A Critical Cinema 3: Interviews With Independent Filmmakers

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9780520209435: A Critical Cinema 3: Interviews With Independent Filmmakers

"A Critical Cinema 3" continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose "Cinema 16 Society" drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, "Orlando", in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8 mm filmmaking. Ken Jacobs discusses the 'Nervous System' apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his "Vortex Concerts", ancestors of modern laser light shows; and Elias Merhige talks about going beneath the 'rational structure of meaning' in Begotten. "A Critical Cinema 3" presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, "A Critical Cinema" (California, 1988) and "A Critical Cinema 2" (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English.

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MacDonald, Scott
Editore: U.S.A.: University of California Press (1998)
ISBN 10: 0520209435 ISBN 13: 9780520209435
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Descrizione libro U.S.A.: University of California Press, 1998. Soft cover. Condizione libro: New. No Jacket. Language: eng Language: eng. Codice libro della libreria ABE-16832213705

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Scott MacDonald
Editore: University of California Press, United States (1998)
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Descrizione libro University of California Press, United States, 1998. Paperback. Condizione libro: New. New.. 224 x 152 mm. Language: English . Brand New Book. A Critical Cinema 3 continues Scott MacDonald s compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando , in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8 mm filmmaking. Ken Jacobs discusses the Nervous System apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts , ancestors of modern laser light shows; and Elias Merhige talks about going beneath the rational structure of meaning in Begotten. A Critical Cinema 3 presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, A Critical Cinema (California, 1988) and A Critical Cinema 2 (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English. Codice libro della libreria AAH9780520209435

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Scott MacDonald
Editore: University of California Press, United States (1998)
ISBN 10: 0520209435 ISBN 13: 9780520209435
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Descrizione libro University of California Press, United States, 1998. Paperback. Condizione libro: New. New.. 224 x 152 mm. Language: English . Brand New Book. A Critical Cinema 3 continues Scott MacDonald s compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando , in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8 mm filmmaking. Ken Jacobs discusses the Nervous System apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts , ancestors of modern laser light shows; and Elias Merhige talks about going beneath the rational structure of meaning in Begotten. A Critical Cinema 3 presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, A Critical Cinema (California, 1988) and A Critical Cinema 2 (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English. Codice libro della libreria AAH9780520209435

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Descrizione libro University of California Press, 1998. Paperback. Condizione libro: New. 1. Codice libro della libreria DADAX0520209435

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Descrizione libro University of California Press, 1998. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WF-9780520209435

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Descrizione libro University of California Press. Paperback. Condizione libro: new. BRAND NEW, A Critical Cinema: Interviews with Independent Film-makers: Bk. 3, Scott MacDonald, "A Critical Cinema 3" continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose "Cinema 16 Society" drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, "Orlando", in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8 mm filmmaking. Ken Jacobs discusses the 'Nervous System' apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his "Vortex Concerts", ancestors of modern laser light shows; and Elias Merhige talks about going beneath the 'rational structure of meaning' in Begotten. "A Critical Cinema 3" presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, "A Critical Cinema" (California, 1988) and "A Critical Cinema 2" (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English. Codice libro della libreria B9780520209435

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Descrizione libro University of California Press, 1998. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria IQ-9780520209435

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Descrizione libro University of California Press, 1998. Paperback. Condizione libro: New. book. Codice libro della libreria 0520209435

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Descrizione libro University of California Press, 1998. Paperback. Condizione libro: New. Codice libro della libreria INGM9780520209435

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Descrizione libro University of California Press. Paperback. Condizione libro: New. Paperback. 452 pages. Dimensions: 8.8in. x 6.0in. x 1.3in.A Critical Cinema 3 continues Scott MacDonalds compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando, in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8mm filmmaking. Ken Jacobs discusses the Nervous System apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts, ancestors of modern laser light shows; and Elias Merhige talks about going beneath the rational structure of meaning in Begotten. A Critical Cinema 3 presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed filmvideographies and selected bibliographies. With its predecessors, A Critical Cinema (California, 1988) and A Critical Cinema 2 (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9780520209435

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