The Mind in the Cave: Consciousness and the Origins of Art

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9780500284650: The Mind in the Cave: Consciousness and the Origins of Art

The breathtakingly beautiful art created deep inside the caves of western Europe has the power to dazzle even the most jaded observers.

Emerging from the narrow underground passages into the chambers of caves such as Lascaux, Chauvet, and Altamira, visitors are confronted with symbols, patterns, and depictions of bison, woolly mammoths, ibexes, and other animals.

Since its discovery, cave art has provoked great curiosity about why it appeared when and where it did, how it was made, and what it meant to the communities that created it. David Lewis-Williams proposes that the explanation for this lies in the evolution of the human mind. Cro-Magnons, unlike the Neanderthals, possessed a more advanced neurological makeup that enabled them to experience shamanistic trances and vivid mental imagery. It became important for people to "fix," or paint, these images on cave walls, which they perceived as the membrane between their world and the spirit world from which the visions came. Over time, new social distinctions developed as individuals exploited their hallucinations for personal advancement, and the first truly modern society emerged.

Illuminating glimpses into the ancient mind are skillfully interwoven here with the still-evolving story of modern-day cave discoveries and research. The Mind in the Cave is a superb piece of detective work, casting light on the darkest mysteries of our earliest ancestors while strengthening our wonder at their aesthetic achievements. 87 illustrations, 26 in color

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About the Author:

David Lewis-Williams is Professor Emeritus and Senior Mentor at the Rock Art Research Institute, University of Witwatersrand, Johannesburg. He is the author of The Mind in the Cave, Conceiving God, Inside the Neolithic Mind, and Deciphering Ancient Minds.

From Publishers Weekly:

In attempting to discern how Paleolithic Homo sapiens "became human and in the process began to make art," Lewis-Williams, an emeritus art historian at a Johannesburg university, focuses on the glorious but mysterious cave painting of western Europe, made between 45,000 and 10,000 years ago. Lewis-Williams has two main hypotheses: the first contends that mankind could only engage in image-making upon developing "fully modern consciousness," or an ability to process mental images in a variety of manners. The second argument insists that cave painting was a byproduct of religious belief and helped maintain a society with strict class distinctions. Recent research findings in the fields of archeology, anthropology and neuropsychology, among other social and physical sciences, bear upon the elaboration of these two ideas in the first two thirds of the book, while the final third details the author's interpretations of the animal and geometric imagery found in such sites as France's Lascaux and Gabillou caves. Having presented the science supporting his views of prehistoric images, Lewis-Williams is particularly winning as he subtly reveals his devotion to the art and people he attempts to explain. He is sensitive to those who "saw real things, real spirit animals and beings, real transformations" on cave walls. While writing about our forebears of tens of millennia ago, the scholar rightly suggests important similarities between the functions of art in the Paleolithic and current eras. Now, as then, he argues, images maintain spiritual power; art can still have a direct impact on social relations, leading to unity or division.
Copyright 2002 Reed Business Information, Inc.

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Descrizione libro Thames Hudson Ltd, United Kingdom, 2004. Paperback. Condizione libro: New. Reprint. Language: English . Brand New Book. The breathtakingly beautiful art created deep inside the caves of western Europe in the late Ice Age provokes awe and wonder in equal measure. What do these animals and symbols, depicted on the walls of caves such as Lascaux, Chauvet and Altamira, tell us about the nature of the ancestral mind? How did these images spring, sophisticated and fully formed, seemingly from nowhere into the human story? The Mind in the Cave puts forward the most plausible explanation yet proposed for the origins of image-making and art. David Lewis-Williams skilfully interweaves a lifetime of anthropological research with the most recent neurological insights to offer a convincing account of how we became human and, in the process, began to make art. This is a masterful piece of detective work, casting light on the darkest mysteries of our ancestors and on the nature of our own consciousness and experience. Codice libro della libreria AA29780500284650

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Descrizione libro Thames Hudson Ltd, United Kingdom, 2004. Paperback. Condizione libro: New. Reprint. Language: English . Brand New Book. The breathtakingly beautiful art created deep inside the caves of western Europe in the late Ice Age provokes awe and wonder in equal measure. What do these animals and symbols, depicted on the walls of caves such as Lascaux, Chauvet and Altamira, tell us about the nature of the ancestral mind? How did these images spring, sophisticated and fully formed, seemingly from nowhere into the human story? The Mind in the Cave puts forward the most plausible explanation yet proposed for the origins of image-making and art. David Lewis-Williams skilfully interweaves a lifetime of anthropological research with the most recent neurological insights to offer a convincing account of how we became human and, in the process, began to make art. This is a masterful piece of detective work, casting light on the darkest mysteries of our ancestors and on the nature of our own consciousness and experience. Codice libro della libreria AA29780500284650

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Descrizione libro Thames & Hudson Ltd, 2004. Condizione libro: New. 2004. Reprint. Paperback. The author combines a lifetime of anthropological research with the most recent neurological insights in this text. Illuminating glimpses into the ancient mind are interwoven with the self-evolving story of modern-day cave discoveries and research. Num Pages: 320 pages, 94 illustrations, 27 in colour. BIC Classification: ABA. Category: (P) Professional & Vocational. Dimension: 210 x 85 x 32. Weight in Grams: 624. . . . . . . Codice libro della libreria V9780500284650

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