Recensione:
A New York Times Notable Book
A Richard & Judy Book Club Selection
A National Book Critics Circle Award Finalist
Finalist for the commonwealth writers’ prize for best book (Africa region)
“A gorgeous, pitiless account of love, violence and betrayal during the Biafran war.”
—Time
“A landmark novel, whose clear, undemonstrative prose can so precisely delineate nuance. . . . She brings to it a lucid intelligence and compassion, and a heartfelt plea for memory.”
—The Guardian (UK)
“At once historical and eerily current, Half of a Yellow Sun honours the memory of a war largely forgotten outside Nigeria, except as a synonym for famine. But although she uses history to gain leverage on the present, Adichie is a storyteller, not a crusader.”
—The New York Times Book Review
“[Adichie’s] second novel leaves you reeling at the horrors people can inflict on one another. . . . The stark maturity of its vision is so startling that the great African novelist Chinua Achebe refused to believe the book could have been written by someone so young.”
—National Post
“Adichie has created a jarring and achingly sensitive fiction. With powerful poetic prose unique in a writer so young, Half of a Yellow Sun is a moving novel that I would recommend to anyone brave enough to follow Chimamanda Ngozi Adichie into the hell where her characters live, love and face unspeakable horrors.”
—Hour (Montreal)
“...[an] artful page-turner...[a] profoundly gripping story. This dramatic, intelligent epic has its lush and sultry side as well...This is a transcendent novel of many descriptive triumphs, most notably its depiction of the impact of war’s brutalities on peasants and intellectuals alike. It’s a searing history lesson in fictional form, intensely evocative and immensely absorbing.”
— Publishers Weekly
“We do not usually associate wisdom with beginners, but here is a new writer endowed with the gift of ancient storytellers. Chimamanda Ngozi Adichie knows what is at stake, and what to do about it. Her experimentation with the dual mandate of English and Igbo in perennial discourse is a case in point. Timid and less competent writers would avoid the complication altogether, but Adichie embraces it because her story needs it. She is fearless, or she would not have taken on the intimidating horror of Nigeria's civil war. Adichie came almost fully made.”
–Chinua Achebe
Praise for Chimamanda Ngozi Adichie and Purple Hibiscus:
“The secret of Adichie’s style is simplicity, rhythm and balance. She writes a poet’s sentences.”
–London Review of Books
“A sensitive and touching story of a child exposed too early to religious intolerance and the uglier side of the Nigerian state.”
–J. M. Coetzee
L'autore:
Chimamanda Ngozi Adichie was born in Nigeria. Purple Hibiscus won the Commonwealth Writers Prize for Best First Book and the Hurston/Wright Legacy award. It was also shortlisted for the Orange Prize and the John Llewellyn Rhys Prize. Her short fiction has appeared in Granta and the Iowa Review, among other literary journals, and she received an O. Henry Prize in 2003. She is a 2005/2006 Hodder fellow at Princeton University and divides her time between the U.S. and Nigeria.
From the Hardcover edition.
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