When Ambrose Tree is summoned by his ancient uncle to the brooding mansion Drogo Hall, he suspects it's to hear the old man's dying words and then collect a sizable inheritance. He has no idea he is about to learn the bizarre story of Harry Peake, Cornish smuggler turned poet who became a monster capable of the most horrifying acts. Or that he's about to become psychologically enmeshed in the riveting life of Harry's daughter, Martha, who flees her father for colonial America where she becomes a heroic figure in the revolution against England. Or that he himself has a crucial role to play in this mesmerizing tale as it rushes headlong and hauntingly toward its powerful climax. Martha Peake is a spellbinding alloy of Gothic mystery and historical romance.
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"It is a black art, the writing of a history, is it not?" So begins Martha Peake, a gripping narrative that takes the reader back to London and America during the revolutionary epoch of the 1770s. Patrick McGrath's sixth work of fiction begins several decades later, when young Ambrose Tree is summoned to visit his dying Uncle William at Drogo Hall. Assuming that he is about to inherit his uncle's estate, he rushes across Lambeth Marsh to the great manor house. Instead, though, he's promptly drawn into his uncle's extraordinary story of Harry Peake and his headstrong young daughter, Martha.
Harry, "to whom Nature in her folly gave the soul of a smuggler, and the tongue of a poet," was a Cornish smuggler, horrifically mutilated in a fire that killed his wife and dispersed his children. Only Martha stood by him. As the story unfolds, she follows her father to London, where the self-anointed, poetry-spouting "Cripplegate Monster" displays his hideously deformed body in the taverns and watering holes of London's underworld. Soon Harry comes to the sinister attentions of Lord Drogo, who "wanted him for his Museum of Anatomy." As father and daughter are drawn into this gentleman scientist's world, Harry turns to drink, catastrophically abusing Martha and sending her fleeing to America, where she becomes embroiled in the struggle for independence from England. At this point, the story may seem to have wandered far afield. But as Martha Peake reaches its climax, Ambrose realizes that the fate of both parent and child is much closer to home than he could ever have imagined.
Practicing the black art of storytelling to near-perfection, Patrick McGrath has produced a wonderful tale of "sacrifice and abomination and heroism and resolve and victory." The book's darkness and intermittent grotesquerie will cement his New Gothic reputation. Still, Martha Peake belongs more arguably in the company of Charles Dickens, whose literary ghost haunts these pages no less powerfully than those of the tragic father-and-daughter team. --Jerry BrottonFrom the Back Cover:
“An uncommon storyteller . . . . McGrath demonstrates his trademark ability to probe the layers of the human psyche.” –San Francisco Chronicle
“Unputdownable.” –The Washington Post
“A sweeping mytho-historical novel par excellence . . . .” –Minneapolis Star Tribune
“[Martha Peake] has rare qualities of power and urgency. . . . [Readers] are carried along by the eloquence and the energy and the brilliantly managed narrative pace.” –The New York Times Book Review
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