The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde

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9780520256170: The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde

This book tells the story of the influential group of creative artists Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin who connected music to technology during a legendary era in California's cultural history. An integral part of the robust San Francisco scene,” the San Francisco Tape Music Center developed new art forms through collaborations with Terry Riley, Steve Reich, David Tudor, Ken Dewey, Lee Breuer, the San Francisco Actor's Workshop, the San Francisco Mime Troupe, the Ann Halprin Dancers' Workshop, Canyon Cinema, and others. Told through vivid personal accounts, interviews, and retrospective essays by leading scholars and artists, this work, capturing the heady experimental milieu of the sixties, is the first comprehensive history of the San Francisco Tape Music Center.

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From the Inside Flap:

"Who knew, prior to this lovingly detailed account, that five musical discontents could construct what amounted to a cultural particle accelerator in a small San Franciscan house? This book allows readers a window onto the confluence of artistry, innovation, drugs, sexuality, poverty, resourcefulness and, most importantly, the sense of fun that permeated the air during those years."—Richard Henderson, critic for The Wire magazine

"As I devoured this vibrantly detailed history of the San Francisco Tape Music Center in the 1960s, I found myself wishing repeatedly that I'd been born a couple of decades earlier, so I could have been present for a string of historic events: the debut of the Don Buchla synthesizer, the premiere of Terry Riley's In C, Ramon Sender's Tropical Fish Opera, Pauline Oliveros's multimedia concert at the Trips Festival. The heroes of the Center were in the business of realizing unimagined possibilities, and they did much to shape the legendary culture of San Francisco in the later sixties."—Alex Ross

"Hats off to David Bernstein for flooding a dark corner of recent musical history with new light, as warm as it is brilliant."—Richard Taruskin, author of The Oxford History of Western Music

"This high-voltage oral history takes us straight back to the West Coast epicenter of experimental music in the early 1960s, where synthesizers and tape loops met light shows and LSD, and Merry Pranksters hung with the masters of minimalism. Reading it is like visiting a foreign country and realizing you were born there."—Fred Turner, author of From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism

About the Author:

David W. Bernstein is Professor of Music and Head of the Music Department at Mills College. He is coeditor, with Christopher Hatch, of Writings Through John Cage’s Music, Poetry, and Art and Music Theory and the Exploration of the Past.

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Editore: University of California Press 2008-07-25 (2008)
ISBN 10: 0520256174 ISBN 13: 9780520256170
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Descrizione libro University of California Press 2008-07-25, 2008. Paperback. Condizione libro: New. Codice libro della libreria NU-BER-00088478

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Editore: University of California Press, United States (2008)
ISBN 10: 0520256174 ISBN 13: 9780520256170
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Descrizione libro University of California Press, United States, 2008. Paperback. Condizione libro: New. Language: English . Brand New Book. This book tells the story of the influential group of creative artists - Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin - who connected music to technology during a legendary era in California s cultural history. An integral part of the robust San Francisco scene , the San Francisco Tape Music Center developed new art forms through collaborations with Terry Riley, Steve Reich, David Tudor, Ken Dewey, Lee Breuer, the San Francisco Actor s Workshop, the San Francisco Mime Troupe, the Ann Halprin Dancers Workshop, Canyon Cinema, and others. Told through vivid personal accounts, interviews, and retrospective essays by leading scholars and artists, this work, capturing the heady experimental milieu of the sixties, is the first comprehensive history of the San Francisco Tape Music Center. Codice libro della libreria AAU9780520256170

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Editore: University of California Press, United States (2008)
ISBN 10: 0520256174 ISBN 13: 9780520256170
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Descrizione libro University of California Press, United States, 2008. Paperback. Condizione libro: New. Language: English . Brand New Book. This book tells the story of the influential group of creative artists - Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin - who connected music to technology during a legendary era in California s cultural history. An integral part of the robust San Francisco scene , the San Francisco Tape Music Center developed new art forms through collaborations with Terry Riley, Steve Reich, David Tudor, Ken Dewey, Lee Breuer, the San Francisco Actor s Workshop, the San Francisco Mime Troupe, the Ann Halprin Dancers Workshop, Canyon Cinema, and others. Told through vivid personal accounts, interviews, and retrospective essays by leading scholars and artists, this work, capturing the heady experimental milieu of the sixties, is the first comprehensive history of the San Francisco Tape Music Center. Codice libro della libreria AAU9780520256170

