I argue that it is less repulsive than the school board says?
"I will speak of Thomas Aquinas instead. I will tell you my dim memories of what he said about the hierarchy of laws on this planet, which was flat at the time. The highest law, he said, was divine law, God's law. Beneath that was natural law, which I suppose would include thunderstorms, and our right to shield our children from poisonous ideas, and so on.
"And the lowest law was human law.
"Let me clarify this scheme by comparing its parts to playing cards. Enemies of the Bill of Rights do the same sort of thing all the time, so why shouldn't we? Divine law, then, is an ace. Natural law is a king. The Bill of Rights is a lousy queen.
"The Thomist hierarchy of laws is so far from being ridiculous that I have never met anybody who did not believe in it right down to the marrow of his or her bones. Everybody knows that there are laws with more grandeur than those which are printed in our statute books. The big trouble is that there is so little agreement as to how those grander laws are worded. Theologians can give us hints of the wording, but it takes a dictator to set them down just right–to dot the i's and cross the t's. A man who had been a mere corporal in the army did that for Germany and then for all of Europe, you may remember, not long ago. There was nothing he did not know about divine and natural law. He had fistfuls of aces and kings to play.
"Meanwhile, over on this side of the Atlantic, we were not playing with a full deck, as they say. Because of our Constitution, the highest card anybody had to play was a lousy queen, contemptible human law. That remains true today. I myself celebrate that incompleteness, since it has obviously been so good ...
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Descrizione libro Delacorte Press, 1981. Hardcover. Condizione libro: New. Codice libro della libreria DADAX0440065933
Descrizione libro Delacorte Press, 1981. Hardcover. Condizione libro: New. book. Codice libro della libreria 0440065933
Descrizione libro Delacorte Press, 1981. Hardcover. Condizione libro: New. Codice libro della libreria P110440065933
Descrizione libro Hardcover. Condizione libro: BRAND NEW. BRAND NEW. Fast Shipping. Prompt Customer Service. Satisfaction guaranteed. Codice libro della libreria 0440065933BNA