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Acknowledgments | ||
Introduction | ||
Selected Bibliography of Robert A. Koch | ||
List of Illustrations | ||
Bosch's Saint John the Baptist in the Wilderness and the Artist's "Fleurs du Mal" | 3 | |
How One Workshop Worked: Bernard van Orley's Atelier in Early Sixteenth-Century Brussels | 21 | |
Saint Jerome in His Study by Joos van Cleve | 53 | |
The Sexuality of Christ in the Early Sixteenth Century in Germany | 69 | |
The Commissioning of Early Netherlandish Carved Altarpieces: Some Documentary Evidence | 83 | |
Protestant Madonnas Revisited: Iconographic Duality in Works by Jan Sadeler and Joos van Winghe | 115 | |
The Meaning of the Baerze-Broederlam Altarpiece | 131 | |
Burgundian Gloire vs. Vaine Gloire: Patterns of Neochivalric Psychomachia | 147 |
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Spese di spedizione:
EUR 4,65
In U.S.A.
Descrizione libro Hardcover. Condizione: New. Condizione sovraccoperta: None, as Issued. 1st Edition. xviii + 171 pp + 4 plates.Red cloth, gilt titles. NEW. No defects. "In this collection honoring Robert A. Koch, Professor Emeritus at Princeton University, eight of his former students employ a variety of methods to investigate topics in Northern Renaissance art and society. Drawing on approaches as disparate as archival research and mycology, these papers reflect the richly varied modes of inquiry currently being pursued in Northern Renaissance studies.Cryptic iconography is unveiled by Gregory Clark, who examines sinister plant symbolism in Bosch, and by Charles Minott, who detects significant patterns in the painted and carved scenes of the Baerze-Broederlam altarpiece. Lynn Jacobs draws on contemporary documents to construct a detailed account of the commissioning of Early Netherlandish carved altarpieces, while David Farmer provides a wide- ranging study of evolving workshop practices in the atelier of Bernard van Orley. Images with both theological and social implications are the subjects of Craig Harbison's reading of the sexuality of Christ in a print by Burgkmair, and of Dorothy Limouze's study of the reception of prints by Jan Sadeler and Joos van Winghe in Catholic and Protestant milieus. John Hand introduces a Saint Jerome in His Study, attributing it to Joos van Cleve and placing it in the broader context of van Cleve's images of Jerome; and the late Burr Wallen investigates the meaning and influence of the concepts of gloire and vaine gloire within the Burgundian chivalric ethos.". Codice articolo AR040201
Descrizione libro Condizione: New. Codice articolo 179114
Descrizione libro Hardcover. Condizione: New. New. book. Codice articolo D8S0-3-M-069104340X-6