Dada. Ediz. inglese

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9780714861135: Dada. Ediz. inglese

Subversive, irreverent and fiercely anti-authoritarian, Dada made the radical suggestion that anything could be art and anyone an artist. Emerging in the middle of the First World War, Dada writers and artists attempted to dismantle traditional values, norms and codes of communication and thus to deconstruct contemporary culture. They pioneered experiments in interventionist collage, assemblage, performance and the inclusion of the industrially produced readymade. A decisive influence on the development of art during the twentieth century, most of the movements that followed have traced their roots to Dada. This volume presents a rich selection of the Dadas' experimental visual and literary works. Covering not only Western Europe and America but also Central and Eastern Europe, Japan and later Neo-Dada, eminent scholar and Director of the International Dada Archive Rudolf Kuenzli gives a lively, accessible and comprehensive assessment. Linking visual art, performance and literature, this is a fresh treatement of Dada as its artists and writers saw it. Survey Rudolf Kuenzli surveys Dada in its historical context and examines its significant impact and resonance in art and culture today. Works provides an extensive colour plate section with extended captions for every artwork, organized chronologically and geographically around major explosions of Dada activity. From its inception in Zurich we follow Dada to New York, Berlin, Hanover, Cologne, Paris, Central and Eastern Europe, and Japan, finally looking at Neo-Dada across the globe. It is a roll-call of the avant-garde: Hugo Ball at the Cabaret Voltaire and Hans Arp's Automatic Drawing; Marcel Duchamp's readymades and Man Ray's assemblages; Francis Picabia's paintings linking machine and human form; collage with political comment from Raoul Hausmann and Hannah Hoch; Kurt Schwitter's all-encompassing concept of Merz; Max Ernst; from the East, the graphics of Lajos Kassak and El Lissitzky; Okada Tatsuo's constructions and fireworks attached to the cover of Mavo magazine. A look at Neo-Dada includes Robert Rauschenberg's Erased de Kooning and the Happenings of Hi Red Center. Documents collects original Dada writings, researched at the International Dada Archive and sourced from around the world. Poetry, manifestos and statements are presented together with letters between Tristan Tzara and Marcel Duchamp; Beatrice Wood describes 'The Richard Mutt Case' (the first exhibition of a urinal) to her readers of The Blind Man in 1917; and in more recent interviews artists such as Allan Kaprow and Arman relate their Dada inheritance.

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Editore: Phaidon Press 2011-03-23 (2011)
ISBN 10: 0714861138 ISBN 13: 9780714861135
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Descrizione libro Phaidon Press 2011-03-23, 2011. Paperback. Condizione libro: New. 0714861138. Codice libro della libreria Z0714861138ZN

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Descrizione libro Phaidon Press Ltd 2011-02-08, 2011. Condizione libro: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Codice libro della libreria NU-GRD-04698440

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Descrizione libro Phaidon Press Ltd, 2011. Condizione libro: New. 2011. Paperback. A lively, accessible and comprehensive assessment of one of modern art's key movements. Num Pages: 304 pages. Dimension: 289 x 250 x 29. Weight in Grams: 1604. . . . . . . Codice libro della libreria V9780714861135

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Descrizione libro Phaidon Press, 2011. Paperback. Condizione libro: New. book. Codice libro della libreria 0714861138

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Descrizione libro Phaidon Press Ltd. Paperback. Condizione libro: new. BRAND NEW, Dada, Rudolf E. Kuenzli, Subversive, irreverent and fiercely anti-authoritarian, Dada made the radical suggestion that anything could be art and anyone an artist. Emerging in the middle of the First World War, Dada writers and artists attempted to dismantle traditional values, norms and codes of communication and thus to deconstruct contemporary culture. They pioneered experiments in interventionist collage, assemblage, performance and the inclusion of the industrially produced readymade. A decisive influence on the development of art during the twentieth century, most of the movements that followed have traced their roots to Dada. This volume presents a rich selection of the Dadas' experimental visual and literary works. Covering not only Western Europe and America but also Central and Eastern Europe, Japan and later Neo-Dada, eminent scholar and Director of the International Dada Archive Rudolf Kuenzli gives a lively, accessible and comprehensive assessment. Linking visual art, performance and literature, this is a fresh treatement of Dada as its artists and writers saw it. Survey Rudolf Kuenzli surveys Dada in its historical context and examines its significant impact and resonance in art and culture today. Works provides an extensive colour plate section with extended captions for every artwork, organized chronologically and geographically around major explosions of Dada activity. From its inception in Zurich we follow Dada to New York, Berlin, Hanover, Cologne, Paris, Central and Eastern Europe, and Japan, finally looking at Neo-Dada across the globe. It is a roll-call of the avant-garde: Hugo Ball at the Cabaret Voltaire and Hans Arp's Automatic Drawing; Marcel Duchamp's readymades and Man Ray's assemblages; Francis Picabia's paintings linking machine and human form; collage with political comment from Raoul Hausmann and Hannah Hoch; Kurt Schwitter's all-encompassing concept of Merz; Max Ernst; from the East, the graphics of Lajos Kassak and El Lissitzky; Okada Tatsuo's constructions and fireworks attached to the cover of Mavo magazine. A look at Neo-Dada includes Robert Rauschenberg's Erased de Kooning and the Happenings of Hi Red Center. Documents collects original Dada writings, researched at the International Dada Archive and sourced from around the world. Poetry, manifestos and statements are presented together with letters between Tristan Tzara and Marcel Duchamp; Beatrice Wood describes 'The Richard Mutt Case' (the first exhibition of a urinal) to her readers of The Blind Man in 1917; and in more recent interviews artists such as Allan Kaprow and Arman relate their Dada inheritance. Codice libro della libreria B9780714861135

