Structural Hearing Tonal Coherence in Music

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9780486222752: Structural Hearing Tonal Coherence in Music

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Salzer, Felix
ISBN 10: 0486222756 ISBN 13: 9780486222752
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Descrizione libro 1962. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria V0-9780486222752

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Salzer, Felix
ISBN 10: 0486222756 ISBN 13: 9780486222752
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Descrizione libro 1962. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780486222752

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By Felix Salzer
Editore: Alfred Publishers
ISBN 10: 0486222756 ISBN 13: 9780486222752
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Descrizione libro Alfred Publishers. Condizione libro: New. Brand New. Codice libro della libreria 0486222756

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Salzer, Felix
Editore: Dover Publications (1962)
ISBN 10: 0486222756 ISBN 13: 9780486222752
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Descrizione libro Dover Publications, 1962. Paperback. Condizione libro: New. Codice libro della libreria 0486222756

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5.

Felix Salzer
Editore: Dover Publications Inc., United States (1999)
ISBN 10: 0486222756 ISBN 13: 9780486222752
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Descrizione libro Dover Publications Inc., United States, 1999. Paperback. Condizione libro: New. 216 x 138 mm. Language: English . Brand New Book. Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenker s work. Developing and extending the Schenker approach to include modern music, it explores the phenomenon of tonal organization in Western music by means of a detailed analysis and discussion of more than 500 musical examples ranging in time from the Middle Ages to such moderns as Bartok, Hindemith, Prokofiev, and Stravinsky. Heinrich Schenker s great contribution was the discovery of fundamental principles of tonal organization, continuity, and coherence. In theory he was the first to define these organic forces of the musical language, particularly the tonal functions and relationships which form both the generative and cohesive forces of great music.Dr. Salzer, in expanding and formulating anew many of Schenker s ideas, has embarked upon a systematic approach. Using the concept of chord functions as a basis, he differentiates sharply between chord grammar (or labeling) and significance, showing that function rather than the ordinary label is really significant. Further distinctions between chords of structure and chords of prolongation, harmonic and contrapuntal uses, and the concept of musical direction provide effective tools for the analysis of music. This set, which is a standard work used in all important music schools, starts with basic definitions and simple examples, and trains the reader not only to hear successions of tones, melodic lines, and progressions of chords, but also to understand their structural coherence and significance. It is invaluable for musicians and for all who are seriously interested in music, whether as a student, critic, performer, or conductor. Since its publication in 1952 . . . has been the foundation on which all teaching in music theory has been based at this College. Leopold Mannes, President, The Mannes College of Music. Never likely to be improved upon for soundness and comprehensiveness. Ernest Newman, The Times. A thoughtful and provocative contribution to the fields of music theory, aesthetics, and criticism, and performance. Dr. Salzer is to be congratulated on having helped us take a long step out of the Dark Ages. Norman Lloyd, Juilliard School of Music, in Notes. Codice libro della libreria AAC9780486222752

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6.

Felix Salzer
Editore: Dover Publications Inc., United States (1999)
ISBN 10: 0486222756 ISBN 13: 9780486222752
Nuovi Paperback Quantità: 1
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(London, Regno Unito)
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Descrizione libro Dover Publications Inc., United States, 1999. Paperback. Condizione libro: New. 216 x 138 mm. Language: English . Brand New Book. Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenker s work. Developing and extending the Schenker approach to include modern music, it explores the phenomenon of tonal organization in Western music by means of a detailed analysis and discussion of more than 500 musical examples ranging in time from the Middle Ages to such moderns as Bartok, Hindemith, Prokofiev, and Stravinsky. Heinrich Schenker s great contribution was the discovery of fundamental principles of tonal organization, continuity, and coherence. In theory he was the first to define these organic forces of the musical language, particularly the tonal functions and relationships which form both the generative and cohesive forces of great music.Dr. Salzer, in expanding and formulating anew many of Schenker s ideas, has embarked upon a systematic approach. Using the concept of chord functions as a basis, he differentiates sharply between chord grammar (or labeling) and significance, showing that function rather than the ordinary label is really significant. Further distinctions between chords of structure and chords of prolongation, harmonic and contrapuntal uses, and the concept of musical direction provide effective tools for the analysis of music. This set, which is a standard work used in all important music schools, starts with basic definitions and simple examples, and trains the reader not only to hear successions of tones, melodic lines, and progressions of chords, but also to understand their structural coherence and significance. It is invaluable for musicians and for all who are seriously interested in music, whether as a student, critic, performer, or conductor. Since its publication in 1952 . . . has been the foundation on which all teaching in music theory has been based at this College. Leopold Mannes, President, The Mannes College of Music. Never likely to be improved upon for soundness and comprehensiveness. Ernest Newman, The Times. A thoughtful and provocative contribution to the fields of music theory, aesthetics, and criticism, and performance. Dr. Salzer is to be congratulated on having helped us take a long step out of the Dark Ages. Norman Lloyd, Juilliard School of Music, in Notes. Codice libro della libreria AAC9780486222752

