A widely acclaimed young writer’s fierce new novel, in which childbirth and new motherhood are as high stakes a proving ground as any combat zone
A year has passed since Ari gave birth to Walker, though it went so badly awry she has trouble calling it “birth” and still she can't locate herself in her altered universe. Amid the strange, disjointed rhythms of her days and nights and another impending winter in upstate New York, Ari is a tree without roots, struggling to keep her branches aloft.
When Mina, a one-time cult musician — older, self-contained, alone, and nine-months pregnant —moves to town, Ari sees the possibility of a new friend, despite her unfortunate habit of generally mistrusting women. Soon they become comrades-in-arms, and the previously hostile terrain seems almost navigable.
With piercing insight, purifying anger, and outrageous humor, Elisa Albert issues a wake-up call to a culture that turns its new mothers into exiles, and expects them to act like natives. Like Lionel Shriver’sWe Need to Talk About Kevin and Anne Enright’s The Gathering, this is a daring and resonant novel from one of our most visceral writers.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
"After Birth is a voluptuous, hilarious, scaldingly and exhilaratingly honest account of new motherhood, emotional exile, and the complex romance of female friendship. I'm a huge Elisa Albert fan, and in her latest she has perfected a tonal pivot that whips the reader from laughter to revelation in a sentence."
—Karen Russell, author of Sleep Donation and Swamplandia!
"A deep, funny novel about the terrors and exhilarations of love in all its forms. Elisa Albert writes with startling clarity and furious wit about marriage, motherhood and friendship, illuminating these familiar landscapes with lightning flashes of revelation."
—Jenny Offill, author of Dept. of Speculation
"After Birth is a fast-talking, opinionated, moody, funny, and slightly desperate account of the attempt to recover from having a baby. It is a romp through dangerous waters, in which passages of hilarity are shadowed by the dark nights of earliest motherhood, those months so tremulous with both new love and the despairing loss of one's identity—to read it is an absorbing, entertaining, and thought-provoking experience."
—Lydia Davis, author of Can't and Won't
"Bukowski wrote that he preferred people who scream when they burn, and nobody burns, or screams, like Elisa Albert—a fiercely intelligent, dark and funny woman unafraid of her own anger."
—Shalom Auslander, author of Hope: A Tragedy
"Elisa Albert in a nutshell: funny, self-aware, and genuinely fearless that she might be a lunatic, or a genius, or both."
—Emily Gould, The Awl
"Bukowski wrote that he preferred people who scream when they burn, and nobody burns, or screams, like Elisa Albert—a fiercely intelligent, dark and funny woman unafraid of her own anger."
—Shalom Auslander, author of Hope: A Tragedy
"Elisa Albert in a nutshell: funny, self-aware, and genuinely fearless that she might be a lunatic, or a genius, or both."
—Emily Gould, The Awl
"After Birth is a voluptuous, hilarious, scaldingly and exhilaratingly honest account of new motherhood, emotional exile, and the complex romance of female friendship. I'm a huge Elisa Albert fan, and in her latest she has perfected a tonal pivot that whips the reader from laughter to revelation in a sentence."
—Karen Russell, author of Sleep Donation and Swamplandia!
"After Birth is a fast-talking, opinionated, moody, funny, and slightly desperate account of the attempt to recover from having a baby. It is a romp through dangerous waters, in which passages of hilarity are shadowed by the dark nights of earliest motherhood, those months so tremulous with both new love and the despairing loss of one's identity—to read it is an absorbing, entertaining, and thought-provoking experience."
—Lydia Davis, author of Can't and Won't
"Bukowski wrote that he preferred people who scream when they burn, and nobody burns, or screams, like Elisa Albert—a fiercely intelligent, dark and funny woman unafraid of her own anger."
—Shalom Auslander, author of Hope: A Tragedy
"Elisa Albert in a nutshell: funny, self-aware, and genuinely fearless that she might be a lunatic, or a genius, or both."
