The Art of Adolf W÷lfli: St. Adolf-Giant-Creation

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9780691114989: The Art of Adolf W÷lfli: St. Adolf-Giant-Creation

Despite being institutionalized for schizophrenia at age thirty-one, Adolf Wölfli (1864-1930) achieved artistic greatness in his cell at Waldau Mental Asylum near his native Bern, Switzerland. He has had a profound influence on modern art ever since; André Breton described his work as "one of the three or four most important oeuvres of the twentieth century." The Art of Adolf Wölfli offers a fresh vantage point on the artist's remarkably intricate drawings and astonishing collages, as well as his newly translated writings, which are justly celebrated for their dizzying blend of mythology and humor. Also included are illuminating essays by leading specialists on his art and life.


Wölfli's youth was one of deprivation. His alcoholic father ran off when Wölfli was five, and his mother died soon after. Despite these travails, he managed to complete his education, acquiring the sophisticated literacy so evident in his later work. However, beginning at age twenty-six, his repeated attempts to molest young girls landed him first in jail and, in 1894, in the asylum. Though violent at first, by 1899 he calmed down--and began to draw.


Working primarily in pencil on newsprint, Wölfli created a dense, stunningly detailed medley of wildly imaginative prose texts interwoven with poems, musical compositions, color illustrations, and collages. His five-part magnum opus, "St. Adolf-Giant-Creation," comprises 45 large volumes and 16 notebooks--25,000 pages in all--containing 1,620 drawings and 1,640 collages.


Sure to be the authoritative resource for this remarkable oeuvre, this striking book represents compelling testimony that great torment does not preclude great art.



EXHIBITION SCHEDULE
?


American Folk Art Museum, New York

February 25 - May 18, 2003
?


Milwaukee Art Museum

September 18 - December 12, 2004
?

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Review:

In his day (1864-1930) and after, the Swiss mental patient and self-taught artist Adolf Wolfli inspired some heavy-hitter patrons: Andre Breton, Jean Dubuffet, Meret Oppenheim, Jonathan Borovsky. But most esthetes encountering him today will do so with the later, now more-famous outsider artist Henry Darger in mind. Like Darger, Wolfli sought to tame his pedophilic madness by organizing it into an incredibly elaborate art exploring what Darger called "the realms of the unreal," where a mind incapable of coping with the real world could construct and rigidly control a world of infinite beauty and sights denied all ordinary mortals.

Wolfli was technically superior to Darger, though his collages clipped from magazines (often the Illustrated London News) were not so central to his imagination as the clip-and-trace fantasy battles of little girls that obsessed Darger. In fact, Wolfli was strikingly diverse in his imagery, echoing by turns San Francisco psychedelia, Northwest Coast native-American art, folk art from all over the planet, Bauhaus or Constructivist typographical experiments, and William Blake visions. What windstorms were to Darger, waterfalls were to Wolfli: symbols of the uncontrollable passions that drove through him.

Wolfli conceived of himself as a multimedia artist in a way only a schizophrenic could imagine: his drawings were also musical compositions, images and letters imbued with sounds, and time reconceived as a unit of space. I find Wolfli's imagination less vast than Darger's, and less numbingly repetitive. His narratives are slightly more intelligible: it's all about a Wolfli character's epic journey from poverty and brutal oppression (no fantasy) to apotheosis in the "St. Adolf-Giant-Creation," a realm so immense he ran out of numbers to describe it and was forced to invent 23 new numerals beyond quadrillion, ending with the biggest number of all, Zorn (German for "rage"). This eye-opening book could make Wolfli all the rage, but it can't hope to contain his imagination. --Tim Appelo

From the Back Cover:

"The three essays in this volume make a real contribution to the field. The piece by Elka Spoerri, who was the grande dame of Wölfli studies, is wonderfully accessible and reflects groundbreaking scholarship. It will reach a wide audience and will make a great text for any art history class. Bauman's well-written essay stands as the definitive contextualization of Wölfli's place within twentieth-century art history. Gomez's innovative and compelling exploration of whether Wölfli as a mentally ill artist intended to accomplish what he did complements the other, more straightforward historical essays."--Jenifer Borum

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Descrizione libro Princeton University Press, 2003. Hardcover. Condizione libro: New. Codice libro della libreria 0691114986

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Descrizione libro Princeton University Press. Hardcover. Condizione libro: New. 0691114986 Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from us and you get great service as well as a great price! Your business is valued and your satisfaction is guaranteed!. Codice libro della libreria OTF-S-9780691114989

