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Bernard Berenson (1865-1959) put the connoisseurship of Renaissance art on a firm footing in the late nineteenth and early twentieth centuries. His monument is the library and collection of Italian painting, Islamic miniatures, and Asian art at Villa I Tatti in Florence. The authors in this collection of essays explore the intellectual world in which Berenson was formed and to which he contributed. Some essays consider his friendship with William James and the background of perceptual psychology that underlay his concept of "tactile values." Others examine Berenson's relationships with a variety of cultural figures, ranging from the German-born connoisseur Jean Paul Richter, the German art historian Aby Warburg, the Boston collector Isabella Stewart Gardner, and the American medievalist Arthur Kingsley Porter to the African-American dance icon Katherine Dunham, as well as with Kenneth Clark, Otto Gutekunst, Archer Huntington, Paul Sachs, and Umberto Morra.Bernard Berenson: Formation and Heritage makes an important contribution to the rising interest in the historiography of the discipline of art history in the United States and Europe during its formative years.
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- EditoreHarvard Univ Pr
- Data di pubblicazione2014
- ISBN 10 0674427858
- ISBN 13 9780674427853
- RilegaturaCopertina flessibile
- Numero di pagine440
- RedattoreConnors Joseph, Waldman Louis A.
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Descrizione libro Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days. Bernard Berenson: Formation and Heritage explores the intellectual world of Berenson (1865-1959), who put the connoisseurship of Renaissance art on a firm footing at the turn of the twentieth century. Essays explore his relationships with various cultural figures including William James, Jean Paul Richter, Katherine Dunham, and many others. Codice articolo B9780674427853
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Descrizione libro Condizione: New. Bernard Berenson: Formation and Heritage explores the intellectual world of Berenson (1865-1959), who put the connoisseurship of Renaissance art on a firm footing at the turn of the twentieth century. Essays explore his relationships with various cultural figures including William James, Jean Paul Richter, Katherine Dunham, and many others. Series: Villa I Tatti Series. Num Pages: 440 pages, illustrations (black and white). BIC Classification: 1KBB; ACND; BGA; HBJD; HBJK; HBLW. Category: (G) General (US: Trade). Dimension: 254 x 177 x 28. Weight in Grams: 922. . 2014. Paperback. . . . . Books ship from the US and Ireland. Codice articolo V9780674427853
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Descrizione libro Condizione: New. Bernard Berenson: Formation and Heritage explores the intellectual world of Berenson (1865-1959), who put the connoisseurship of Renaissance art on a firm footing at the turn of the twentieth century. Essays explore his relationships with various cultural figures including William James, Jean Paul Richter, Katherine Dunham, and many others. Series: Villa I Tatti Series. Num Pages: 440 pages, illustrations (black and white). BIC Classification: 1KBB; ACND; BGA; HBJD; HBJK; HBLW. Category: (G) General (US: Trade). Dimension: 254 x 177 x 28. Weight in Grams: 922. . 2014. Paperback. . . . . Codice articolo V9780674427853
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Descrizione libro Paperback. Condizione: new. Paperback. Bernard Berenson (1865-1959) put the connoisseurship of Renaissance art on a firm footing in the late nineteenth and early twentieth centuries. His monument is the library and collection of Italian painting, Islamic miniatures, and Asian art at Villa I Tatti in Florence. The authors in this collection of essays explore the intellectual world in which Berenson was formed and to which he contributed. Some essays consider his friendship with William James and the background of perceptual psychology that underlay his concept of "tactile values." Others examine Berenson's relationships with a variety of cultural figures, ranging from the German-born connoisseur Jean Paul Richter, the German art historian Aby Warburg, the Boston collector Isabella Stewart Gardner, and the American medievalist Arthur Kingsley Porter to the African-American dance icon Katherine Dunham, as well as with Kenneth Clark, Otto Gutekunst, Archer Huntington, Paul Sachs, and Umberto Morra. Bernard Berenson: Formation and Heritage makes an important contribution to the rising interest in the historiography of the discipline of art history in the United States and Europe during its formative years. Bernard Berenson: Formation and Heritage explores the intellectual world of Berenson (18651959), who put the connoisseurship of Renaissance art on a firm footing at the turn of the twentieth century. Essays explore his relationships with various cultural figures including William James, Jean Paul Richter, Katherine Dunham, and many others. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9780674427853
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