Laura Moriarty The chaperone.

ISBN 13: 9780718158972

The chaperone.

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9780718158972: The chaperone.

Soon to be a feature film from the creators of Downton AbbeyThe Chaperone is a New York Times-bestselling novel about the woman who chaperoned an irreverent Louise Brooks to New York City in the 1920s and the summer that would change them both.
 
Only a few years before becoming a famous silent-film star and an icon of her generation, a fifteen-year-old Louise Brooks leaves Wichita, Kansas, to study with the prestigious Denishawn School of Dancing in New York. Much to her annoyance, she is accompanied by a thirty-six-year-old chaperone, who is neither mother nor friend. Cora Carlisle, a complicated but traditional woman with her own reasons for making the trip, has no idea what she’s in for. Young Louise, already stunningly beautiful and sporting her famous black bob with blunt bangs, is known for her arrogance and her lack of respect for convention. Ultimately, the five weeks they spend together will transform their lives forever.
 
For Cora, the city holds the promise of discovery that might answer the question at the core of her being, and even as she does her best to watch over Louise in this strange and bustling place she embarks on a mission of her own. And while what she finds isn’t what she anticipated, she is liberated in a way she could not have imagined. Over the course of Cora’s relationship with Louise, her eyes are opened to the promise of the twentieth century and a new understanding of the possibilities for being fully alive.
 
Drawing on the rich history of the 1920s, ’30s, and beyond—from the orphan trains to Prohibition, flappers,  and the onset of the Great Depression to the burgeoning movement for equal rights and new opportunities for women—Laura Moriarty’s The Chaperone illustrates how rapidly everything, from fashion and hemlines to values and attitudes, was changing at this time and what a vast difference it all made for Louise Brooks, Cora Carlisle, and others like them.

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About the Author:

Laura Moriarty is the author of The Center of EverythingThe Rest of Her Life, and While I’m Falling.  She lives in Lawrence, Kansas.

Excerpt. © Reprinted by permission. All rights reserved.:

One

The First time Cora heard the name Louise Brooks, she was parked outside the Wichita Library in a Model-T Ford, waiting for the rain to stop. If Cora had been alone, unencumbered, she might have made a dash across the lawn and up the library’s stone steps, but she and her friend Viola Hammond had spent the morning going door-to-door in their neighborhood, collecting books for the new children’s room, and the considerable fruits of their efforts were safe and dry in four crates in the backseat. The storm, they decided, would be a short one, and they couldn’t risk the books getting wet.

And really, Cora thought, staring out into the rain, it wasn’t as if she had anything else to do. Her boys were already gone for the summer, both of them working on a farm outside Win?eld. In the fall, they would leave for college. Cora was still getting used to the quiet, and also the freedom, of this new era of her life. Now, long after Della left for the day, the house stayed clean, with no muddy footprints on the ?oor, and no records scattered around the phonograph. There were no squabbles over the car to mediate, no tennis matches at the club to cheer on, and no assigned essays to proofread and commend. The pantry and icebox actually stayed stocked with food without daily trips to the store. Today, with Alan at work, she had no reason to rush home at all.

“I’m glad we took your car and not ours,” Viola said, adjusting her hat, which was pretty, a puffed turban with an ostrich feather curling down from the crown. “People say closed cars are a luxury, but not on a day like this.”

Cora gave her what she hoped was a modest smile. Not only was the car covered, it had come with an electric starter. Cranking cars, no business for a lady, was how the ad went, though Alan had admitted he didn’t miss cranking either.

Viola turned, eyeing the books in the backseat. “People were generous,” she allowed. Viola was a decade older than Cora, her hair already gray at the temples, and she spoke with the authority of her added years. “Mostly. You notice Myra Brooks didn’t even open her door.”

Cora hadn’t noticed. She’d been working the other side of the street. “Maybe she wasn’t home.”

“I heard the piano.” Viola’s eyes slid toward Cora. “She didn’t bother to stop playing when I knocked. I have to say, she’s very good.”

Lightning shot across the western sky, and though both women ?inched, Cora, without thinking, smiled. She’d always loved these late-spring storms. They came on so fast, rolling in from the prairie on expanding columns of clouds, a welcome release from the day’s building heat. An hour before, when Cora and Viola were canvassing, the sun was hot in a blue sky. Now rain fell fast enough to slice green leaves from the big oak outside the library. The lilacs trembled and tossed.