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Descrizione libro Princeton University Press, United States, 2003. Hardback. Condizione libro: New. Language: English . Brand New Book. Despite being institutionalized for schizophrenia at age thirty-one, Adolf Wolfli (1864-1930) achieved artistic greatness in his cell at Waldau Mental Asylum near his native Bern, Switzerland. He has had a profound influence on modern art ever since; Andre Breton described his work as one of the three or four most important oeuvres of the twentieth century. The Art of Adolf Wolfli offers a fresh vantage point on the artist s remarkably intricate drawings and astonishing collages, as well as his newly translated writings, which are justly celebrated for their dizzying blend of mythology and humor. Also included are illuminating essays by leading specialists on his art and life. Wolfli s youth was one of deprivation. His alcoholic father ran off when Wolfli was five, and his mother died soon after. Despite these travails, he managed to complete his education, acquiring the sophisticated literacy so evident in his later work. However, beginning at age twenty-six, his repeated attempts to molest young girls landed him first in jail and, in 1894, in the asylum. Though violent at first, by 1899 he calmed down--and began to draw.Working primarily in pencil on newsprint, Wolfli created a dense, stunningly detailed medley of wildly imaginative prose texts interwoven with poems, musical compositions, color illustrations, and collages. His five-part magnum opus, St. Adolf-Giant-Creation, comprises 45 large volumes and 16 notebooks--25,000 pages in all--containing 1,620 drawings and 1,640 collages. Sure to be the authoritative resource for this remarkable oeuvre, this striking book represents compelling testimony that great torment does not preclude great art. EXHIBITION SCHEDULE American Folk Art Museum, New York February 25 - May 18, 2003 Milwaukee Art Museum September 18 - December 12, 2004. Codice libro della libreria AAC9780691114989

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Descrizione libro Princeton University Press. Hardcover. Condizione libro: New. 0691114986. Codice libro della libreria Z0691114986ZN

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Elka Spoerri, Daniel Baumann, Edward M. Gomez
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Descrizione libro Princeton University Press, United States, 2003. Hardback. Condizione libro: New. Language: English . Brand New Book. Despite being institutionalized for schizophrenia at age thirty-one, Adolf Wolfli (1864-1930) achieved artistic greatness in his cell at Waldau Mental Asylum near his native Bern, Switzerland. He has had a profound influence on modern art ever since; Andre Breton described his work as one of the three or four most important oeuvres of the twentieth century. The Art of Adolf Wolfli offers a fresh vantage point on the artist s remarkably intricate drawings and astonishing collages, as well as his newly translated writings, which are justly celebrated for their dizzying blend of mythology and humor. Also included are illuminating essays by leading specialists on his art and life. Wolfli s youth was one of deprivation. His alcoholic father ran off when Wolfli was five, and his mother died soon after. Despite these travails, he managed to complete his education, acquiring the sophisticated literacy so evident in his later work. However, beginning at age twenty-six, his repeated attempts to molest young girls landed him first in jail and, in 1894, in the asylum. Though violent at first, by 1899 he calmed down--and began to draw.Working primarily in pencil on newsprint, Wolfli created a dense, stunningly detailed medley of wildly imaginative prose texts interwoven with poems, musical compositions, color illustrations, and collages. His five-part magnum opus, St. Adolf-Giant-Creation, comprises 45 large volumes and 16 notebooks--25,000 pages in all--containing 1,620 drawings and 1,640 collages. Sure to be the authoritative resource for this remarkable oeuvre, this striking book represents compelling testimony that great torment does not preclude great art. EXHIBITION SCHEDULE American Folk Art Museum, New York February 25 - May 18, 2003 Milwaukee Art Museum September 18 - December 12, 2004. Codice libro della libreria AAC9780691114989

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Descrizione libro Hardcover. Condizione libro: New. Hardcover. Despite being institutionalized for schizophrenia at age thirty-one, Adolf W lfli (1864-1930) achieved artistic greatness in his cell at Waldau Mental Asylum near his native Bern, Switzerl.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 111 pages. 1.020. Codice libro della libreria 9780691114989

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Elka Spoerri, Daniel Baumann, Edward M. Gomez
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Descrizione libro Princeton University Press, United States, 2003. Hardback. Condizione libro: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Despite being institutionalized for schizophrenia at age thirty-one, Adolf Wolfli (1864-1930) achieved artistic greatness in his cell at Waldau Mental Asylum near his native Bern, Switzerland. He has had a profound influence on modern art ever since; Andre Breton described his work as one of the three or four most important oeuvres of the twentieth century. The Art of Adolf Wolfli offers a fresh vantage point on the artist s remarkably intricate drawings and astonishing collages, as well as his newly translated writings, which are justly celebrated for their dizzying blend of mythology and humor. Also included are illuminating essays by leading specialists on his art and life. Wolfli s youth was one of deprivation. His alcoholic father ran off when Wolfli was five, and his mother died soon after. Despite these travails, he managed to complete his education, acquiring the sophisticated literacy so evident in his later work. However, beginning at age twenty-six, his repeated attempts to molest young girls landed him first in jail and, in 1894, in the asylum. Though violent at first, by 1899 he calmed down--and began to draw.Working primarily in pencil on newsprint, Wolfli created a dense, stunningly detailed medley of wildly imaginative prose texts interwoven with poems, musical compositions, color illustrations, and collages. His five-part magnum opus, St. Adolf-Giant-Creation, comprises 45 large volumes and 16 notebooks--25,000 pages in all--containing 1,620 drawings and 1,640 collages. Sure to be the authoritative resource for this remarkable oeuvre, this striking book represents compelling testimony that great torment does not preclude great art. EXHIBITION SCHEDULE American Folk Art Museum, New York February 25 - May 18, 2003 Milwaukee Art Museum September 18 - December 12, 2004. Codice libro della libreria BTE9780691114989

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Elka Spoerri, Daniel Baumann, Edward M. Gomez, Gerard C. Wertkin
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Descrizione libro Princeton University Press 2003-03-14, Princeton, N.J. |Woodstock, 2003. hardback. Condizione libro: New. Codice libro della libreria 9780691114989

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