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Bernstein, David W
Editore: University of California Press (2008)
ISBN 10: 0520256174 ISBN 13: 9780520256170
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Descrizione libro University of California Press, 2008. Condizione libro: New. 2008. 1 Pap/DVD. Paperback. Tells the story of the influential group of creative artists - Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin - who connected music to technology during a legendary era in California's cultural history. This title presents a comprehensive history of the San Francisco Tape Music Center. Editor(s): Bernstein, David W. Num Pages: 344 pages, 20 color photographs, 29 b/w photographs, 10 line drawings, 1 foldout, DVD. BIC Classification: 1KBBWF; 3JJPK; AV; JFC. Category: (P) Professional & Vocational. Dimension: 252 x 178 x 22. Weight in Grams: 756. 1960s Counterculture and the Avant-Garde. 344 pages. Editor(s): Bernstein, David W. Tells the story of the influential group of creative artists - Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin - who connected music to technology during a legendary era in California's cultural history. This title presents a comprehensive history of the San Francisco Tape Music Center. Cateogry: (P) Professional & Vocational. BIC Classification: 1KBBWF; 3JJPK; AV; JFC. Dimension: 252 x 178 x 22. Weight: 756. . . . . . . Codice libro della libreria V9780520256170

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David W Bernstein
Editore: University of California Press 2008-07-25, Berkeley, Calif. |London (2008)
ISBN 10: 0520256174 ISBN 13: 9780520256170
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Descrizione libro University of California Press 2008-07-25, Berkeley, Calif. |London, 2008. paperback. Condizione libro: New. Codice libro della libreria 9780520256170

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David W. Bernstein, John Rockwell, Johannes Goebel
Editore: University of California Press
ISBN 10: 0520256174 ISBN 13: 9780520256170
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Descrizione libro University of California Press. Paperback. Condizione libro: new. BRAND NEW, The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde, David W. Bernstein, John Rockwell, Johannes Goebel, This book tells the story of the influential group of creative artists - Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin - who connected music to technology during a legendary era in California's cultural history. An integral part of the robust San Francisco 'scene', the San Francisco Tape Music Center developed new art forms through collaborations with Terry Riley, Steve Reich, David Tudor, Ken Dewey, Lee Breuer, the San Francisco Actor's Workshop, the San Francisco Mime Troupe, the Ann Halprin Dancers' Workshop, Canyon Cinema, and others. Told through vivid personal accounts, interviews, and retrospective essays by leading scholars and artists, this work, capturing the heady experimental milieu of the sixties, is the first comprehensive history of the San Francisco Tape Music Center. Codice libro della libreria B9780520256170

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Bernstein, David W
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Descrizione libro University of California Press. Condizione libro: New. 2008. 1 Pap/DVD. Paperback. Tells the story of the influential group of creative artists - Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin - who connected music to technology during a legendary era in California's cultural history. This title presents a comprehensive history of the San Francisco Tape Music Center. Editor(s): Bernstein, David W. Num Pages: 344 pages, 20 color photographs, 29 b/w photographs, 10 line drawings, 1 foldout, DVD. BIC Classification: 1KBBWF; 3JJPK; AV; JFC. Category: (P) Professional & Vocational. Dimension: 252 x 178 x 22. Weight in Grams: 756. 1960s Counterculture and the Avant-Garde. 344 pages. Editor(s): Bernstein, David W. Tells the story of the influential group of creative artists - Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin - who connected music to technology during a legendary era in California's cultural history. This title presents a comprehensive history of the San Francisco Tape Music Center. Cateogry: (P) Professional & Vocational. BIC Classification: 1KBBWF; 3JJPK; AV; JFC. Dimension: 252 x 178 x 22. Weight: 756. . . . . . Books ship from the US and Ireland. Codice libro della libreria V9780520256170

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Descrizione libro University Press Group Ltd, 2008. Condizione libro: New. Codice libro della libreria EH9780520256170

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Descrizione libro University of California Press, 2008. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WF-9780520256170

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Descrizione libro University of California Press, 2008. Condizione libro: New. book. Codice libro della libreria ria9780520256170_rkm

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