ASIN: 0500110123 Product Name: Divine Horsemen: Voodoo Gods of Haiti Cloth no dj
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Descrizione libro Thames & Hudson Ltd, 1970. Hardcover. Condizione libro: Very Good. Condizione sovraccoperta: Good. 2nd Edition. 1970 reprint in very good condition with dust wrapper. Codice libro della libreria ABE-1499595207221
Descrizione libro Thames and Hudson, London, 1970. Hard Cover. Condizione libro: Near Fine. Second Printing. Fine but for insignificant bumping to extremities, and a bit of sunning to spine. Codice libro della libreria 13863
Descrizione libro Thames and Hudson. Reprint., London, 1970. Hardcover/Hardback. Condizione libro: Very Good. Condizione sovraccoperta: Good. 2nd Edition. The beliefs and rituals of Haitians, aka voodoo, first published in 1953; 23 photographs and 17 illustrations; introduction by Joseph Campbell Owners' signatures, else very good in good dustwrapper missing a piece at the top of the front panel and with remnants of a price sticker. book. Codice libro della libreria 46344
Descrizione libro Chelsea House, New York, 1970. Hardcover. xiii, , 5-350 p. Illustrations. Footnotes. Glossary. References. Index. Preface by Joseph Campbell. From Wikipedia: "Maya Deren (April 29, 1917 October 13, 1961), born Eleanora Derenkowskaia, was one of the most important American experimental filmmakers and entrepreneurial promoters of the avant-garde in the 1940s and 1950s. Deren was also a choreographer, dancer, film theorist, poet, lecturer, writer and photographer. The function of film, Deren believed, like most art forms, was to create an experience; each one of her films would evoke new conclusions, lending her focus to be dynamic and always-evolving. She combined her interests in dance, voodoo and subjective psychology in a series of surreal, perceptual, black and white short films. Using editing, multiple exposures, jump cutting, superimposition, slow-motion and other camera techniques to her fullest advantage, Deren creates continued motion through discontinued space, while abandoning the established notions of physical space and time, with the ability to turn her vision into a stream of consciousness. Perhaps one of the most influential experimental films in American cinema was her collaboration with Alexander Hammid on Meshes of the Afternoon (1943). She continued to make several more films of her own, including At Land (1944), A Study in Choreography for Camera (1945), and Ritual in Transfigured Time (1946) writing, producing, directing, editing, and photographing them with help from only one other person, Hella Heyman, as camerawoman. She also appeared in a few of her films but never credited herself as an actress, downplaying her roles as anonymous figures rather than iconic deities." Good in fair dust jacket. DJ has some wear, soiling, tears (taped), and chipped. Codice libro della libreria 69067
Descrizione libro London Thames and Hudson LTD, 2002. 29 x 37 cm. Ln. mit SU. 424 S. 8 S/W Abb. und 210 in Farbe. People, Faith and Nature. Sprache: Englisch Gewicht in Gramm: 4000. Codice libro della libreria 56444