Music and Discourse: Toward a Semiology of Music/Translated from French

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9780691027142: Music and Discourse: Toward a Semiology of Music/Translated from French

In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music and discourse about music as products of human activity that are perceived in varying ways by various cultures. Asking such questions as "what is a musical work" and "what constitutes music", Nattiez draws from philosophy, anthropology, music analysis, and history to propose a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. He reviews issues raised by the notion of the musical sign, and shows how Perican semiotics, with its image of a chain or web of meanings, applies to a consideration of music's infinite and unstable potential for embodying meaning. In exploring the process of ascribing meaning to music, Nattiez reviews writings on the psychology of music, non-Western metaphorical descriptions, music-analytical prose, and writings in the history of musical aesthetics. A final analytical chapter on the Tristan chord suggests that interpretations of music are cast in terms of analytical plots shaped by transcendent principles, and that any semiological consideration of music must account for these interpretive narratives.

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Jean-Jacques Nattiez
Editore: Princeton University Press, United States (1990)
ISBN 10: 0691027145 ISBN 13: 9780691027142
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Descrizione libro Princeton University Press, United States, 1990. Paperback. Condizione libro: New. 224 x 157 mm. Language: English . Brand New Book. In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. Asking such questions as what is a musical work and what constitutes music, Nattiez draws from philosophy, anthropology, music analysis, and history to propose a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. He reviews issues raised by the notion of the musical sign, and shows how Peircian semiotics, with its image of a chain or web of meanings, applies to a consideration of music s infinite and unstable potential for embodying meaning. In exploring the process of ascribing meaning to music, Nattiez reviews writings on the psychology of music, non-Western metaphorical descriptions, music-analytical prose, and writings in the history of musical aesthetics. A final analytical chapter on the Tristan chord suggests that interpretations of music are cast in terms of analytical plots shaped by transcendent principles, and that any semiological consideration of music must account for these interpretive narratives. Codice libro della libreria AAZ9780691027142

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Editore: Princeton University Press (1992)
ISBN 10: 0691027145 ISBN 13: 9780691027142
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Descrizione libro Princeton University Press, 1992. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WP-9780691027142

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Jean-Jacques Nattiez
Editore: Princeton University Press, United States (1990)
ISBN 10: 0691027145 ISBN 13: 9780691027142
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Descrizione libro Princeton University Press, United States, 1990. Paperback. Condizione libro: New. 224 x 157 mm. Language: English . Brand New Book. In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. Asking such questions as what is a musical work and what constitutes music, Nattiez draws from philosophy, anthropology, music analysis, and history to propose a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. He reviews issues raised by the notion of the musical sign, and shows how Peircian semiotics, with its image of a chain or web of meanings, applies to a consideration of music s infinite and unstable potential for embodying meaning. In exploring the process of ascribing meaning to music, Nattiez reviews writings on the psychology of music, non-Western metaphorical descriptions, music-analytical prose, and writings in the history of musical aesthetics. A final analytical chapter on the Tristan chord suggests that interpretations of music are cast in terms of analytical plots shaped by transcendent principles, and that any semiological consideration of music must account for these interpretive narratives. Codice libro della libreria AAZ9780691027142

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JeanÔÇôjacques Nattiez
Editore: Princeton University Press 1992-07-01, Princeton, N.J. |London (1992)
ISBN 10: 0691027145 ISBN 13: 9780691027142
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Descrizione libro Princeton University Press 1992-07-01, Princeton, N.J. |London, 1992. paperback. Condizione libro: New. Codice libro della libreria 9780691027142

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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97806910271420000000

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Descrizione libro Princeton University Press, 1992. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria IQ-9780691027142

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Nattiez, Jean-Jacques
Editore: Princeton University Press (1990)
ISBN 10: 0691027145 ISBN 13: 9780691027142
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Descrizione libro Princeton University Press, 1990. Condizione libro: New. 1990. 3rd. Paperback. Examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. This book proposes a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. It also reviews issues raised by the notion of the musical sign. Translator(s): Abbate, Carolyn. Num Pages: 288 pages, 1, black & white illustrations. BIC Classification: AVA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 227 x 156 x 18. Weight in Grams: 454. . . . . . . Codice libro della libreria V9780691027142

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Jean-Jacques Nattiez, Carolyn Abbate
ISBN 10: 0691027145 ISBN 13: 9780691027142
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Descrizione libro Paperback. Condizione libro: New. Not Signed; In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. Asking such questions as what is a musical work and what constitutes mu. book. Codice libro della libreria ria9780691027142_rkm

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Nattiez, Jean-Jacques
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ISBN 10: 0691027145 ISBN 13: 9780691027142
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Descrizione libro Princeton University Press. Condizione libro: New. 1990. 3rd. Paperback. Examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. This book proposes a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. It also reviews issues raised by the notion of the musical sign. Translator(s): Abbate, Carolyn. Num Pages: 288 pages, 1, black & white illustrations. BIC Classification: AVA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 227 x 156 x 18. Weight in Grams: 454. . . . . . Books ship from the US and Ireland. Codice libro della libreria V9780691027142

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Nattiez, Jean-Jacques
Editore: Princeton University Press (1990)
ISBN 10: 0691027145 ISBN 13: 9780691027142
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Descrizione libro Princeton University Press, 1990. Paperback. Condizione libro: New. book. Codice libro della libreria 0691027145

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