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Screen Writings: Scripts and Texts by Independent Filmmakers: Texts and Scripts from Independent Films - Rilegato
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"Ask audience to cut the part of the image on the screen that they don't like. Supply scissors."Yoko Ono, Tokyo, June 1964
A dazzling range of unconventional film scripts and texts, many published for the first time, make up Scott MacDonald's newest collection. Illustrated with nearly 100 film stills, this fascinating book is at once a reference work of film history and an unparalleled sampling of experimental "language art." It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Each text and script is introduced and contextualized by MacDonald; a filmography and a bibliography round out the volume.
This is a readableoften quite funnyliterature that investigates differences between seeing and reading. Represented are avant-garde classics such as Hollis Frampton'sPoetic Justice and Zorns Lemma and Morgan Fisher's Standard Gauge, and William Greaves's recently rediscoveredSymbiopsychotaxiplasm: Take One. Michael Snow turns film loose on language inSo Is This; Peter Rose turns language loose on theory in Pressures of the Text.
Some of the most influential feminist filmscripts of recent decadesLaura Mulvey and Peter Wollen'sRiddles of the Sphinx, Su Friedrich's Gently Down the Stream, Trinh T. Minh-ha'sReassemblage, Yvonne Rainer's Privilegeconfirm this book's importance for readers in gender and cultural studies as well as for filmmakers and admirers of experimental writing, independent cinema, and the visual arts in general.
A dazzling range of unconventional film scripts and texts, many published for the first time, make up Scott MacDonald's newest collection. Illustrated with nearly 100 film stills, this fascinating book is at once a reference work of film history and an unparalleled sampling of experimental "language art." It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Each text and script is introduced and contextualized by MacDonald; a filmography and a bibliography round out the volume.
This is a readableoften quite funnyliterature that investigates differences between seeing and reading. Represented are avant-garde classics such as Hollis Frampton'sPoetic Justice and Zorns Lemma and Morgan Fisher's Standard Gauge, and William Greaves's recently rediscoveredSymbiopsychotaxiplasm: Take One. Michael Snow turns film loose on language inSo Is This; Peter Rose turns language loose on theory in Pressures of the Text.
Some of the most influential feminist filmscripts of recent decadesLaura Mulvey and Peter Wollen'sRiddles of the Sphinx, Su Friedrich's Gently Down the Stream, Trinh T. Minh-ha'sReassemblage, Yvonne Rainer's Privilegeconfirm this book's importance for readers in gender and cultural studies as well as for filmmakers and admirers of experimental writing, independent cinema, and the visual arts in general.
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Informazioni sull?autore
Scott MacDonald is Professor of Film Studies and American Literature at Utica College. He is editor ofA Critical Cinema and A Critical Cinema 2 (California, 1988, 1992).
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Screen Writings: Texts and Scripts from Independent Films
Editore:
University of California Press, 1995
ISBN 10: 0520080246
ISBN 13: 9780520080249
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Rilegato
Da: Books From California, Simi Valley, CA, U.S.A.
Valutazione del venditore 5 su 5 stelle
hardcover. Condizione: Good. Missing it's dust jacket. Codice articolo mon0003504675
Quantità: 1 disponibili