Overcome by Modernity: History, Culture, and Community in Interwar Japan

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9780691095486: Overcome by Modernity: History, Culture, and Community in Interwar Japan

In the decades between the two World Wars, Japan made a dramatic entry into the modern age, expanding its capital industries and urbanizing so quickly as to rival many long-standing Western industrial societies. How the Japanese made sense of the sudden transformation and the subsequent rise of mass culture is the focus of Harry Harootunian's fascinating inquiry into the problems of modernity. Here he examines the work of a generation of Japanese intellectuals who, like their European counterparts, saw modernity as a spectacle of ceaseless change that uprooted the dominant historical culture from its fixed values and substituted a culture based on fantasy and desire. Harootunian not only explains why the Japanese valued philosophical understandings of these events, often over sociological or empirical explanations, but also locates Japan's experience of modernity within a larger global process marked by both modernism and fascism.What caught the attention of Japanese thinkers was how the production of desire actually threatened historical culture. These intellectuals sought to 'overcome' the materialism and consumerism associated with the West, particularly the United States. They proposed versions of a modernity rooted in cultural authenticity and aimed at infusing meaning into everyday life, whether through art, memory, or community. Harootunian traces these ideas in the works of Yanagita Kunio, Tosaka Jun, Gonda Yasunosuke, and Kon Wajiro, among others, and relates their arguments to those of such European writers as George Simmel, Siegfried Kracauer, Walter Benjamin, and Georges Bataille. Harootunian shows that Japanese and European intellectuals shared many of the same concerns, and also stresses that neither Japan's involvement with fascism nor its late entry into the capitalist, industrial scene should cause historians to view its experience of modernity as an oddity.The author argues that strains of fascism ran throughout most every country in Europe and in many ways resulted from modernizing trends in general. This book, written by a leading scholar of modern Japan, amounts to a major reinterpretation of the nature of Japan's modernity.

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Recensione:

"Harootunian is one of the leading intellectual historians of Japan. . . . This is clearly an extremely erudite work . . . by an author deeply familiar with his topic." --David G. Egler, History

"A truly significant book, perhaps even more important than Harootunian's earlier publications. . . . Overcome by Modernity is without a doubt a significant and courageous book." --Sepp Linhart, Monumenta Nipponica

"[A] powerful study. . . . Harootunian rejects the idea that fascism has had its epoch and is now only a historical problem." --Andrew Barshay, Journal of Japanese Studies

"A terrifically insightful and poignant evocation of Japan's tortured attempt to come to grips with the modern world." --Jeffrey E. Hanes, American Historical Review

L'autore:

Harry Harootunian is Chair of the East Asian Studies Department and Professor of History at New York University. He is the author of many books, including History's Disquiet: Modernity, Cultural Practice, and the Questions of Everyday Life, Things Seen and Unseen: Discourse and Ideology in Tokugawa Nativism, and, with B. Silberman, Japan in Crisis (Princeton).

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Harry D. Harootunian
Editore: Princeton University Press, Princeton, New Jersey, USA (2000)
ISBN 10: 0691095485 ISBN 13: 9780691095486
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Descrizione libro Princeton University Press, Princeton, New Jersey, USA, 2000. Softcover. Condizione libro: New. First Edition. 440 pp. 8vo - over 7¾" - 9¾" tall. Pristine condition. A splendid copy offered for sale by Come By Chance Books- a small, family-run bookshop in beautiful Niagara on the Lake, Ontario. Codice libro della libreria 3696

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H.D. Harootunian
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Descrizione libro Princeton University Press, United States, 2002. Paperback. Condizione libro: New. 231 x 155 mm. Language: English . Brand New Book. In the decades between the two World Wars, Japan made a dramatic entry into the modern age, expanding its capital industries and urbanizing so quickly as to rival many long-standing Western industrial societies. How the Japanese made sense of the sudden transformation and the subsequent rise of mass culture is the focus of Harry Harootunian s fascinating inquiry into the problems of modernity. Here he examines the work of a generation of Japanese intellectuals who, like their European counterparts, saw modernity as a spectacle of ceaseless change that uprooted the dominant historical culture from its fixed values and substituted a culture based on fantasy and desire. Harootunian not only explains why the Japanese valued philosophical understandings of these events, often over sociological or empirical explanations, but also locates Japan s experience of modernity within a larger global process marked by both modernism and fascism. What caught the attention of Japanese thinkers was how the production of desire actually threatened historical culture. These intellectuals sought to overcome the materialism and consumerism associated with the West, particularly the United States. They proposed versions of a modernity rooted in cultural authenticity and aimed at infusing meaning into everyday life, whether through art, memory, or community. Harootunian traces these ideas in the works of Yanagita Kunio, Tosaka Jun, Gonda Yasunosuke, and Kon Wajiro, among others, and relates their arguments to those of such European writers as George Simmel, Siegfried Kracauer, Walter Benjamin, and Georges Bataille. Harootunian shows that Japanese and European intellectuals shared many of the same concerns, and also stresses that neither Japan s involvement with fascism nor its late entry into the capitalist, industrial scene should cause historians to view its experience of modernity as an oddity. The author argues that strains of fascism ran throughout most every country in Europe and in many ways resulted from modernizing trends in general. This book, written by a leading scholar of modern Japan, amounts to a major reinterpretation of the nature of Japan s modernity. Codice libro della libreria AAH9780691095486

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Descrizione libro Princeton University Press, New Jersey, 2000. TAPA BLANDA. Condizione libro: New. Codice libro della libreria 100649079

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H.D. Harootunian
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ISBN 10: 0691095485 ISBN 13: 9780691095486
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Descrizione libro Princeton University Press, United States, 2002. Paperback. Condizione libro: New. 231 x 155 mm. Language: English . Brand New Book. In the decades between the two World Wars, Japan made a dramatic entry into the modern age, expanding its capital industries and urbanizing so quickly as to rival many long-standing Western industrial societies. How the Japanese made sense of the sudden transformation and the subsequent rise of mass culture is the focus of Harry Harootunian s fascinating inquiry into the problems of modernity. Here he examines the work of a generation of Japanese intellectuals who, like their European counterparts, saw modernity as a spectacle of ceaseless change that uprooted the dominant historical culture from its fixed values and substituted a culture based on fantasy and desire. Harootunian not only explains why the Japanese valued philosophical understandings of these events, often over sociological or empirical explanations, but also locates Japan s experience of modernity within a larger global process marked by both modernism and fascism. What caught the attention of Japanese thinkers was how the production of desire actually threatened historical culture. These intellectuals sought to overcome the materialism and consumerism associated with the West, particularly the United States. They proposed versions of a modernity rooted in cultural authenticity and aimed at infusing meaning into everyday life, whether through art, memory, or community. Harootunian traces these ideas in the works of Yanagita Kunio, Tosaka Jun, Gonda Yasunosuke, and Kon Wajiro, among others, and relates their arguments to those of such European writers as George Simmel, Siegfried Kracauer, Walter Benjamin, and Georges Bataille. Harootunian shows that Japanese and European intellectuals shared many of the same concerns, and also stresses that neither Japan s involvement with fascism nor its late entry into the capitalist, industrial scene should cause historians to view its experience of modernity as an oddity. The author argues that strains of fascism ran throughout most every country in Europe and in many ways resulted from modernizing trends in general. This book, written by a leading scholar of modern Japan, amounts to a major reinterpretation of the nature of Japan s modernity. Codice libro della libreria AAH9780691095486

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