Japanese Prints: Ukiyo-E in EDO, 1700-1900

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9780714124537: Japanese Prints: Ukiyo-E in EDO, 1700-1900

Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but little-understood art form.

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About the Author:

Dr Ellis Tinios is an Honorary Lecturer in History at the University of Leeds, specialising in 18th- and 19th-century Japanese prints and illustrated books.

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Ellis Tinios
Editore: BRITISH MUSEUM PRESS, United Kingdom (2010)
ISBN 10: 0714124532 ISBN 13: 9780714124537
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Descrizione libro BRITISH MUSEUM PRESS, United Kingdom, 2010. Paperback. Condizione libro: New. Language: English . Brand New Book. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but little-understood art form. Codice libro della libreria AA29780714124537

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Descrizione libro Ashgate Publishing Company. Condizione libro: New. pp. 144. Codice libro della libreria 5487424

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Ellis Tinios
Editore: BRITISH MUSEUM PRESS, United Kingdom (2010)
ISBN 10: 0714124532 ISBN 13: 9780714124537
Nuovi Paperback Quantità: 10
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Descrizione libro BRITISH MUSEUM PRESS, United Kingdom, 2010. Paperback. Condizione libro: New. Language: English . Brand New Book. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but little-understood art form. Codice libro della libreria AA29780714124537

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Descrizione libro British Museum Press, 2010. Paperback. Condizione libro: Brand New. 144 pages. 8.86x8.90x0.55 inches. In Stock. Codice libro della libreria __0714124532

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Descrizione libro 2010. Paperback. Condizione libro: New. Paperback. little-understood art form. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was insp.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 144 pages. 0.620. Codice libro della libreria 9780714124537

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Descrizione libro British Museum Press, 2010. Paperback. Condizione libro: New. Never used!. Codice libro della libreria P110714124532

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Descrizione libro 2010. Paperback. Condizione libro: New. Paperback. little-understood art form. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their con.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 144 pages. 0.620. Codice libro della libreria 9780714124537

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