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"What connection could the discovery of a notorious child killer’s corpse have to a new series of unnerving crimes? Forensic archaeologist Ruth Galloway thinks that the body she’s unearthed near the walls of Norwich Castle may be that of Mother Hook, a woman who took in unwanted children, possibly sold their bodies and was hanged for murder in 1867. . . . Griffiths lovingly develops the complicated, often testy relationships between the continuing characters in the course of a mystery perhaps a shade less exciting than her usual fare."--Kirkus Reviews
"Griffiths bases her title and the book’s opening scene on an actual ceremony for “the outcast dead” (paupers and prostitutes long ago flung into a mass grave), held every year at Cross Bones Graveyard in London. . . . Griffiths deftly blends the themes of two women accused of child killing. Then she turns up the heat under this seething cauldron of blame and guilt by having two Norwichchildren kidnapped. A deft blend of death in the past, death in the present, and death chillingly close to occurring."--Booklist
"What connection could the discovery of a notorious child killer’s corpse have to a new series of unnerving crimes? Forensic archaeologist Ruth Galloway thinks that the body she’s unearthed near the walls of Norwich Castle may be that of Mother Hook, a woman who took in unwanted children, possibly sold their bodies and was hanged for murder in 1867. Ruth’s publicity-seeking department head is thrilled when the producer of the TV series Women Who Kill decides to add Mother Hook to the lineup. Ruth herself is less pleased even though the job brings her together with Frank Barker, an attractive professor of American history who thinks Mother Hook was innocent. At the same time, DCI Harry Nelson, the father of Ruth’s daughter, Kate, is investigating the deaths of a couple’s three young children. The first two incidents were written off as crib deaths, but the third looks like murder, and Nelson suspects the parents. As Ruth continues her work on the program, Nelson gets another child-related case. A young girl has been stolen from the house of her wealthy parents, whose nanny spends more time with the children than they do. After a frantic search, the child is found along with a cryptic note from “The Childminder.” No sooner is that case resolved than the son of Ruth’s friend Judy, a member of Nelson’s team, is taken from his sitter, and another note from the Childminder turns up. Judy is married to her high school sweetheart, but her son is the product of her affair with Cathbad, a druid friend of Ruth’s who had helped her in past cases (A Dying Fall, 2013, etc.). Could all these cases be related? Griffiths lovingly develops the complicated, often testy relationships between the continuing characters in the course of a mystery perhaps a shade less exciting than her usual fare."--Kirkus Reviews
"Griffiths bases her title and the book’s opening scene on an actual ceremony for “the outcast dead” (paupers and prostitutes long ago flung into a mass grave), held every year at Cross Bones Graveyard in London. The ceremony, which Griffiths transports to Norwich, fits beautifully with the fictional recent find at Norwich Castle of a grave likely containing the bones of Mother Hook, a woman hanged outside the castle for murdering children entrusted to her care. Heroine Ruth Galloway, the Norwich University lecturer and forensic archaeologist seen in five previous mysteries, does a star turn for a TV series in considering the guilt or innocence of the Victorian Mother Hook. At the same time, Galloway’s sometime lover and father of her three-year-old daughter, DCI Nelson, investigates the wrenching case of a mother accused of smothering her baby. Griffiths deftly blends the themes of two women accused of child killing. Then she turns up the heat under this seething cauldron of blame and guilt by having two Norwichchildren kidnapped. A deft blend of death in the past, death in the present, and death chillingly close to occurring."--Booklist
PRAISE FOR ELLY GRIFFITHS AND THE RUTH GALLOWAY SERIES
Winner of the Mary Higgins Clark Award
"Ruth Galloway is a remarkable, delightful character...A must-read for fans of crime and mystery fiction." —Associated Press
"Rich in atmosphere and history and blessed by [Griffith's] continuing development of brilliant, feisty, independent Ruth...A Room Full of Bones, like its predecessors, works its magic on the reader's imagination." —Richmond Times-Dispatch
"Lovers of well-written and intelligent traditional mysteries will welcome [Griffith's] fourth book...A Room Full of Bones is a clever blend of history and mystery with more than enough forensic details to attract the more attentive reader." —Denver Post
"Galloway is an everywoman, smart, successful and a little bit unsure of herself. Readers will look forward to learning more about her." —USA Today
"Forensic archeologist and academic Ruth Galloway is a captivating amateur sleuth-an inspired creation. I identified with her insecurities and struggles, and cheered her on. " —Louise Penny, author of the bestselling Armand Gamache series
"Those who haven't discovered the excellent series featuring forensic archeologist Ruth Galloway can start here, but they'll want the earlier three novels to uncover the interesting history of Prof. Galloway and Detective Inspector Harry Nelson...This is a skillful and engaging mystery." —The Globe and Mail
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