Inside the White Cube: The Ideology of the Gallery Space

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9780520220409: Inside the White Cube: The Ideology of the Gallery Space

When these essays first appeared in "Artforum" in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated - the three issues of "Artforum" in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes "The Gallery as Gesture," a critically important piece published ten years after the others. O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar.

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O'Doherty, Brian
Editore: University of California Press, United States (2000)
ISBN 10: 0520220404 ISBN 13: 9780520220409
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Descrizione libro University of California Press, United States, 2000. Paperback. Condizione libro: New. Expanded edition. 203 x 201 mm. Language: English . Brand New Book. When these essays first appeared in Art forum in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated - the three issues of Art forum in which they appeared have become nearly impossible to obtain. Having Brian O Doherty s provocative essays available again is a signal event for the art world. This edition also includes The Gallery as Gesture, a critically important piece published ten years after the others. O Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar. With an introduction by Thomas McEvilley and a brilliantly cogent afterword by its author, Brian O Doherty once again leads us on the perilous journey to center to the art world: Inside the White Cube. Codice libro della libreria AAU9780520220409

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O'Doherty, Brian
Editore: University of California Press (2000)
ISBN 10: 0520220404 ISBN 13: 9780520220409
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Descrizione libro University of California Press, 2000. Condizione libro: New. 2000. Expanded. Paperback. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, this book raises the question of how artists must construe their work in relation to the gallery space and system. Num Pages: 113 pages, 28 b/w photographs. BIC Classification: ABA; GM. Category: (G) General (US: Trade). Dimension: 202 x 207 x 12. Weight in Grams: 410. The Ideology of the Gallery Space. 113 pages, 24 b&w illustrations. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, this book raises the question of how artists must construe their work in relation to the gallery space and system. Cateogry: (G) General (US: Trade). BIC Classification: ABA; GM. Dimension: 202 x 207 x 12. Weight: 418. . . . . . . Codice libro della libreria V9780520220409

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O'Doherty, Brian
Editore: University of California Press, United States (2000)
ISBN 10: 0520220404 ISBN 13: 9780520220409
Nuovi Paperback Quantità: 1
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Descrizione libro University of California Press, United States, 2000. Paperback. Condizione libro: New. Expanded edition. 203 x 201 mm. Language: English . Brand New Book. When these essays first appeared in Artforum in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated-the three issues of Artforum in which they appeared have become nearly impossible to obtain. Having Brian O Doherty s provocative essays available again is a signal event for the art world. This edition also includes The Gallery as Gesture, a critically important piece published ten years after the others. O Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar. With an introduction by Thomas McEvilley and a brilliantly cogent afterword by its author, Brian O Doherty once again leads us on the perilous journey to center to the art world: Inside the White Cube. Codice libro della libreria AAU9780520220409

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ISBN 10: 0520220404 ISBN 13: 9780520220409
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Descrizione libro Condizione libro: New. Brand New. US Edition Book. We do not ship to Military Addresses. Fast Shipping with Order Tracking. For Standard Shipping 7-8 business days & Expedite Shipping 4-6 business days, after shipping. Codice libro della libreria 0520220404-RMX

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Descrizione libro University of California Press. Condizione libro: New. 2000. Expanded. Paperback. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, this book raises the question of how artists must construe their work in relation to the gallery space and system. Num Pages: 113 pages, 28 b/w photographs. BIC Classification: ABA; GM. Category: (G) General (US: Trade). Dimension: 202 x 207 x 12. Weight in Grams: 410. The Ideology of the Gallery Space. 113 pages, 24 b&w illustrations. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, this book raises the question of how artists must construe their work in relation to the gallery space and system. Cateogry: (G) General (US: Trade). BIC Classification: ABA; GM. Dimension: 202 x 207 x 12. Weight: 418. . . . . . Books ship from the US and Ireland. Codice libro della libreria V9780520220409

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Descrizione libro University of California Press. Paperback. Condizione libro: new. BRAND NEW, Inside the White Cube: The Ideology of the Gallery Space (Expanded edition), Brian O'Doherty, Thomas McEvilley, When these essays first appeared in "Artforum" in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated - the three issues of "Artforum" in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes "The Gallery as Gesture," a critically important piece published ten years after the others. O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar. Codice libro della libreria B9780520220409

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O'Doherty, Brian
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Descrizione libro University of California Press, 2000. Condizione libro: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: When these essays first appeared in Artforum in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated--the three issues of Artforum in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes "The Gallery as Gesture," a critically important piece published ten years after the others. O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar. Codice libro della libreria ABE_book_new_0520220404

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Descrizione libro University of California Press, 2000. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria BB-9780520220409

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Editore: University of California Press 2000-01-06, Berkerley (2000)
ISBN 10: 0520220404 ISBN 13: 9780520220409
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Descrizione libro University of California Press 2000-01-06, Berkerley, 2000. paperback. Condizione libro: New. Codice libro della libreria 9780520220409

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Descrizione libro University of California Press, 2000. Paperback. Condizione libro: New. Brand New Book. Shipping: Once your order has been confirmed and payment received, your order will then be processed. The book will be located by our staff, packaged and despatched to you as quickly as possible. From time to time, items get mislaid en route. If your item fails to arrive, please contact us first. We will endeavour to trace the item for you and where necessary, replace or refund the item. Please do not leave negative feedback without contacting us first. All orders will be dispatched within two working days. If you have any quesions please contact us. Codice libro della libreria V9780520220409

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