Giovanni Antonio da Pordenone is a key figure of the Golden Age of Venetian and Veneto art, but his place in the canon of major Renaissance artists is still unclear and the full extent of his influence has often gone unrecognised. This comprehensive study both catalogues his output and examines the social, cultural, and historical context of a career that moved between the most modest provincial places and the highest reaches of Venetian state patronage. There are extensive catalogue entries on all his accepted and collaborative works, with special emphasis on the many difficult problems of condition and bibliography, and the substantial and much-needed corpus of illustrations, which includes a section of colour plates, does justice to both the main body of his oeuvre and the often-neglected minor parts of his numerous cycles.
'Pordenone is an excellent candidate for a full-scale monographic treatment, and Cohen's volumes are the first in English devoted to one of the major figures of High Renaissance art in the Veneto.' Bruce Boucher, The Times Literary Supplement
'... will from now on be the standard work on the artist.' John Steer, The Art Book
'These two weighty volumes are a magnum opus in every sense of the term.' Apollo
This is a comprehensive and fully illustrated study of a key figure of the Golden Age of Venetian and Veneto art, which includes a catalogue of all his accepted and collaborative works and an examination of the social, cultural and historical context of his career. A stunning, two volume work, containing nearly 800 halftones and over 30 colour plates.
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Descrizione libro Cambridge University Press, New York, 1996. Hard Cover. Condizione libro: Near Fine. Condizione sovraccoperta: Near Fine. This is a very large two volume set in thin cardboard slipcase. The books and dj's look almost as new. The slipcase is in poor condition with taped repairs Size: 8 7/8 x 11 1/8 ". Two Volume Set. Codice libro della libreria 72360
Descrizione libro U.S.A.: Cambridge University Press, 1996. Hardcover. Condizione libro: Fine. 2 Volume Set with books in new condition and cardboard slipcase has slight to some wear to extremities and cover .Wonderful books.Due to weight and size of books unable to mail either out of the country or priority!. Codice libro della libreria ABE-1474285741396
Descrizione libro Cambridge University Press, 1996. Condizione libro: Used. This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Part I: Introduction: the Friulian background; 1. 1500'1508: origins and earliest works; 2. 1509'1515: contact with Venetian art and first maturity; 3. 1516'1519: the Roman experience and its immediate aftermath; 4. 1519'1520: treviso; 5. 1520'1522: cremona; 6. 1523'1528: spilimbergo organ shutters and provincial projects; 7. 1527'1532: first Venetian works and the great Emilian cycles; 8. 1532'1535: Venetian inroads and Friulian 'Caposcuola'; 9. 1535'1539: triumph and crisis in Venice; Part II: Catalogue. Codice libro della libreria ABE_book_usedgood_0521306302
Descrizione libro Cambridge University Press, 1996. Hardcover. Condizione libro: Very Good+. Condizione sovraccoperta: Very Good+. 2 volumes, complete, in slipcase: both volumes in very good plus to like new condition; text clean and tight; near new dust jackets; slip case has light wear and rubbing; not ex-library; NOTE: additional postage necessary for international shipping; Cambridge Studies in the History of Art; 10.87 X 8.62 X 4.41 inches; 1448 pages. Codice libro della libreria 161520