Inside the White Cube: The Ideology of the Gallery Space

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9780520220409: Inside the White Cube: The Ideology of the Gallery Space

When these essays first appeared in Artforum in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated—the three issues of Artforum in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes "The Gallery as Gesture," a critically important piece published ten years after the others.

O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system.

These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar.

With an introduction by Thomas McEvilley and a brilliantly cogent afterword by its author, Brian O'Doherty once again leads us on the perilous journey to center to the art world: Inside the White Cube.

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

From the Inside Flap:

"These famous essays are as fresh and stimulating today as when they jumped off the pages of Artforum. Those who have not read Brian O'Doherty will relish his poetically phrased, elegantly written, and ironically tempered taunt to so many received notions about twentieth-century mainstream art."—Jan van der Marck, author of Arman

"Inside the White Cube is a brilliant analysis of the sociological, economic, and aesthetic context within which we experience art. O'Doherty examines the critical relationships of context to content and with wit and irony exposes the myth of neutrality of the gallery or museum space. These essays mark a turning point in artistic perception."—Barbara Rose

"Brian O'Doherty's Inside the White Cube has remained one of the most influential and oft-quoted statements of its time. With cogent critical analysis and shrewd wit, O'Doherty investigates how the gallery space, sequestering the spectator within an apparently timeless realm and before the pretense of the enshrined object, insidiously governs the viewer's consciousness, perception, and emotional response."—Howard N. Fox

From the Back Cover:

"These famous essays are as fresh and stimulating today as when they jumped off the pages of "Artforum. Those who have not read Brian O'Doherty will relish his poetically phrased, elegantly written, and ironically tempered taunt to so many received notions about twentieth-century mainstream art."--Jan van der Marck, author of "Arman

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Brian O'Doherty
Editore: University of California Press 2000-01-06 (2000)
ISBN 10: 0520220404 ISBN 13: 9780520220409
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Descrizione libro University of California Press 2000-01-06, 2000. Condizione libro: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Codice libro della libreria NU-BER-00088181

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Brian O Doherty
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Descrizione libro University of California Press, United States, 2000. Paperback. Condizione libro: New. Enlarged edition. Language: English . Brand New Book. When these essays first appeared in Artforum in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated-the three issues of Artforum in which they appeared have become nearly impossible to obtain. Having Brian O Doherty s provocative essays available again is a signal event for the art world. This edition also includes The Gallery as Gesture, a critically important piece published ten years after the others. O Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar. With an introduction by Thomas McEvilley and a brilliantly cogent afterword by its author, Brian O Doherty once again leads us on the perilous journey to center to the art world: Inside the White Cube. Codice libro della libreria AAU9780520220409

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Brian O Doherty
Editore: University of California Press, United States (2000)
ISBN 10: 0520220404 ISBN 13: 9780520220409
Nuovi Paperback Quantità: 1
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Descrizione libro University of California Press, United States, 2000. Paperback. Condizione libro: New. Enlarged edition. Language: English . Brand New Book. When these essays first appeared in Artforum in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated-the three issues of Artforum in which they appeared have become nearly impossible to obtain. Having Brian O Doherty s provocative essays available again is a signal event for the art world. This edition also includes The Gallery as Gesture, a critically important piece published ten years after the others. O Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar. With an introduction by Thomas McEvilley and a brilliantly cogent afterword by its author, Brian O Doherty once again leads us on the perilous journey to center to the art world: Inside the White Cube. Codice libro della libreria AAU9780520220409

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ISBN 10: 0520220404 ISBN 13: 9780520220409
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Descrizione libro University of California Press, 2000. Condizione libro: New. 2000. Expanded. Paperback. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, this book raises the question of how artists must construe their work in relation to the gallery space and system. Num Pages: 113 pages, 28 b/w photographs. BIC Classification: ABA; GM. Category: (G) General (US: Trade). Dimension: 202 x 207 x 12. Weight in Grams: 410. The Ideology of the Gallery Space. 113 pages, 24 b&w illustrations. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, this book raises the question of how artists must construe their work in relation to the gallery space and system. Cateogry: (G) General (US: Trade). BIC Classification: ABA; GM. Dimension: 202 x 207 x 12. Weight: 418. . . . . . . Codice libro della libreria V9780520220409

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Brian O'Doherty (author), Thomas McEvilley (introduction)
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ISBN 10: 0520220404 ISBN 13: 9780520220409
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Descrizione libro University of California Press 2000-01-06, Berkeley, 2000. paperback. Condizione libro: New. Codice libro della libreria 9780520220409

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Brian O'Doherty
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Descrizione libro University of California Press 2000-01-06, 2000. Condizione libro: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Codice libro della libreria NU-GRD-00510513

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Descrizione libro University of California Press. Condizione libro: New. 2000. Expanded. Paperback. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, this book raises the question of how artists must construe their work in relation to the gallery space and system. Num Pages: 113 pages, 28 b/w photographs. BIC Classification: ABA; GM. Category: (G) General (US: Trade). Dimension: 202 x 207 x 12. Weight in Grams: 410. The Ideology of the Gallery Space. 113 pages, 24 b&w illustrations. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, this book raises the question of how artists must construe their work in relation to the gallery space and system. Cateogry: (G) General (US: Trade). BIC Classification: ABA; GM. Dimension: 202 x 207 x 12. Weight: 418. . . . . . Books ship from the US and Ireland. Codice libro della libreria V9780520220409

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Descrizione libro University of California Press, 2000. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria BB-9780520220409

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Descrizione libro University Of California Pres. Condizione libro: New. Original Books from across the World in Brand New Condition 9780520220409. book. Codice libro della libreria sipnov-1440

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