A sense of stillness and silence pervades Manet's painting. His flattened, sometimes fragmented forms appear to exist absentmindedly in a world removed from speech. It is this silence that James Rubin explores in a book that shows us Manet as we see him--naturally, in pictures that articulated their own purely visual terms. In such a sense, this book is about the restoration of the visual to its primacy in art through Manet's painting.
While insisting that Manet's pictures must be given the first and final say in any interpretation, Rubin uses contradictory views of the painter's works--from the present and past--as a context for approaching them. Applying J.L. Austin's notion of the performative, which bridges the gap between language and action or between the painted image and its social effect, Rubin goes beyond past theorists to describe the curious ways in which Manet's paintings act upon us. With these ideas as his guide, he takes us through Manet's work, pointing out the element that are distinctive and consistent, particularly the painter's reliance on a pattern of gazes and the "unique state of undecidability" that this strategy produces. Rubin also examines Manet's relatioship to three of the leading critics of his day--Baudelaire, Zola, and Mallarmé--giving special attention to Mallarmé's appreciation, and eventual use in his poetry, of the paradox between immersion and externality in Manet's oeuvre. Finally, the book uses the image of the bouquet to exemplify Manet's creative poetics through an exploration of his still life.
Filled with revealing insights into Manet's achievevment, this sensitive, informed, and clearly written book goes a long way toward explaining why Manet's paintings continue to fascinate and elude us more than one hundred years after the artist's death.
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James H. Rubin is Professor of Art History at the State University of New York, Stony Brook.
Book by Rubin James
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Da: rareviewbooks, Kensington, MD, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hardback book (256 pages) illustrated with numerous b/w reproductions. Dust jacket in protective sleeve shows moderate rubbing/scuffing with small nick at top left edge - small amount of spotting/foxing on front free endpaper. Bookseller since 1995 (LL-Base2-BS-1-TS-R) rareviewbooks. Codice articolo RVB08222203
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Da: Augustine Funnell Books, Fredericton, NB, Canada
Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. First Edition. A title from the publisher's 'Essays in Art and Culture' series. Offering a number of insights into Manet's work, the author examines the silence in the artist's "flattened, sometimes fragmented forms [which] appear to exist absentmindedly in a world removed from speech." Sand cloth, 256 pages (including appendix/references/bibliography/list of illustrations). Rubbed dust jacket w/mild edgewear, thin scratches. An unread copy. Size: 8vo - over 7¾ - 9¾" tall. Book. Codice articolo 008449
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Da: SecondSale, Montgomery, IL, U.S.A.
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Codice articolo 00068715118
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Da: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Hardcover. Dust Jacket Included. 8vo. pp. 256. 94 illus. biblio. cloth. dw. First Edition. Codice articolo ABIneRUB59
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Da: BennettBooksLtd, North Las Vegas, NV, U.S.A.
Hardcover. Condizione: New. In shrink wrap! Looks like an interesting title!. Codice articolo Q-0674548027
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Da: online-buch-de, Dozwil, Svizzera
Condizione: gebraucht; wie neu. Codice articolo 547-2-11
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Da: dsmbooks, Liverpool, Regno Unito
Hardcover. Condizione: New. New. book. Codice articolo D7S9-1-M-0674548027-4
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