Richard Deacon. Ediz. inglese

 
9780714839493: Richard Deacon. Ediz. inglese

Awarded the Turner Prize in 1987, Richard Deacon (b.1944) has occupied the foreground of British sculpture since the early 1980s and continues to be an artist of profound international significance, fulfilling major public sculpture commissions around the world. His work emerged alongside that of contemporaries such as Tony Cragg and Richard Wentworth in the early 1980s. Their sculpture rejected the heroic formalism and sometimes oppressive monumentality of the previous generation - which included Antony Caro and Richard Serra - in favour of an engagement with objects reminiscent of everyday situations and chance occurences. Deacon can also, however, be seen as an heir to sculptors such as Caro, in terms of the exquisite virtuosity of his constructions in wood or metal, which range in scale from the domestic to the monumental. Somewhere between aeronautics and anatomy, many of Deacon's large-scale sculptures recall chassis or ribcages. Some loop and curve out across space like three-dimensional drawings, others hover on the floor like great drops of liquid. The forms he creates evoke the material world of everyday artefacts and the inner world of the body, as a site of sensuality, memory and language. His many large scale public commissions have ranged from sets of gates for cities to backdrops for major performance events, to sculptures situated prominently in public squares and parks. These are complemented by smaller-scale works such as his ongoing series Art for Other People, in which a diverse range of everyday industrial materials are fashioned into familiar-seeming, yet absurdly uncanny, sculptural forms. The new edition of this monograph has been updated to include over 50 additional pages documenting the artist's work since 1995, including a major retrospective at the Tate Liverpool. The Update essay by Penelope Curtis, Head of Programmes at the Henry Moore Institute, Leeds, approaches Deacon's recent work through an examination of the links between his drawings and collages and the three-dimensional sculptures. In the Survey, British writer and curator Jon Thompson traces the geneaology of Deacon's work in relation to language. The artist talks with Pier Luigi Tazzi, Co-Director of Documenta 9, about the context of space and place. In the Focus, U.S. art critic Peter Schjeldahl reveals the complexities of a single sculpture, Keeping the Faith (1992). The Artist's Choice, by renowned anthropologist Mary Douglas, is on dirt 'as a matter out of place'. His own writings are on subjects ranging from Rilke's poetry to the car as public sculpture.

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Thompson, Jon
Editore: Phaidon Press Ltd 2000-05-22|NU-GRD-00482575 (2000)
ISBN 10: 0714839493 ISBN 13: 9780714839493
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Descrizione libro Phaidon Press Ltd 2000-05-22|NU-GRD-00482575, 2000. PAPERBACK. Condizione libro: New. 9780714839493. Codice libro della libreria NU-GRD-00482575

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Thompson, Jon
Editore: Phaidon Press Ltd, United Kingdom (2000)
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Descrizione libro Phaidon Press Ltd, United Kingdom, 2000. Paperback. Condizione libro: New. 2nd Revised edition. 290 x 250 mm. Language: English . Brand New Book. Awarded the Turner Prize in 1987, Richard Deacon (b.1944) has occupied the foreground of British sculpture since the early 1980s and continues to be an artist of profound international significance, fulfilling major public sculpture commissions around the world. His work emerged alongside that of contemporaries such as Tony Cragg and Richard Wentworth in the early 1980s. Their sculpture rejected the heroic formalism and sometimes oppressive monumentality of the previous generation - which included Antony Caro and Richard Serra - in favour of an engagement with objects reminiscent of everyday situations and chance occurences. Deacon can also, however, be seen as an heir to sculptors such as Caro, in terms of the exquisite virtuosity of his constructions in wood or metal, which range in scale from the domestic to the monumental. Somewhere between aeronautics and anatomy, many of Deacon s large-scale sculptures recall chassis or ribcages. Some loop and curve out across space like three-dimensional drawings, others hover on the floor like great drops of liquid. The forms he creates evoke the material world of everyday artefacts and the inner world of the body, as a site of sensuality, memory and language. His many large scale public commissions have ranged from sets of gates for cities to backdrops for major performance events, to sculptures situated prominently in public squares and parks. These are complemented by smaller-scale works such as his ongoing series Art for Other People, in which a diverse range of everyday industrial materials are fashioned into familiar-seeming, yet absurdly uncanny, sculptural forms. The new edition of this monograph has been updated to include over 50 additional pages documenting the artist s work since 1995, including a major retrospective at the Tate Liverpool. The Update essay by Penelope Curtis, Head of Programmes at the Henry Moore Institute, Leeds, approaches Deacon s recent work through an examination of the links between his drawings and collages and the three-dimensional sculptures. In the Survey, British writer and curator Jon Thompson traces the geneaology of Deacon s work in relation to language. The artist talks with Pier Luigi Tazzi, Co-Director of Documenta 9, about the context of space and place. In the Focus, U.S. art critic Peter Schjeldahl reveals the complexities of a single sculpture, Keeping the Faith (1992). The Artist s Choice, by renowned anthropologist Mary Douglas, is on dirt as a matter out of place . His own writings are on subjects ranging from Rilke s poetry to the car as public sculpture. Codice libro della libreria AA99780714839493

