Articoli correlati a James Joyce and the Art of Mediation
For James Joyce, the artist was a mediator, between the world within and the world without and between the artist's own mind and the minds of his audience. In James Joyce and the Art of Mediation, David Weir uses the concept of mediation as a way of understanding Joyce's narrative poetics, especially his ability to integrate contrary modes of thought and presentation.
Beginning with attention to Joyce's early theory about the craft of fiction, Weir shows that the principle of mediation provides a common base for several well-known Joycean devices. The theory of the epiphany, for instance, takes ordinary and insignificant objects and expressions as the medium for feeling and meaning. Similarly, Joyce's later narrative paradigms enabled him to integrate logical, objective structures as psychological, subjective effects. These narrative paradigms include the gnomon, a geometrical figure whose potential is exploited in Dubliners; chiasmus, a rhetorical figure that provides much of the narrative structure of the Portrait; and various organic figurations based mainly on human sexuality that lead to narrative poetics of the body in Ulysses.
In addition, Weir discusses the importance of nineteenth-century models, including the works of Walter Pater, Gabriel D'Annunzio, and Baudelaire. Finally, he takes up the hitherto neglected topic of Joyce and homosexuality. In all of these areas, new sources for Joyce's ideas are brought to light.
"Written in a clear, readable style, James Joyce and the Art of Mediation will appeal to both academic and nonacademic fans of Joyce's writings. It should also interest students and scholars of modernism, comparative literature, gender studies, and cultural studies."--Patrick McCarthy, University of Miami
David Weir is Associate Professor, Faculty of Humanities and Social Science, The Cooper Union for the Advancement of Science and Art.
For James Joyce, the artist was a mediator, between the world within and the world without and between the artist's own mind and the minds of his audience. In James Joyce and the Art of Mediation, David Weir uses the concept of mediation as a way of understanding Joyce's narrative poetics, especially his ability to integrate contrary modes of thought and presentation.
Beginning with attention to Joyce's early theory about the craft of fiction, Weir shows that the principle of mediation provides a common base for several well-known Joycean devices. The theory of the epiphany, for instance, takes ordinary and insignificant objects and expressions as the medium for feeling and meaning. Similarly, Joyce's later narrative paradigms enabled him to integrate logical, objective structures as psychological, subjective effects. These narrative paradigms include the gnomon, a geometrical figure whose potential is exploited in Dubliners; chiasmus, a rhetorical figure that provides much of the narrative structure of the Portrait; and various organic figurations based mainly on human sexuality that lead to narrative poetics of the body in Ulysses.
In addition, Weir discusses the importance of nineteenth-century models, including the works of Walter Pater, Gabriel D'Annunzio, and Baudelaire. Finally, he takes up the hitherto neglected topic of Joyce and homosexuality. In all of these areas, new sources for Joyce's ideas are brought to light.
"Written in a clear, readable style, James Joyce and the Art of Mediation will appeal to both academic and nonacademic fans of Joyce's writings. It should also interest students and scholars of modernism, comparative literature, gender studies, and cultural studies."--Patrick McCarthy, University of Miami
David Weir is Associate Professor, Faculty of Humanities and Social Science, The Cooper Union for the Advancement of Science and Art.
Beginning with attention to Joyce's early theory about the craft of fiction, Weir shows that the principle of mediation provides a common base for several well-known Joycean devices. The theory of the epiphany, for instance, takes ordinary and insignificant objects and expressions as the medium for feeling and meaning. Similarly, Joyce's later narrative paradigms enabled him to integrate logical, objective structures as psychological, subjective effects. These narrative paradigms include the gnomon, a geometrical figure whose potential is exploited in Dubliners; chiasmus, a rhetorical figure that provides much of the narrative structure of the Portrait; and various organic figurations based mainly on human sexuality that lead to narrative poetics of the body in Ulysses.
In addition, Weir discusses the importance of nineteenth-century models, including the works of Walter Pater, Gabriel D'Annunzio, and Baudelaire. Finally, he takes up the hitherto neglected topic of Joyce and homosexuality. In all of these areas, new sources for Joyce's ideas are brought to light.
"Written in a clear, readable style, James Joyce and the Art of Mediation will appeal to both academic and nonacademic fans of Joyce's writings. It should also interest students and scholars of modernism, comparative literature, gender studies, and cultural studies."--Patrick McCarthy, University of Miami
David Weir is Associate Professor, Faculty of Humanities and Social Science, The Cooper Union for the Advancement of Science and Art.
For James Joyce, the artist was a mediator, between the world within and the world without and between the artist's own mind and the minds of his audience. In James Joyce and the Art of Mediation, David Weir uses the concept of mediation as a way of understanding Joyce's narrative poetics, especially his ability to integrate contrary modes of thought and presentation.
Beginning with attention to Joyce's early theory about the craft of fiction, Weir shows that the principle of mediation provides a common base for several well-known Joycean devices. The theory of the epiphany, for instance, takes ordinary and insignificant objects and expressions as the medium for feeling and meaning. Similarly, Joyce's later narrative paradigms enabled him to integrate logical, objective structures as psychological, subjective effects. These narrative paradigms include the gnomon, a geometrical figure whose potential is exploited in Dubliners; chiasmus, a rhetorical figure that provides much of the narrative structure of the Portrait; and various organic figurations based mainly on human sexuality that lead to narrative poetics of the body in Ulysses.
In addition, Weir discusses the importance of nineteenth-century models, including the works of Walter Pater, Gabriel D'Annunzio, and Baudelaire. Finally, he takes up the hitherto neglected topic of Joyce and homosexuality. In all of these areas, new sources for Joyce's ideas are brought to light.
"Written in a clear, readable style, James Joyce and the Art of Mediation will appeal to both academic and nonacademic fans of Joyce's writings. It should also interest students and scholars of modernism, comparative literature, gender studies, and cultural studies."--Patrick McCarthy, University of Miami
David Weir is Associate Professor, Faculty of Humanities and Social Science, The Cooper Union for the Advancement of Science and Art.
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David Weir is Associate Professor, Faculty of Humanities and Social Science, The Cooper Union for the Advancement of Science and Art.
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Book by Weir David
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- EditoreUniv of Michigan Pr
- Data di pubblicazione2018
- ISBN 10 0472106538
- ISBN 13 9780472106530
- RilegaturaCopertina rigida
- Numero di pagine235
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James Joyce and the Art of Mediation
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University of Michigan Press, Ann Arbor, MI
(1996)
ISBN 10: 0472106538
ISBN 13: 9780472106530
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Descrizione libro Hardcover. Condizione: Near Fine. Condizione sovraccoperta: As New. 1st Edition. First edition: the printing numerals are a full line beginning with 1. Only fault is previous owner's bookplate on the verso of the front flyleaf, otherwise as new. No wear to the binding. No distortion from reading or improper shelving. Pages are tight and clean with no marks. No odor. No water damage. No soiling. The dust jacket shows no wear, a touch of sun fading. DJ in an archival protector. Codice articolo MP22-1019C
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James Joyce and the Art of Mediation
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ISBN 10: 0472106538
ISBN 13: 9780472106530
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Descrizione libro Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Codice articolo Z1-R-020-01381
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James Joyce and the Art of Mediation
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Descrizione libro Hardcover. Condizione: Fair. 1996 University of Michigan hardcover edition. Ex library copy with stamps and labels and without dustjacket else good condition. Codice articolo 17-GVZD-YJN4
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