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Descrizione libro Phaidon Press Ltd, United Kingdom, 2011. Paperback. Condizione libro: New. 232 x 224 mm. Language: English . Brand New Book. Subversive, irreverent and fiercely anti-authoritarian, Dada made the radical suggestion that anything could be art and anyone an artist. Emerging in the middle of the First World War, Dada writers and artists attempted to dismantle traditional values, norms and codes of communication and thus to deconstruct contemporary culture. They pioneered experiments in interventionist collage, assemblage, performance and the inclusion of the industrially produced readymade. A decisive influence on the development of art during the twentieth century, most of the movements that followed have traced their roots to Dada. This volume presents a rich selection of the Dadas experimental visual and literary works. Covering not only Western Europe and America but also Central and Eastern Europe, Japan and later Neo-Dada, eminent scholar and Director of the International Dada Archive Rudolf Kuenzli gives a lively, accessible and comprehensive assessment. Linking visual art, performance and literature, this is a fresh treatement of Dada as its artists and writers saw it. Survey Rudolf Kuenzli surveys Dada in its historical context and examines its significant impact and resonance in art and culture today. Works provides an extensive colour plate section with extended captions for every artwork, organized chronologically and geographically around major explosions of Dada activity. From its inception in Zurich we follow Dada to New York, Berlin, Hanover, Cologne, Paris, Central and Eastern Europe, and Japan, finally looking at Neo-Dada across the globe. It is a roll-call of the avant-garde: Hugo Ball at the Cabaret Voltaire and Hans Arp s Automatic Drawing; Marcel Duchamp s readymades and Man Ray s assemblages; Francis Picabia s paintings linking machine and human form; collage with political comment from Raoul Hausmann and Hannah Hoch; Kurt Schwitter s all-encompassing concept of Merz; Max Ernst; from the East, the graphics of Lajos Kassak and El Lissitzky; Okada Tatsuo s constructions and fireworks attached to the cover of Mavo magazine. A look at Neo-Dada includes Robert Rauschenberg s Erased de Kooning and the Happenings of Hi Red Center. Documents collects original Dada writings, researched at the International Dada Archive and sourced from around the world. Poetry, manifestos and statements are presented together with letters between Tristan Tzara and Marcel Duchamp; Beatrice Wood describes The Richard Mutt Case (the first exhibition of a urinal) to her readers of The Blind Man in 1917; and in more recent interviews artists such as Allan Kaprow and Arman relate their Dada inheritance. Codice libro della libreria AA99780714861135

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Rudolf E. Kuenzli
Editore: Phaidon Press Ltd, United Kingdom (2011)
ISBN 10: 0714861138 ISBN 13: 9780714861135
Nuovi Paperback Quantità: 10
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Descrizione libro Phaidon Press Ltd, United Kingdom, 2011. Paperback. Condizione libro: New. 232 x 224 mm. Language: English . Brand New Book. Subversive, irreverent and fiercely anti-authoritarian, Dada made the radical suggestion that anything could be art and anyone an artist. Emerging in the middle of the First World War, Dada writers and artists attempted to dismantle traditional values, norms and codes of communication and thus to deconstruct contemporary culture. They pioneered experiments in interventionist collage, assemblage, performance and the inclusion of the industrially produced readymade. A decisive influence on the development of art during the twentieth century, most of the movements that followed have traced their roots to Dada. This volume presents a rich selection of the Dadas experimental visual and literary works. Covering not only Western Europe and America but also Central and Eastern Europe, Japan and later Neo-Dada, eminent scholar and Director of the International Dada Archive Rudolf Kuenzli gives a lively, accessible and comprehensive assessment. Linking visual art, performance and literature, this is a fresh treatement of Dada as its artists and writers saw it. Survey Rudolf Kuenzli surveys Dada in its historical context and examines its significant impact and resonance in art and culture today. Works provides an extensive colour plate section with extended captions for every artwork, organized chronologically and geographically around major explosions of Dada activity. From its inception in Zurich we follow Dada to New York, Berlin, Hanover, Cologne, Paris, Central and Eastern Europe, and Japan, finally looking at Neo-Dada across the globe. It is a roll-call of the avant-garde: Hugo Ball at the Cabaret Voltaire and Hans Arp s Automatic Drawing; Marcel Duchamp s readymades and Man Ray s assemblages; Francis Picabia s paintings linking machine and human form; collage with political comment from Raoul Hausmann and Hannah Hoch; Kurt Schwitter s all-encompassing concept of Merz; Max Ernst; from the East, the graphics of Lajos Kassak and El Lissitzky; Okada Tatsuo s constructions and fireworks attached to the cover of Mavo magazine. A look at Neo-Dada includes Robert Rauschenberg s Erased de Kooning and the Happenings of Hi Red Center. Documents collects original Dada writings, researched at the International Dada Archive and sourced from around the world. Poetry, manifestos and statements are presented together with letters between Tristan Tzara and Marcel Duchamp; Beatrice Wood describes The Richard Mutt Case (the first exhibition of a urinal) to her readers of The Blind Man in 1917; and in more recent interviews artists such as Allan Kaprow and Arman relate their Dada inheritance. Codice libro della libreria AA99780714861135

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Editore: Phaidon Press Ltd
ISBN 10: 0714861138 ISBN 13: 9780714861135
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Descrizione libro Phaidon Press Ltd. Condizione libro: New. 2011. Paperback. A lively, accessible and comprehensive assessment of one of modern art's key movements. Num Pages: 304 pages. Dimension: 289 x 250 x 29. Weight in Grams: 1604. . . . . . Books ship from the US and Ireland. Codice libro della libreria V9780714861135

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