A Certain Realism: Making Use of Pasolini's Film Theory and Practice

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9780520078550: A Certain Realism: Making Use of Pasolini's Film Theory and Practice

Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films—Accattone, The Canterbury Tales, Medea, Saló—continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, and criticism, Pasolini once claimed that "a certain realism" informed his filmmaking.

Masterfully combining analyses of Pasolini's literary and theoretical writings and of all his films, Maurizio Viano offers the first thorough study of Pasolini's cinematic realism, in theory and in practice. He finds that Pasolini's cinematic career exemplifies an "expressionistic realism" that acknowledges its subjective foundation instead of striving for an impossible objectivity.

Focusing on the personal and expressionistic dimensions of Pasolini's cinema, Viano also argues that homosexuality is present in the films in ways that critics have thus far failed to acknowledge. Sure to generate controversy among film scholars, Italianists, and fans of the director's work, this accessible film-by-film treatment is an ideal companion for anyone watching Pasolini's films on video.

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

From the Inside Flap:

"Superb. . . . In its careful handling of the biographical and the autobiographical, the factual and the speculative, this book will become a model for how studies of individual directors should be done in the future."—Peter Brunette, author of Roberto Rossellini

About the Author:

Maurizio Viano is Associate Professor of Italian at Wellesley College.

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Maurizio Viano
Editore: University of California Press (1993)
ISBN 10: 0520078551 ISBN 13: 9780520078550
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Descrizione libro University of California Press, 1993. Paperback. Condizione libro: New. book. Codice libro della libreria M0520078551

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Descrizione libro University of California Press, 1993. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria IQ-9780520078550

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Descrizione libro University of California Press. Paperback. Condizione libro: New. Paperback. 368 pages. Dimensions: 8.8in. x 5.9in. x 1.1in.Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His filmsAccattone, The Canterbury Tales, Medea, Salcontinue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, and criticism, Pasolini once claimed that a certain realism informed his filmmaking. Masterfully combining analyses of Pasolinis literary and theoretical writings and of all his films, Maurizio Viano offers the first thorough study of Pasolinis cinematic realism, in theory and in practice. He finds that Pasolinis cinematic career exemplifies an expressionistic realism that acknowledges its subjective foundation instead of striving for an impossible objectivity. Focusing on the personal and expressionistic dimensions of Pasolinis cinema, Viano also argues that homosexuality is present in the films in ways that critics have thus far failed to acknowledge. Sure to generate controversy among film scholars, Italianists, and fans of the directors work, this accessible film-by-film treatment is an ideal companion for anyone watching Pasolinis films on video. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9780520078550

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Descrizione libro University of California Press, 2017. Paperback. Condizione libro: New. Never used! This item is printed on demand. Codice libro della libreria 0520078551

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Descrizione libro University of California Press, United States, 1993. Paperback. Condizione libro: New. New.. Language: English . Brand New Book ***** Print on Demand *****.Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films--Accattone, The Canterbury Tales, Medea, Salo--continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, and criticism, Pasolini once claimed that a certain realism informed his filmmaking. Masterfully combining analyses of Pasolini s literary and theoretical writings and of all his films, Maurizio Viano offers the first thorough study of Pasolini s cinematic realism, in theory and in practice. He finds that Pasolini s cinematic career exemplifies an expressionistic realism that acknowledges its subjective foundation instead of striving for an impossible objectivity. Focusing on the personal and expressionistic dimensions of Pasolini s cinema, Viano also argues that homosexuality is present in the films in ways that critics have thus far failed to acknowledge. Sure to generate controversy among film scholars, Italianists, and fans of the director s work, this accessible film-by-film treatment is an ideal companion for anyone watching Pasolini s films on video. Codice libro della libreria APC9780520078550

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Descrizione libro University of California Press, 1993. PAP. Condizione libro: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria IQ-9780520078550

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Descrizione libro University of California Press, United States, 1993. Paperback. Condizione libro: New. New.. Language: English . Brand New Book ***** Print on Demand *****. Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films--Accattone, The Canterbury Tales, Medea, Salo--continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, and criticism, Pasolini once claimed that a certain realism informed his filmmaking. Masterfully combining analyses of Pasolini s literary and theoretical writings and of all his films, Maurizio Viano offers the first thorough study of Pasolini s cinematic realism, in theory and in practice. He finds that Pasolini s cinematic career exemplifies an expressionistic realism that acknowledges its subjective foundation instead of striving for an impossible objectivity. Focusing on the personal and expressionistic dimensions of Pasolini s cinema, Viano also argues that homosexuality is present in the films in ways that critics have thus far failed to acknowledge. Sure to generate controversy among film scholars, Italianists, and fans of the director s work, this accessible film-by-film treatment is an ideal companion for anyone watching Pasolini s films on video. Codice libro della libreria APC9780520078550

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Viano, Maurizio
Editore: University of California Press (1993)
ISBN 10: 0520078551 ISBN 13: 9780520078550
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Descrizione libro University of California Press, 1993. Paperback. Condizione libro: New. Codice libro della libreria INGM9780520078550

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