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7.

Felix Salzer
Editore: Dover Publications
ISBN 10: 0486222756 ISBN 13: 9780486222752
Nuovi Paperback Quantità: 1
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BuySomeBooks
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Descrizione libro Dover Publications. Paperback. Condizione libro: New. Paperback. 667 pages. Dimensions: 8.3in. x 5.2in. x 1.5in.Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenkers work. Developing and extending the Schenker approach to include modern music, it explores the phenomenon of tonal organization in Western music by means of a detailed analysis and discussion of more than 500 musical examples ranging in time from the Middle Ages to such moderns as Bartok, Hindemith, Prokofiev, and Stravinsky. Heinrich Schenkers great contribution was the discovery of fundamental principles of tonal organization, continuity, and coherence. In theory he was the first to define these organic forces of the musical language, particularly the tonal functions and relationships which form both the generative and cohesive forces of great music. Dr. Salzer, in expanding and formulating anew many of Schenkers ideas, has embarked upon a systematic approach. Using the concept of chord functions as a basis, he differentiates sharply between chord grammar (or labeling) and significance, showing that function rather than the ordinary label is really significant. Further distinctions between chords of structure and chords of prolongation, harmonic and contrapuntal uses, and the concept of musical direction provide effective tools for the analysis of music. This set, which is a standard work used in all important music schools, starts with basic definitions and simple examples, and trains the reader not only to hear successions of tones, melodic lines, and progressions of chords, but also to understand their structural coherence and significance. It is invaluable for musicians and for all who are seriously interested in music, whether as a student, critic, performer, or conductor. Since its publication in 1952 . . . has been the foundation on which all teaching in music theory has been based at this College. Leopold Mannes, President, The Mannes College of Music. Never likely to be improved upon for soundness and comprehensiveness. Ernest Newman, The Times. A thoughtful and provocative contribution to the fields of music theory, aesthetics, and criticism, and performance. Dr. Salzer is to be congratulated on having helped us take a long step out of the Dark Ages. Norman Lloyd, Juilliard School of Music, in Notes. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9780486222752

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8.

Felix Salzer
ISBN 10: 0486222756 ISBN 13: 9780486222752
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Descrizione libro Paperback. Condizione libro: New. 136mm x 32mm x 217mm. Paperback. Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenker's work. Developing and extending the Schenker approach to inc.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 688 pages. 0.680. Codice libro della libreria 9780486222752

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9.

Felix Salzer, (Foreword) Leopold Mannes
Editore: Dover Publications, Inc. (1962)
ISBN 10: 0486222756 ISBN 13: 9780486222752
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Descrizione libro Dover Publications, Inc., 1962. PaperBack. Condizione libro: New. Codice libro della libreria 2625163

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10.

Salzer, Felix
ISBN 10: 0486222756 ISBN 13: 9780486222752
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Descrizione libro Condizione libro: New. Brand new book, sourced directly from publisher. Dispatched within 2 working days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Codice libro della libreria NU-ING-00172315

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