Descrizione del libro:
Examines the complex ways that sculpture and photography have intersected, historically, aesthetically, and theoretically. Using a variety of approaches, this volume also considers photography as a means of representing three-dimensional works of art.
Contenuti:
Introduction; Sculpture and photography: envisioning the third dimension Géraldine A. Johnson; 1. Nineteenth-century photographic depictions of sculpture and the rhetoric of substitution Joel Snyder; 2. The mystification of antiquity under Pius IX: Rome 1846–1878 Mary Bergstein; 3. Eakins's Arcadia: sculpture, photography, and the redefinition of the classical body Michael Hatt; 4. Montrer est la question vitale: Rodin and photography Helene Pinet; 5. Modelling the body: physical culture, photography, and the classical ideal in fin-de-siècle France Tamar Garb; 6. Sculpture's negative: the photography of Constantin Brancusi Paul Paret; 7. Malraux and the power of photography Henri Zerner; 8. Private views/public images: David Smith's photographs Joan Pachner; 9. Splitting the index: time, object, and photography in the work of Joseph Beuys and Yves Klein David Green, and Joanna Lowry; 10. Striking poses: the absurdist theatrics of Eva Hesse Anna C. Chave; 11. The minimalist object and the photographic image Alex Potts; 12. A lazy man's approach: Robert Mapplethorpe and the language of sculpture William Hood; 13. Sculpture, photography, and the politics of public space: Serra's Tilted Arc and Lin's Vietnam veterans memorial Géraldine A. Johnson; 14. The space of anxiety: sculpture and photography in the work of Jeff Wall Briony Fer.
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