Parodies of Ownership: Hip-Hop Aesthetics and Intellectual Property Law

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9780472050604: Parodies of Ownership: Hip-Hop Aesthetics and Intellectual Property Law

"Richard Schur offers a provocative view of contemporary African American cultural politics and the relationship between African American cultural production and intellectual property law."
---Mark Anthony Neal, Duke University

"Whites used to own blacks. Now, they accomplish much the same thing by insisting that they 'own' ownership. Blacks shouldn't let them. A culture that makes all artists play by its rules will end up controlling new ideas and stifling change. Richard Schur's fine book explains why."
---Richard Delgado, Seattle University

What is the relationship between hip-hop and African American culture in the post--Civil Rights era? Does hip-hop share a criticism of American culture or stand as an isolated and unique phenomenon? How have African American texts responded to the increasing role intellectual property law plays in regulating images, sounds, words, and logos? Parodies of Ownership examines how contemporary African American writers, artists, and musicians have developed an artistic form that Schur terms "hip-hop aesthetics." This book offers an in-depth examination of a wide range of contemporary African American painters and writers, including Anna Deavere Smith, Toni Morrison, Adrian Piper, Colson Whitehead, Michael Ray Charles, Alice Randall, and Fred Wilson. Their absence from conversations about African American culture has caused a misunderstanding about the nature of contemporary cultural issues and resulted in neglect of their innovative responses to the post--Civil Rights era. By considering their work as a cross-disciplinary and specifically African American cultural movement, Schur shows how a new paradigm for artistic creation has developed.

Parodies of Ownership offers a broad analysis of post--Civil Rights era culture and provides the necessary context for understanding contemporary debates within American studies, African American studies, intellectual property law, African American literature, art history, and hip-hop studies. Weaving together law, literature, art, and music, Schur deftly clarifies the conceptual issues that unify contemporary African American culture, empowering this generation of artists, writers, and musicians to criticize how racism continues to affect our country.

Richard L. Schur is Director, Interdisciplinary Studies Center, and Associate Professor of Interdisciplinary Studies at Drury University. Visit the author's website: http://www2.drury.edu/rschur/index.htm.

Cover illustration: Atlas, by Fred Wilson. © Fred Wilson, courtesy Pace Wildenstein, New York.

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About the Author:

Richard L. Schur is Director and Associated Professor of Interdisciplinary Studies at Drury University.

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Richard L. Schur
Editore: The University of Michigan Press, United States (2009)
ISBN 10: 0472050605 ISBN 13: 9780472050604
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Descrizione libro The University of Michigan Press, United States, 2009. Paperback. Condizione libro: New. Language: English . Brand New Book. This is an intriguing interdisciplinary examination of hip hop aesthetics.What is the relationship between hip hop and African American culture in the post-Civil Rights era? Does hip hop level a criticism of American culture or stand as an isolated and unique phenomena? How have African American texts responded to the increasing role intellectual property law plays in regulating images, sounds, words, and logos? Parodies of Ownership examines how contemporary African American writers, artists, and musicians have developed a singular artistic form, what Schur terms hip hop aesthetics . This book offers an in-depth examination of a wide range of contemporary African American painters and writers, including Anna Deavere Smith, Toni Morrison, Adrian Piper, Colson Whitehead, Michael Ray Charles, Alice Randall, and Fred Wilson. By considering their work as a cross-disciplinary and specifically African American cultural movement, Schur shows how a new paradigm for artistic creation has developed.Weaving together law, literature, art, and music, Parodies of Ownership clarifies the conceptual issues that unify contemporary African American culture, empowering this generation of artists, writers, and musicians to address ways that racism continues to affect our country. Codice libro della libreria AAN9780472050604

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Richard L. Schur
Editore: The University of Michigan Press, United States (2009)
ISBN 10: 0472050605 ISBN 13: 9780472050604
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Descrizione libro The University of Michigan Press, United States, 2009. Paperback. Condizione libro: New. Language: English . Brand New Book. This is an intriguing interdisciplinary examination of hip hop aesthetics.What is the relationship between hip hop and African American culture in the post-Civil Rights era? Does hip hop level a criticism of American culture or stand as an isolated and unique phenomena? How have African American texts responded to the increasing role intellectual property law plays in regulating images, sounds, words, and logos? Parodies of Ownership examines how contemporary African American writers, artists, and musicians have developed a singular artistic form, what Schur terms hip hop aesthetics . This book offers an in-depth examination of a wide range of contemporary African American painters and writers, including Anna Deavere Smith, Toni Morrison, Adrian Piper, Colson Whitehead, Michael Ray Charles, Alice Randall, and Fred Wilson. By considering their work as a cross-disciplinary and specifically African American cultural movement, Schur shows how a new paradigm for artistic creation has developed.Weaving together law, literature, art, and music, Parodies of Ownership clarifies the conceptual issues that unify contemporary African American culture, empowering this generation of artists, writers, and musicians to address ways that racism continues to affect our country. Codice libro della libreria AAN9780472050604

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Descrizione libro The University of Michigan Press. Paperback. Condizione libro: new. BRAND NEW, Parodies of Ownership: Hip-hop Aesthetics and Intellectual Property Law, Richard L. Schur, This is an intriguing interdisciplinary examination of hip hop aesthetics.What is the relationship between hip hop and African American culture in the post-Civil Rights era? Does hip hop level a criticism of American culture or stand as an isolated and unique phenomena? How have African American texts responded to the increasing role intellectual property law plays in regulating images, sounds, words, and logos?"Parodies of Ownership" examines how contemporary African American writers, artists, and musicians have developed a singular artistic form, what Schur terms 'hip hop aesthetics'. This book offers an in-depth examination of a wide range of contemporary African American painters and writers, including Anna Deavere Smith, Toni Morrison, Adrian Piper, Colson Whitehead, Michael Ray Charles, Alice Randall, and Fred Wilson. By considering their work as a cross-disciplinary and specifically African American cultural movement, Schur shows how a new paradigm for artistic creation has developed. Weaving together law, literature, art, and music, "Parodies of Ownership" clarifies the conceptual issues that unify contemporary African American culture, empowering this generation of artists, writers, and musicians to address ways that racism continues to affect our country. Codice libro della libreria B9780472050604

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