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Thompson, Jon
Editore: Phaidon Press Ltd, United Kingdom (2000)
ISBN 10: 0714839493 ISBN 13: 9780714839493
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Descrizione libro Phaidon Press Ltd, United Kingdom, 2000. Paperback. Condizione libro: New. 2nd Revised edition. 290 x 250 mm. Language: English . Brand New Book. Awarded the Turner Prize in 1987, Richard Deacon (b.1944) has occupied the foreground of British sculpture since the early 1980s and continues to be an artist of profound international significance, fulfilling major public sculpture commissions around the world. His work emerged alongside that of contemporaries such as Tony Cragg and Richard Wentworth in the early 1980s. Their sculpture rejected the heroic formalism and sometimes oppressive monumentality of the previous generation - which included Antony Caro and Richard Serra - in favour of an engagement with objects reminiscent of everyday situations and chance occurences. Deacon can also, however, be seen as an heir to sculptors such as Caro, in terms of the exquisite virtuosity of his constructions in wood or metal, which range in scale from the domestic to the monumental. Somewhere between aeronautics and anatomy, many of Deacon s large-scale sculptures recall chassis or ribcages. Some loop and curve out across space like three-dimensional drawings, others hover on the floor like great drops of liquid. The forms he creates evoke the material world of everyday artefacts and the inner world of the body, as a site of sensuality, memory and language. His many large scale public commissions have ranged from sets of gates for cities to backdrops for major performance events, to sculptures situated prominently in public squares and parks. These are complemented by smaller-scale works such as his ongoing series Art for Other People, in which a diverse range of everyday industrial materials are fashioned into familiar-seeming, yet absurdly uncanny, sculptural forms. The new edition of this monograph has been updated to include over 50 additional pages documenting the artist s work since 1995, including a major retrospective at the Tate Liverpool. The Update essay by Penelope Curtis, Head of Programmes at the Henry Moore Institute, Leeds, approaches Deacon s recent work through an examination of the links between his drawings and collages and the three-dimensional sculptures. In the Survey, British writer and curator Jon Thompson traces the geneaology of Deacon s work in relation to language. The artist talks with Pier Luigi Tazzi, Co-Director of Documenta 9, about the context of space and place. In the Focus, U.S. art critic Peter Schjeldahl reveals the complexities of a single sculpture, Keeping the Faith (1992). The Artist s Choice, by renowned anthropologist Mary Douglas, is on dirt as a matter out of place . His own writings are on subjects ranging from Rilke s poetry to the car as public sculpture. Codice libro della libreria AA99780714839493

