Takarazuka: Sexual Politics and Popular Culture in Modern Japan

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9780520211513: Takarazuka: Sexual Politics and Popular Culture in Modern Japan

The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including gender-bending love stories, torridly romantic liaisons in foreign settings, and fanatically devoted fans. But that is only a small part of its complicated and complicit performance history. In this sophisticated and historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism, and popular culture in twentieth-century Japan.

The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. Tracing the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period, Robertson illuminates the intricate web of relationships among managers, directors, actors, fans, and social critics, whose clashes and compromises textured the theater and the wider society in colorful and complex ways.

Using Takarazuka as a key to understanding the "logic" of everyday life in Japan and placing the Revue squarely in its own social, historical, and cultural context, she challenges both the stereotypes of "the Japanese" and the Eurocentric notions of gender performance and sexuality.

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From the Inside Flap:

"Jennifer Robertson casts the Takarazuka Revue as a hybrid protagonist in her innovative and demystifying analysis of sexual, social, and national order and disorder in twentieth-century Japan."—Carroll Smith-Rosenberg, author of Disorderly Conduct: Visions of Gender in Victorian America

About the Author:

Jennifer Robertson is Professor of Anthropology at the University of Michigan, and author of Native and Newcomer: Making and Remaking a Japanese City (California, 1991).

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Descrizione libro University of California Press, United States, 1998. Paperback. Condizione libro: New. Language: English . Brand New Book. The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including gender-bending love stories, torridly romantic liaisons in foreign settings, and fanatically devoted fans. But that is only a small part of its complicated and complicit performance history. In this sophisticated and historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism, and popular culture in twentieth-century Japan. The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. Tracing the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period, Robertson illuminates the intricate web of relationships among managers, directors, actors, fans, and social critics, whose clashes and compromises textured the theater and the wider society in colorful and complex ways.Using Takarazuka as a key to understanding the logic of everyday life in Japan and placing the Revue squarely in its own social, historical, and cultural context, she challenges both the stereotypes of the Japanese and the Eurocentric notions of gender performance and sexuality. Codice libro della libreria AAZ9780520211513

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Jennifer Robertson
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Descrizione libro University of California Press, United States, 1998. Paperback. Condizione libro: New. Language: English . Brand New Book. The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including gender-bending love stories, torridly romantic liaisons in foreign settings, and fanatically devoted fans. But that is only a small part of its complicated and complicit performance history. In this sophisticated and historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism, and popular culture in twentieth-century Japan. The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. Tracing the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period, Robertson illuminates the intricate web of relationships among managers, directors, actors, fans, and social critics, whose clashes and compromises textured the theater and the wider society in colorful and complex ways. Using Takarazuka as a key to understanding the logic of everyday life in Japan and placing the Revue squarely in its own social, historical, and cultural context, she challenges both the stereotypes of the Japanese and the Eurocentric notions of gender performance and sexuality. Codice libro della libreria AAZ9780520211513

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Descrizione libro University of California Press 1998-07-08, Berkeley, 1998. paperback. Condizione libro: New. Codice libro della libreria 9780520211513

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Descrizione libro University of California Press, 1998. Paperback. Condizione libro: New. book. Codice libro della libreria M0520211510

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Descrizione libro University of California Press, 1998. Condizione libro: New. 1998. 0th Edition. Paperback. The all-female Takarazuka Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. This book traces the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period. Num Pages: 320 pages, 29 b/w photographs. BIC Classification: 1FPJ; HBJF; HBLW; JFC; JFSJ1; JHM. Category: (P) Professional & Vocational. Dimension: 228 x 156 x 18. Weight in Grams: 486. Sexual Politics and Popular Culture in Modern Japan. 320 pages, 29 b&w photographs. The all-female Takarazuka Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. This book traces the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period. Cateogry: (P) Professional & Vocational. BIC Classification: 1FPJ; HBJF; HBLW; JFC; JFSJ1; JHM. Dimension: 228 x 156 x 18. Weight: 488. . . . . . . Codice libro della libreria V9780520211513

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Descrizione libro Paperback. Condizione libro: New. Not Signed; The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including gender-bending love stories, torridly romantic liaisons in foreign settings, and fanatically devoted fans. But that is only a small part of its complicated and complicit performance history. In this s. book. Codice libro della libreria ria9780520211513_rkm

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Descrizione libro University of California Press. Condizione libro: New. 1998. 0th Edition. Paperback. The all-female Takarazuka Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. This book traces the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period. Num Pages: 320 pages, 29 b/w photographs. BIC Classification: 1FPJ; HBJF; HBLW; JFC; JFSJ1; JHM. Category: (P) Professional & Vocational. Dimension: 228 x 156 x 18. Weight in Grams: 486. Sexual Politics and Popular Culture in Modern Japan. 320 pages, 29 b&w photographs. The all-female Takarazuka Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. This book traces the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period. Cateogry: (P) Professional & Vocational. BIC Classification: 1FPJ; HBJF; HBLW; JFC; JFSJ1; JHM. Dimension: 228 x 156 x 18. Weight: 488. . . . . . Books ship from the US and Ireland. Codice libro della libreria V9780520211513

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Descrizione libro University of California Press. Paperback. Condizione libro: New. New copy - Usually dispatched within 2 working days. Codice libro della libreria B9780520211513

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Descrizione libro University of California Press, 1998. Condizione libro: New. Codice libro della libreria GH9780520211513

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