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National Book Award finalist (1972, 1997)
National Book Critics Circle Award winner (2001) and finalist (1982, 1983, 1990, 1997) Pulitzer Prize finalist (1996) Shortlisted for the Man Booker International Prize (2005) "Cynthia Ozick is, for my money, the most accomplished and graceful literary stylist of our time." —John Sutherland, New York Times Book Review"If there is such a thing as a literary pantheon in America, then Cynthia Ozick is surely its Athena . . . Ozick casts sentences that fairly pulse with the electricity of a highly charged mind."
—Marie Arana-Ward, Washington Post "Cynthia Ozick is double-barreled. She's an inventive and revelatory fiction writer and an exacting, battle-ready critic; an impish writer of conscience and a creative intellectual."—Donna Seaman, Los Angeles Times "As an essayist, Cynthia Ozick is a very good storyteller. Her arguments are plots . . . They twist and turn, digress, slow down and speed up, surprise with sudden illuminations, and only occasionally end predictably." —Robert Kiely, New York Times Book Review "Even when you disagree with [Ozick], she electrifies your mind." —Christopher Lehmann-Haupt, New York TimesNational Book Award finalist (1972, 1997)
National Book Critics Circle Award winner (2001) and finalist (1982, 1983, 1990, 1997) Pulitzer Prize finalist (1996) Shortlisted for the Man Booker International Prize (2005) "Cynthia Ozick is, for my money, the most accomplished and graceful literary stylist of our time." —John Sutherland, New York Times Book Review"If there is such a thing as a literary pantheon in America, then Cynthia Ozick is surely its Athena . . . Ozick casts sentences that fairly pulse with the electricity of a highly charged mind." —Marie Arana-Ward, Washington Post
"Cynthia Ozick is double-barreled. She's an inventive and revelatory fiction writer and an exacting, battle-ready critic; an impish writer of conscience and a creative intellectual."—Donna Seaman, Los Angeles Times "As an essayist, Cynthia Ozick is a very good storyteller. Her arguments are plots . . . They twist and turn, digress, slow down and speed up, surprise with sudden illuminations, and only occasionally end predictably." —Robert Kiely, New York Times Book Review "Even when you disagree with [Ozick], she electrifies your mind." —Christopher Lehmann-Haupt, New York TimesLe informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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