Cahiers Du Cinema: The 1950's Neo-Realism, Hollywood, New Wave

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9780674090613: Cahiers Du Cinema: The 1950's Neo-Realism, Hollywood, New Wave

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Hillier, Jim
ISBN 10: 0674090616 ISBN 13: 9780674090613
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Descrizione libro Paperback. Condizione libro: New. Brand New! We ship daily Monday - Friday!. Codice libro della libreria 1EY82M00A5XZ

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Hillier, Jim
Editore: Harvard University Press
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Descrizione libro Harvard University Press. Condizione libro: New. Brand New. Codice libro della libreria 0674090616

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Hillier, Jim
Editore: HARVARD UNIVERSITY PRESS, United States (1986)
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Descrizione libro HARVARD UNIVERSITY PRESS, United States, 1986. Paperback. Condizione libro: New. Revised ed.. 231 x 152 mm. Language: English . Brand New Book. Cahiers du Cinema is the most prestigious and influential film journal ever published. An anthology devoted entirely to its writings, in English translation, is long overdue. The selections in this volume are drawn from the colorful first decade of Cahiers, 1951-1959, when a group of young iconoclasts rocked the world of film criticism with their provocative views on international cinema--American, Italian, and French in particular. They challenged long-established Anglo-Saxon attitudes by championing American popular movies, addressing genres such as the Western and the thriller and the aesthetics of technological developments like CinemaScope, emphasizing mise en scene as much as thematic content, and assessing the work of individual filmmakers such as Hawks, Hitchcock, and Nicholas Ray in terms of a new theory of the director as author, auteur, a revolutionary concept at the time. Italian film, especially the work of Rossellini, prompted sharp debates about realism that helped shift the focus of critical discussion from content toward style. The critiques of French cinema have special interest because many of the journal s major contributors and theorists--Godard, Truffaut, Rohmer, Rivette, Chabrol--were to become some of France s most important film directors and leaders of the New Wave. Translated under the supervision of the British Film Institute, the selections have for the most part never appeared in English until now. Jim Hillier has organized them into topical groupings and has provided introductions to the parts as well as the whole. Together these essays, reviews, discussions, and polemics reveal the central ideas of the Cahiers of the 1950s not as fixed doctrines but as provocative, productive, often contradictory contributions to crucial debates that were to overturn critical thinking about film. Codice libro della libreria AAH9780674090613

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Hillier, Jim
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ISBN 10: 0674090616 ISBN 13: 9780674090613
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Descrizione libro Harvard University Press, 1985. Paperback. Condizione libro: New. book. Codice libro della libreria 0674090616

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Descrizione libro 2005. Paperback. Condizione libro: New. 154mm x 22mm x 236mm. Paperback. Cahiers du Cinema is the most prestigious and influential film journal ever published. An anthology devoted entirely to its writings, in English translation, is long overdue.The selections.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 328 pages. 0.463. Codice libro della libreria 9780674090613

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Hillier, Jim
Editore: HARVARD UNIVERSITY PRESS, United States (1986)
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Descrizione libro HARVARD UNIVERSITY PRESS, United States, 1986. Paperback. Condizione libro: New. Revised ed.. 231 x 152 mm. Language: English . Brand New Book. Cahiers du Cinema is the most prestigious and influential film journal ever published. An anthology devoted entirely to its writings, in English translation, is long overdue. The selections in this volume are drawn from the colorful first decade of Cahiers, 1951-1959, when a group of young iconoclasts rocked the world of film criticism with their provocative views on international cinema--American, Italian, and French in particular. They challenged long-established Anglo-Saxon attitudes by championing American popular movies, addressing genres such as the Western and the thriller and the aesthetics of technological developments like CinemaScope, emphasizing mise en scene as much as thematic content, and assessing the work of individual filmmakers such as Hawks, Hitchcock, and Nicholas Ray in terms of a new theory of the director as author, auteur, a revolutionary concept at the time. Italian film, especially the work of Rossellini, prompted sharp debates about realism that helped shift the focus of critical discussion from content toward style. The critiques of French cinema have special interest because many of the journal s major contributors and theorists--Godard, Truffaut, Rohmer, Rivette, Chabrol--were to become some of France s most important film directors and leaders of the New Wave. Translated under the supervision of the British Film Institute, the selections have for the most part never appeared in English until now. Jim Hillier has organized them into topical groupings and has provided introductions to the parts as well as the whole. Together these essays, reviews, discussions, and polemics reveal the central ideas of the Cahiers of the 1950s not as fixed doctrines but as provocative, productive, often contradictory contributions to crucial debates that were to overturn critical thinking about film. Codice libro della libreria AAH9780674090613

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Descrizione libro Harvard University Press. PAPERBACK. Condizione libro: New. 0674090616 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Codice libro della libreria 4239279

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Descrizione libro Paperback. Condizione libro: BRAND NEW. BRAND NEW. Fast Shipping. Prompt Customer Service. Satisfaction guaranteed. Codice libro della libreria 0674090616BNA

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Jim Hillier
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Descrizione libro Harvard University Press. Paperback. Condizione libro: new. BRAND NEW, Cahiers du Cinema, The 1950s: Neo-Realism, Hollywood, New Wave, Jim Hillier, Cahiers du Cinema is the most prestigious and influential film journal ever published. An anthology devoted entirely to its writings, in English translation, is long overdue. The selections in this volume are drawn from the colorful first decade of Cahiers, 1951-1959, when a group of young iconoclasts racked the world of film criticism with their provocative views an international cinema--American, Italian, and French in particular. They challenged long-established Anglo-Saxon attitudes by championing American popular movies, addressing genres such as the Western and the thriller and the aesthetics of technological developments like CinemaScope, emphasizing mise en scene as much as thematic content, and assessing the work of individual filmmakers such as Hawks, Hitchcock, and Nicholas Ray in terms of a new theory of the director as author, auteur, a revolutionary concept at the time. Italian film, especially the work of Rossellini, prompted sharp debates about realism that helped shift the focus of critical discussion from content toward style. The critiques of French cinema have special interest because many of the journal's major contributors and theorists Godard, Truffaut, Rohmer, Rivette, Chabrol were to become same of France's most important film directors and leaders of the New Wave. Translated under the supervision of the British Film Institute, the selections have far the most part never appeared in English until now. Hillier has organized them into topical groupings and has provided introductions to the parts as well as the whale. Together these essays, reviews, discussions, and polemics reveal the central ideas of the Cahiers of the 1950s not as fixed doctrines but as provocative, productive, often contradictory contributions to crucial debates that were to overturn critical thinking about film. Codice libro della libreria B9780674090613

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10.

Jim Hillier (Editor)
Editore: Harvard University Press (1985)
ISBN 10: 0674090616 ISBN 13: 9780674090613
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Descrizione libro Harvard University Press, 1985. Paperback. Condizione libro: New. Codice libro della libreria DADAX0674090616

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