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This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images.
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Informazioni sugli autori
Tonio Hölscher is Professor of Classical Archaeology at the University of Heidelberg. His publications focus on public monuments, political iconography and urbanism in Ancient Greece and Rome and on general art and cultural theory. His is a member of various scientific institutions, including the Academia Europae, London.
Anthony Snodgrass is Emeritus Professor of Classical Archaeology in the University of Cambridge whose books include Homer and the Artists (Cambridge University Press, 1998).
Jas' Elsner is Humfry Payne Senior Research Fellow in Classical Art and Archaeology in the University of Oxford. His books include Art and the Roman Viewer (Cambridge University Press, 1995) and Imperial Rome and Christian Triumph (1998).
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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The Language of Images in Roman Art
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Cambridge University Press, 2004
ISBN 10: 0521662001
ISBN 13: 9780521662000
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The Language of Images in Roman Art
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ISBN 13: 9780521662000
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ISBN 13: 9780521662000
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The Language of Images in Roman Art
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Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images. It establishes a connection between artistic forms and content and expressions of ideology, arguing that Roman art appears to operate as a semantic. Codice articolo 446944204
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The Language of Images in Roman Art (Hardcover)
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Cambridge University Press, Cambridge, 2004
ISBN 10: 0521662001
ISBN 13: 9780521662000
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Hardcover. Condizione: new. Hardcover. This book develops a new theory for the understanding of Roman pictorial art. By treating Roman art as a semantic system it establishes a connection between artistic forms and the ideological messages contained within. The history of Roman art traditionally followed the model of a sequence of stylistic phases affecting the works of their era in the manner of a uniform Zeitgeist. By contrast, the author shows different stylistic forms being used for different themes and messages. The reception of Greek models, a key phenomenon of Roman art, thus appear in a new light. The formulations of specific messages are established from Greek art types of different eras serving to express Roman ideological values: classical forms for the grandeur of the state, Hellenistic forms for the struggling effort of warfare. In this way a conceptual and comprehensible pictorial language arose, uniting the multicultural population of the Roman state. This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images. It establishes a connection between artistic forms and content and expressions of ideology, arguing that Roman art appears to operate as a semantic system comparable to Roman literature and the language of images of other cultures. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9780521662000
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Hardcover. Condizione: Brand New. 151 pages. 9.00x6.00x0.50 inches. In Stock. Codice articolo x-0521662001
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The Language of Images in Roman Art (Hardcover)
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Cambridge University Press, Cambridge, 2004
ISBN 10: 0521662001
ISBN 13: 9780521662000
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Hardcover. Condizione: new. Hardcover. This book develops a new theory for the understanding of Roman pictorial art. By treating Roman art as a semantic system it establishes a connection between artistic forms and the ideological messages contained within. The history of Roman art traditionally followed the model of a sequence of stylistic phases affecting the works of their era in the manner of a uniform Zeitgeist. By contrast, the author shows different stylistic forms being used for different themes and messages. The reception of Greek models, a key phenomenon of Roman art, thus appear in a new light. The formulations of specific messages are established from Greek art types of different eras serving to express Roman ideological values: classical forms for the grandeur of the state, Hellenistic forms for the struggling effort of warfare. In this way a conceptual and comprehensible pictorial language arose, uniting the multicultural population of the Roman state. This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images. It establishes a connection between artistic forms and content and expressions of ideology, arguing that Roman art appears to operate as a semantic system comparable to Roman literature and the language of images of other cultures. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9780521662000
Quantità: 1 disponibili