Articoli correlati a Minimalists. 20th century composers. Ediz. illustrata
La prima rassegna sul minimalismo per i non addetti ai lavori. Le vite dei compositori minimalisti, Philip Glass e Steve Reich tra i più noti, e i loro lavori maggiormente significativi. II minimalismo in rapporto all'ambito artistico che ne vide la nascita, e le opere di predecessori come Terry Riley. Una nuova possibile interpretazione del minimalismo alla luce degli sviluppi successivi di epigoni come John Adams, Michael Nyman, Louis Andriessen e Arvo Pàrt. Il volume è arricchito dalle illustrazioni di Jean-Jacques Sempé.
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Book by Schwartz K Robert
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- EditorePhaidon
- Data di pubblicazione2008
- ISBN 10 0714847739
- ISBN 13 9780714847733
- RilegaturaCopertina flessibile
- Numero di pagine240
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Minimalists (20th Century Composers) by Schwartz, K. Robert [Paperback ]
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(2008)
ISBN 10: 0714847739
ISBN 13: 9780714847733
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Minimalists (Paperback)
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ISBN 13: 9780714847733
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Descrizione libro Paperback. Condizione: new. Paperback. Minimalism is arguably the most popular style of concert music that the late twentieth century has produced, appealing to the widest possible audience — fans of rock, jazz and classical music. It is an ecstatic and vibrant movement, combining classical, popular and non-Western elements to create a style that restores the severed link between composer and audience. The movement is surveyed here from its beginnings, through a study of its principal American exponents — La Monte Young, Terry Riley, Steve Reich and Philip Glass — and on to the 'post-minimalism' of John Adams, Michael Nyman, Louis Andriessen and Arvo Part. Minimalism is arguably the most popular style of concert music that the late-twentieth century has produced, appealing to the widest possible audience - fans of rock, jazz and classical music. But the minimalist aesthetic has not been lacking in controversy. To its detractors, it is maddeningly repetitive and single-minded, no better than pop music masquerading as art. To its adherents, it is ecstatic and vibrant, combining classical, popular and non-Western elements to create a style that restores the severed link between composer and audience. The two best-known minimalist composers, Americans Philip Glass and Steve Reich, are world-famous figures. But they can only properly be understood in the context of their predecessors (La Mome Young and Terry Riley) and their successors (John Adams, Meredith Monk, and Europeans such as Michael Nyman, Louis Andriessen, and Arvo Part). This book, the first overview of minimalism aimed at a general public, traces the lives of the minimalist composers, discusses their most significant works, and examines the artistic milieu from which they emerged. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780714847733
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Minimalists (20th Century Composers)
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ISBN 13: 9780714847733
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Minimalists (20th Century Composers)
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Minimalists (20th Century Composers)
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Descrizione libro Condizione: New. 2008. 2008 printing. Paperback. A survey of this controversial and distinctive style of concert music. Num Pages: 240 pages, Illustrations. BIC Classification: AVGC6. Category: (G) General (US: Trade). Dimension: 218 x 155 x 17. Weight in Grams: 356. . . . . . Codice articolo V9780714847733
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Descrizione libro Condizione: New. 2008. 2008 printing. Paperback. A survey of this controversial and distinctive style of concert music. Num Pages: 240 pages, Illustrations. BIC Classification: AVGC6. Category: (G) General (US: Trade). Dimension: 218 x 155 x 17. Weight in Grams: 356. . . . . . Books ship from the US and Ireland. Codice articolo V9780714847733
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(2008)
ISBN 10: 0714847739
ISBN 13: 9780714847733
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Descrizione libro Paperback. Condizione: new. Paperback. Minimalism is arguably the most popular style of concert music that the late twentieth century has produced, appealing to the widest possible audience — fans of rock, jazz and classical music. It is an ecstatic and vibrant movement, combining classical, popular and non-Western elements to create a style that restores the severed link between composer and audience. The movement is surveyed here from its beginnings, through a study of its principal American exponents — La Monte Young, Terry Riley, Steve Reich and Philip Glass — and on to the 'post-minimalism' of John Adams, Michael Nyman, Louis Andriessen and Arvo Part. Minimalism is arguably the most popular style of concert music that the late-twentieth century has produced, appealing to the widest possible audience - fans of rock, jazz and classical music. But the minimalist aesthetic has not been lacking in controversy. To its detractors, it is maddeningly repetitive and single-minded, no better than pop music masquerading as art. To its adherents, it is ecstatic and vibrant, combining classical, popular and non-Western elements to create a style that restores the severed link between composer and audience. The two best-known minimalist composers, Americans Philip Glass and Steve Reich, are world-famous figures. But they can only properly be understood in the context of their predecessors (La Mome Young and Terry Riley) and their successors (John Adams, Meredith Monk, and Europeans such as Michael Nyman, Louis Andriessen, and Arvo Part). This book, the first overview of minimalism aimed at a general public, traces the lives of the minimalist composers, discusses their most significant works, and examines the artistic milieu from which they emerged. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9780714847733
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Minimalists (Paperback)
Editore:
Phaidon Press, London
(2008)
ISBN 10: 0714847739
ISBN 13: 9780714847733
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Valutazione libreria
Descrizione libro Paperback. Condizione: new. Paperback. Minimalism is arguably the most popular style of concert music that the late twentieth century has produced, appealing to the widest possible audience — fans of rock, jazz and classical music. It is an ecstatic and vibrant movement, combining classical, popular and non-Western elements to create a style that restores the severed link between composer and audience. The movement is surveyed here from its beginnings, through a study of its principal American exponents — La Monte Young, Terry Riley, Steve Reich and Philip Glass — and on to the 'post-minimalism' of John Adams, Michael Nyman, Louis Andriessen and Arvo Part. Minimalism is arguably the most popular style of concert music that the late-twentieth century has produced, appealing to the widest possible audience - fans of rock, jazz and classical music. But the minimalist aesthetic has not been lacking in controversy. To its detractors, it is maddeningly repetitive and single-minded, no better than pop music masquerading as art. To its adherents, it is ecstatic and vibrant, combining classical, popular and non-Western elements to create a style that restores the severed link between composer and audience. The two best-known minimalist composers, Americans Philip Glass and Steve Reich, are world-famous figures. But they can only properly be understood in the context of their predecessors (La Mome Young and Terry Riley) and their successors (John Adams, Meredith Monk, and Europeans such as Michael Nyman, Louis Andriessen, and Arvo Part). This book, the first overview of minimalism aimed at a general public, traces the lives of the minimalist composers, discusses their most significant works, and examines the artistic milieu from which they emerged. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9780714847733
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