—Emily Gould, The Awl
An excerpt will appear in the Winter 2014 issue of Tin House
"In lesser hands, Ari might be unlikable, but Albert imbues her with searing honesty and dark humor, and the result is a fascinating protagonist for this rich novel." --Publishers WeeklyPraise for The Book of Dahlia: One of Entertainment Weekly's Ten Best Novels of 2008 "What begins as a darkly funny novel develops quickly into a genuine tragedy, though it's unlike any you've read before."—Entertainment Weekly "Albert writes with the black humor of Lorrie Moore and a pathos that is uniquely her own, all the more blistering for being slyly invoked."—The New Yorker "While Albert's darkly brilliant first novel, The Book of Dahlia, may well keep you up at night, it's hardly a thriller. Instead, Albert has written something far rarer—a book so original in its voice and vision that it's truly thrilling."— San Francisco Chronicle "Albert creates a heroine who is as hilarious as she is honest, and she does it without a shred of sentimentality."— People
Praise for How This Night Is Different: "Albert's protagonists are young Americans each imbued with an uncannily sharp voice, each boldly confronting their intricately conflicted lives, each looking on the world with convincing lucidity and reacting with moving joie de vivre."—San Francisco Chronicle "Albert's debut story collection is truly worthy of the overused phrase 'razor sharp'.... These are not your bubbe's bedtime stories. . . This Night is as unorthodox as it is satisfying."—BUST Magazine "[Albert's] wildly entertaining, incisive as an ice pick, deeply engaged, and curiously, memorably moving. Philip Roth will surely be amused and deliciously appalled, as will you, Gentle Reader, at her inheritance and renewal of the culture and the dream."—Jayne Anne Phillips, author of Machine Dreams and Motherkind
"In lesser hands, Ari might be unlikable, but Albert imbues her with searing honesty and dark humor, and the result is a fascinating protagonist for this rich novel."
—Publishers Weekly "After Birth is a voluptuous, hilarious, scaldingly and exhilaratingly honest account of new motherhood, emotional exile, and the complex romance of female friendship. I'm a huge Elisa Albert fan, and in her latest she has perfected a tonal pivot that whips the reader from laughter to revelation in a sentence." —Karen Russell, author of Sleep Donation and Swamplandia! "A deep, funny novel about the terrors and exhilarations of love in all its forms. Elisa Albert writes with startling clarity and furious wit about marriage, motherhood and friendship, illuminating these familiar landscapes with lightning flashes of revelation." —Jenny Offill, author of Dept. of Speculation "After Birth is a fast-talking, opinionated, moody, funny, and slightly desperate account of the attempt to recover from having a baby. It is a romp through dangerous waters, in which passages of hilarity are shadowed by the dark nights of earliest motherhood, those months so tremulous with both new love and the despairing loss of one's identity—to read it is an absorbing, entertaining, and thought-provoking experience." —Lydia Davis, author of Can't and Won't "Bukowski wrote that he preferred people who scream when they burn, and nobody burns, or screams, like Elisa Albert—a fiercely intelligent, dark and funny woman unafraid of her own anger." —Shalom Auslander, author of Hope: A Tragedy "Elisa Albert in a nutshell: funny, self-aware, and genuinely fearless that she might be a lunatic, or a genius, or both." —Emily Gould, The Awl"After Birth is a fast-talking, opinionated, moody, funny, and slightly desperate account of the attempt to recover from having a baby. It is a romp through dangerous waters, in which passages of hilarity are shadowed by the dark nights of earliest motherhood, those months so tremulous with both new love and the despairing loss of one's identity—to read it is an absorbing, entertaining, and thought-provoking experience."
—Lydia Davis
"Bukowski wrote that he preferred people who scream when they burn, and nobody burns, or screams, like Elisa Albert—a fiercely intelligent, dark and funny woman unafraid of her own anger."
—Shalom Auslander, author of Hope: A Tragedy
"Elisa Albert in a nutshell: funny, self-aware, and genuinely fearless that she might be a lunatic, or a genius, or both."
—Emily Gould, The Awl
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