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Thompson, Jon
Editore: Phaidon Press Ltd
ISBN 10: 0714839493 ISBN 13: 9780714839493
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Descrizione libro Phaidon Press Ltd. Paperback. Condizione libro: new. BRAND NEW, Richard Deacon (2nd Revised edition), Penelope Curtis, Richard Deacon, Mary Douglas, Jon Thompson, Pier Luigi Tazzi, Awarded the Turner Prize in 1987, Richard Deacon (b.1944) has occupied the foreground of British sculpture since the early 1980s and continues to be an artist of profound international significance, fulfilling major public sculpture commissions around the world. His work emerged alongside that of contemporaries such as Tony Cragg and Richard Wentworth in the early 1980s. Their sculpture rejected the heroic formalism and sometimes oppressive monumentality of the previous generation - which included Antony Caro and Richard Serra - in favour of an engagement with objects reminiscent of everyday situations and chance occurences. Deacon can also, however, be seen as an heir to sculptors such as Caro, in terms of the exquisite virtuosity of his constructions in wood or metal, which range in scale from the domestic to the monumental. Somewhere between aeronautics and anatomy, many of Deacon's large-scale sculptures recall chassis or ribcages. Some loop and curve out across space like three-dimensional drawings, others hover on the floor like great drops of liquid. The forms he creates evoke the material world of everyday artefacts and the inner world of the body, as a site of sensuality, memory and language. His many large scale public commissions have ranged from sets of gates for cities to backdrops for major performance events, to sculptures situated prominently in public squares and parks. These are complemented by smaller-scale works such as his ongoing series Art for Other People, in which a diverse range of everyday industrial materials are fashioned into familiar-seeming, yet absurdly uncanny, sculptural forms. The new edition of this monograph has been updated to include over 50 additional pages documenting the artist's work since 1995, including a major retrospective at the Tate Liverpool. The Update essay by Penelope Curtis, Head of Programmes at the Henry Moore Institute, Leeds, approaches Deacon's recent work through an examination of the links between his drawings and collages and the three-dimensional sculptures. In the Survey, British writer and curator Jon Thompson traces the geneaology of Deacon's work in relation to language. The artist talks with Pier Luigi Tazzi, Co-Director of Documenta 9, about the context of space and place. In the Focus, U.S. art critic Peter Schjeldahl reveals the complexities of a single sculpture, Keeping the Faith (1992). The Artist's Choice, by renowned anthropologist Mary Douglas, is on dirt 'as a matter out of place'. His own writings are on subjects ranging from Rilke's poetry to the car as public sculpture. Codice libro della libreria B9780714839493

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Thompson, Jon
Editore: Phaidon Press Ltd (2000)
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Descrizione libro Phaidon Press Ltd, 2000. Condizione libro: New. An extensive look at the formally inventive, Turner Prize-winning sculptor. Series: Contemporary Artists Series. Num Pages: 212 pages, 120 colour plates, 30 b&w halftones, chronology, bibliography. BIC Classification: ACX; AFK; AGB. Category: (G) General (US: Trade); (P) Professional & Vocational; (UA) A / AS level; (UU) Undergraduate. Dimension: 289 x 253 x 22. Weight in Grams: 1276. . 2000. Rev Exp Su. Paperback. . . . . . Codice libro della libreria V9780714839493

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Thompson, Jon
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Descrizione libro Phaidon Press Ltd, 2000. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria H8-9780714839493

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Descrizione libro Phaidon Press, 2000. Paperback. Condizione libro: New. Brand New Book. Shipping: Once your order has been confirmed and payment received, your order will then be processed. The book will be located by our staff, packaged and despatched to you as quickly as possible. From time to time, items get mislaid en route. If your item fails to arrive, please contact us first. We will endeavour to trace the item for you and where necessary, replace or refund the item. Please do not leave negative feedback without contacting us first. All orders will be dispatched within two working days. If you have any quesions please contact us. Codice libro della libreria V9780714839493

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Descrizione libro Phaidon Press Ltd 2000-05-22, London, 2000. paperback. Condizione libro: New. Codice libro della libreria 9780714839493

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Thompson, Jon
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Descrizione libro Phaidon, 2013. Condizione libro: New. Codice libro della libreria GA9780714839493

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Descrizione libro Paperback. Condizione libro: New. Not Signed; Awarded the Turner Prize in 1987, Richard Deacon (b.1944) has occupied the foreground of British sculpture since the early 1980s and continues to be an artist of profound international significance, fulfilling major public sculpture commissions around the world. His work emerged alongside that of co. book. Codice libro della libreria ria9780714839493_rkm

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