Having done the longest day in literature with his monumental Ulysses, James Joyce set himself even greater challenges for his next book — the night.
"A nocturnal state...That is what I want to convey: what goes on in a dream, during a dream." The work, which would exhaust two decades of his life and the odd resources of some sixty languages, culminated in the 1939 publication of Joyce's final and most revolutionary masterpiece, Finnegans Wake.
A story with no real beginning or end (it ends in the middle of a sentence and begins in the middle of the same sentence), this "book of Doublends Jined" is as remarkable for its prose as for its circular structure. Written in a fantantic dream language, forged from polyglot puns and portmanteau words, the Wake features some of Joyce's most brilliant inventive work. Sixty years after its original publication, it remains, in Anthony Burgess's words, "a great comic vision, one of the few books of the world that can make us laugh aloud on nearly every page."
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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James Joyce (1882–1941), an Irish poet and novelist, was one of the most celebrated writers of the twentieth century. His works include Ulysses, Finnegans Wake, and A Portrait of the Artist as a Young Man.Review:
Experimental novel by James Joyce. Extracts of the work appeared as Work in Progress from 1928 to 1937, and it was published in its entirety as Finnegans Wake in 1939. The book is, in one sense, the story of a publican in Chapelizod (near Dublin), his wife, and their three children; but Mr. Humphrey Chimpden Earwicker, Mrs. Anna Livia Plurabelle, and Kevin, Jerry, and Isabel are every family of mankind. The motive idea of the novel, inspired by the 18th-century Italian philosopher Giambattista Vico, is that history is cyclic; to demonstrate this the book begins with the end of a sentence left unfinished on the last page. Languages merge: Anna Livia has "vlossyhair"--wlosy being Polish for "hair"; "a bad of wind" blows--bad being Persian for "wind." Characters from literature and history appear and merge and disappear. On another level, the protagonists are the city of Dublin and the River Liffey standing as representatives of the history of Ireland and, by extension, of all human history. As he had in his earlier work Ulysses, Joyce drew upon an encyclopedic range of literary works. His strange polyglot idiom of puns and portmanteau words is intended to convey not only the relationship between the conscious and the unconscious but also the interweaving of Irish language and mythology with the languages and mythologies of many other cultures. -- The Merriam-Webster Encyclopedia of Literature
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Descrizione libro The Viking Press. Hardcover. Condizione libro: New. 0670315370 New. Looks like an interesting title, learn more! We provide domestic tracking upon request. We provide personalized customer service and want you to have a great experience purchasing from us. 100% satisfaction guaranteed and thank you for your consideration. Codice libro della libreria S-0670315370
Descrizione libro The Viking Press, 1939. Hardcover. Condizione libro: New. Codice libro della libreria DADAX0670315370
Descrizione libro The Viking Press, 1939. Hardcover. Condizione libro: New. Codice libro della libreria P110670315370
Descrizione libro The Viking Press. Hardcover. Condizione libro: New. 0670315370 New Condition. Codice libro della libreria NEW6.0322353