The Aesthetics of Anarchy: Art and Ideology in the Early Russian Avant-Garde

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9780520268760: The Aesthetics of Anarchy: Art and Ideology in the Early Russian Avant-Garde

In this groundbreaking study, Nina Gurianova identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. Gurianova identifies what she terms an "aesthetics of anarchy" - art-making without rules - that greatly influenced early twentieth-century modernists. Setting the early Russian avant-garde movement firmly within a broader European context, Gurianova draws on a wealth of primary and archival sources by individual writers and artists, Russian theorists, theorizing artists, and German philosophers. Unlike the post-revolutionary avant-garde, which sought to describe the position of the artist in the new social hierarchy, the early Russian avant-garde struggled to overcome the boundaries defining art and to bridge the traditional gap between artist and audience. As it explores the aesthetics embraced by the movement, the book shows how artists transformed literary, theatrical, and performance practices, eroding the traditional boundaries of the visual arts and challenging the conventions of their day.

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Nina Gourianova
Editore: University of California Press (2012)
ISBN 10: 0520268768 ISBN 13: 9780520268760
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Descrizione libro University of California Press, 2012. Hardcover. Condizione libro: New. Codice libro della libreria DADAX0520268768

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Descrizione libro University of California Press, 2012. Hardcover. Condizione libro: New. Codice libro della libreria P110520268768

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Descrizione libro University of California Press, 2012. Condizione libro: New. book. Codice libro della libreria ria9780520268760_rkm

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Descrizione libro University of California Press. Hardback. Condizione libro: new. BRAND NEW, The Aesthetics of Anarchy: Art and Ideology in the Early Russian Avant-Garde, Nina Gourianova, In this groundbreaking study, Nina Gurianova identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. Gurianova identifies what she terms an "aesthetics of anarchy" - art-making without rules - that greatly influenced early twentieth-century modernists. Setting the early Russian avant-garde movement firmly within a broader European context, Gurianova draws on a wealth of primary and archival sources by individual writers and artists, Russian theorists, theorizing artists, and German philosophers. Unlike the post-revolutionary avant-garde, which sought to describe the position of the artist in the new social hierarchy, the early Russian avant-garde struggled to overcome the boundaries defining art and to bridge the traditional gap between artist and audience. As it explores the aesthetics embraced by the movement, the book shows how artists transformed literary, theatrical, and performance practices, eroding the traditional boundaries of the visual arts and challenging the conventions of their day. Codice libro della libreria B9780520268760

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Descrizione libro University of California Press, 2012. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria BB-9780520268760

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Gourianova, Nina
Editore: University of California Press (2012)
ISBN 10: 0520268768 ISBN 13: 9780520268760
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Descrizione libro University of California Press, 2012. Condizione libro: New. Identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. This title also identifies aesthetics of anarchy - art-making without rules - that greatly influenced early twentieth-century modernists. Num Pages: 360 pages, 68 scattered halftones. BIC Classification: 1DVUA; 3JJC; 3JJF; ACXD. Category: (P) Professional & Vocational. Dimension: 159 x 235 x 26. Weight in Grams: 716. Art and Ideology in the Early Russian Avant-Garde. 360 pages, Illustrations. Identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. This title also identifies aesthetics of anarchy - art-making without rules - that greatly influenced early twentieth-century modernists. Cateogry: (P) Professional & Vocational. BIC Classification: 1DVUA; 3JJC; 3JJF; ACXD. Dimension: 159 x 235 x 26. Weight: 716. . 2012. Hardcover. . . . . . Codice libro della libreria V9780520268760

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Nina Gourianova
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ISBN 10: 0520268768 ISBN 13: 9780520268760
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Descrizione libro University of California Press, United States, 2012. Hardback. Condizione libro: New. 231 x 155 mm. Language: English . Brand New Book. In this groundbreaking study, Nina Gurianova identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. Gurianova identifies what she terms an aesthetics of anarchy - art-making without rules - that greatly influenced early twentieth-century modernists. Setting the early Russian avant-garde movement firmly within a broader European context, Gurianova draws on a wealth of primary and archival sources by individual writers and artists, Russian theorists, theorizing artists, and German philosophers. Unlike the post-revolutionary avant-garde, which sought to describe the position of the artist in the new social hierarchy, the early Russian avant-garde struggled to overcome the boundaries defining art and to bridge the traditional gap between artist and audience. As it explores the aesthetics embraced by the movement, the book shows how artists transformed literary, theatrical, and performance practices, eroding the traditional boundaries of the visual arts and challenging the conventions of their day. Codice libro della libreria AAU9780520268760

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Nina Gourianova
Editore: University of California Press, United States (2012)
ISBN 10: 0520268768 ISBN 13: 9780520268760
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Descrizione libro University of California Press, United States, 2012. Hardback. Condizione libro: New. 231 x 155 mm. Language: English . Brand New Book. In this groundbreaking study, Nina Gurianova identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. Gurianova identifies what she terms an aesthetics of anarchy - art-making without rules - that greatly influenced early twentieth-century modernists. Setting the early Russian avant-garde movement firmly within a broader European context, Gurianova draws on a wealth of primary and archival sources by individual writers and artists, Russian theorists, theorizing artists, and German philosophers. Unlike the post-revolutionary avant-garde, which sought to describe the position of the artist in the new social hierarchy, the early Russian avant-garde struggled to overcome the boundaries defining art and to bridge the traditional gap between artist and audience. As it explores the aesthetics embraced by the movement, the book shows how artists transformed literary, theatrical, and performance practices, eroding the traditional boundaries of the visual arts and challenging the conventions of their day. Codice libro della libreria AAU9780520268760

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Gourianova, Nina
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ISBN 10: 0520268768 ISBN 13: 9780520268760
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Descrizione libro University of California Press. Condizione libro: New. Identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. This title also identifies aesthetics of anarchy - art-making without rules - that greatly influenced early twentieth-century modernists. Num Pages: 360 pages, 68 scattered halftones. BIC Classification: 1DVUA; 3JJC; 3JJF; ACXD. Category: (P) Professional & Vocational. Dimension: 159 x 235 x 26. Weight in Grams: 716. Art and Ideology in the Early Russian Avant-Garde. 360 pages, Illustrations. Identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. This title also identifies aesthetics of anarchy - art-making without rules - that greatly influenced early twentieth-century modernists. Cateogry: (P) Professional & Vocational. BIC Classification: 1DVUA; 3JJC; 3JJF; ACXD. Dimension: 159 x 235 x 26. Weight: 716. . 2012. Hardcover. . . . . Books ship from the US and Ireland. Codice libro della libreria V9780520268760

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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97805202687600000000

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