Art Damien Hirst: On the Way to Work

ISBN 13: 9780571202577

Damien Hirst: On the Way to Work

Valutazione media 3,83
( su 87 valutazioni fornite da Goodreads )
 
9780571202577: Damien Hirst: On the Way to Work

"I want it to be revealing. I'll talk about anything you like. I want it to be truthful. Let's do it. There is no off-limits. I'm afraid of nothing." Immediately recognised as a young artist with a brilliant, sordid and uncompromising imagination, Damien Hirst is the most celebrated artist Britain has produced for generations. The undisputed leader and originator of the dominant movement in contemporary art on both sides of the Atlantic, he is now so ingrained in the public consciousness that even those with only a passing interest in art are familiar with his notorious shark and pickled sheep. Gordon Burn met Hirst for the first time nine years ago. Both admirers of David Sylvester's interviews with Francis Bacon and Jan Wenner's interviews with John Lennon, there was always an unspoken understanding between them that they would do something similar when the time was right. The resulting conversations in On the Way to Work are electrifyingly candid. True to the undertaking Hirst gave Burn, there is no off-limits: here are Hirst's thoughts on celebrity, money, art, alcohol, sex, death, the North of England, class, crime and cocaine; his views on Marco Pierre White, Charles Saatchi, David Bowie, Gilbert and George and Lucian Freud. Damien Hirst's art and life came to define the nineties. Like the generation Hirst has come to represent, On the Way to Work is brave, unpredictable, scabrously funny and corrosively intelligent. It is also a how-to guide to becoming the most famous artist in the world.

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Review:

Damien Hirst and his friend, the writer Gordon Burn, provide in On the Way to Work a fascinating window into the mind of one of the most successful artists of the turn of the 21st century. The book, which is beautifully produced, illustrated, and typeset, is a collection of interviews, the first on the eve of Hirst's first major exhibition at the Institute of Contemporary Arts in London--when he unveiled his infamous shark suspended in a vat of formaldehyde (1991's wonderfully titled The Physical Impossibility of Death in the Mind of Someone Living. While the book is certainly skewed toward the later years (one interview in January 1992, one in April 1996, three in 1999, and seven in 2000), the reader does get a broad overview of how Hirst's relationships to life, art, and money have progressed. Hirst's fame, his spearheading of the YBA (young British artists) phenomenon, and his subsequent exposure in the gossip columns with the well-documented, and inevitable, drug and drink stories, are all fully covered here. But it is Hirst's genuinely profound artistic imagination and insight that best come across: his obsession with death--and with needing to prove his talent as a way to be immortalized in order to escape death--and his ambivalence toward art (the kind of ambivalence much of the public itself exhibits toward modern art) are key here. Also illuminating is Hirst's respect and admiration for Francis Bacon, as well as our discovery of Hirst's skill as a raconteur. If most visual artists show a disappointing inability to discuss their creations, Hirst, at least, shows an enviable ability to tell a divertingly good story: proof, if any were needed, of his working-class roots and his fidelity towards them (surely only the middle classes would see the selling of the fruit of their artistic labors as selling out).

Hirst, candidly, sees the art world as always part of the work and space of art, and it is a part he sometimes enjoys, sometimes struggles with, and whose successes he has rightly benefited from. In 1996 Hirst displayed the body of a cow cut up and suspended in 12 vitrines. The piece was called Some Comfort Gained from the Acceptance of the Inherent Lies in Everything. Hirst seems to have decided that the inevitability of death, so futilely hidden by a society obsessed with youth and health, is the only truth--or rather, perhaps, the only incisive fact that may help us to fully live now and eschew those lies in which we all swim and in which we are always in danger of drowning. On the Way to Work is an excellent book and much recommended to anyone who has been fascinated by the sudden rise in the visibility of modern art and what it has to say about society at the beginning of the 21st century. --Mark Thwaite, Amazon.co.uk

About the Author:

Gordon Burn is the author of two novels, Alma Cogan (winner of the Whitbread First Novel Prize) and Fullalove. He is also the author of three works of non-fiction, Somebody's Husband, Somebody's Son, Pocket Money and Happy Like Murderers. His new novel will be published by Faber next year.

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HIRST, Damien and Burn Gordon
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ISBN 10: 0571202578 ISBN 13: 9780571202577
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David Bunnett Books
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Descrizione libro Faber & Faber, London, 2001. HARDCOVER. Condizione libro: New. Condizione sovraccoperta: New. 1st Edition. Quarto size (4to) in white printed grey boards, 232pp, plates in colour and b/w, line drawings etc. Text of conversations between Hirst and Burn about Hirst . . . . . [ CONDITION : NEW copy in NEW Dust Jacket ] . . . . . . . . . . . NOTE Due to size and/or weight standard shipping to destinations outside the UK will cost more than the price shown above. Orders made by card will be completed after you have approved the extra cost. . . . . . . . . . . . . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box. Codice libro della libreria TOC0736H

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Descrizione libro Faber and Faber, 2016. Hardcover. Condizione libro: Brand New. first edition edition. 232 pages. 9.00x7.00x1.00 inches. In Stock. Codice libro della libreria zk0571202578

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Descrizione libro Faber & Faber, Incorporated, NY, 2001. Hardcover. Condizione libro: New. Condizione sovraccoperta: New. NEW BOOK and DJ, both Mint, and now with new Mylar. // No finer copy exists. Codice libro della libreria 100006

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