“Don’t you think she’s a tiresome snob?”

Cora hesitated. She didn’t like to gossip, but she could hardly count Myra Brooks as a friend. And they’d been to how many suffrage meetings together? Had marched together in the street? Yet if she passed Myra today on Douglas Avenue, Cora wouldn’t get so much as a hello. Still, she never got the feeling that it was snobbery as much as Myra simply not registering her existence, and there was a chance it was nothing personal. Myra Brooks didn’t seem to look at anyone, Cora had noticed, not unless she was the one speaking, watching for the impression she made. And yet, of course, everyone looked at her. She was, perhaps, the most beautiful woman Cora had ever seen in person: she had pale skin, ?awless, and large, dark eyes, and then all that thick, dark hair. She was certainly a talented speaker—her voice was never shrill, and her enunciations were clear. But everyone knew it was Myra’s looks that had made her a particularly good spokeswoman for the Movement, a nice antidote to the newspapers’ idea of what a suffragist looked like. And you could tell she was intelligent, cultured. She was supposed to know everything about music, the works of all the famous composers. She certainly knew how to charm. Once, when she was at the podium, she had looked down at Cora, right into her eyes, and smiled as if they were friends.

“I don’t really know her,” Cora said. She looked back out through the blurred windshield, at people ducking out from a streetcar, running for cover. Alan had taken a streetcar to work, so she could have the Ford.

“Then I’ll inform you. Myra Brooks is a tiresome snob.” Viola turned to Cora with a little smile, the ostrich plume grazing her chin. “I’ll give you the latest example: she just sent a note to the secretary of our club. Apparently, Madame Brooks is looking for someone to accompany one of her daughters to New York this summer. The older one, Louise, got into some prestigious dance school there, but she’s only ?fteen. Myra actually wants one of us to go with her. For over a month!” Viola seemed pleasantly outraged, her cheeks rosy, her eyes bright. “I mean, really! I don’t know what she’s thinking. That we’re the help? That one of us will be her Irish nanny?” She frowned and shook her head. “Most of us have progressive husbands, but I can’t imagine any one of them would spare a wife for over a month so she could go to New York City, of all places. Myra herself is too busy to go. She has to lie around the house and play the piano.”

Cora pursed her lips. New York. She felt the old ache right away. “Well. I suppose she has other children to look after.”

“Oh, she does, but that’s not it. She doesn’t take care of them. They’re motherless, those children. Poor Louise goes to Sunday school by herself. The instructor is Edward Vincent, and he picks her up and takes her home every Sunday. I heard that right from his wife. Myra and Leonard are alleged Presbyterians, but you never see them at church, do you? They’re too sophisticated, you see. They don’t make the other children go either.”

“That speaks well of the daughter, that she makes the effort to go on her own.” Cora cocked her head. “I wonder if I’ve ever seen her.”

“Louise? Oh, you would remember. She doesn’t look like anyone else. Her hair is black like Myra’s, but perfectly straight like an Oriental’s, and she wears it in a Buster Brown.” Viola gestured just below her ears. “She didn’t bob it. She had it cut like that when they moved here years ago. It’s too short and severe, a horrible look, in my opinion, not feminine at all. But even so, I have to say, she’s a very pretty girl. Prettier than her mother.” She smiled, leaning back in her seat. “There’s some justice in that, I think.”

Cora tried to picture this black-haired girl, more beautiful than her beautiful mother. Her gloved hand moved to the back of her own hair, which was dark, but not remarkably so. It certainly wasn’t perfectly straight, though it looked presentable, she hoped, pinned up under her straw hat. Cora had been told she had a kind, pleasant face, and that she was lucky to have good teeth. But that had never added up to striking beauty. And now she was thirty-six.

“My own girls are threatening to cut their hair,” Viola said with a sigh. “Foolish. This bobbing business is just a craze. When it’s over, everyone who followed the lemmings over the cliff will need years to grow their hair out. A lot of people won’t hire girls with bobbed hair. I try to warn them, but they won’t listen. They just laugh at me. And they have their own language, their own secret code for them and their friends. Do you know what Ethel called me the other day? She called me a wurp.That’s not a real word. But when I tell them that, they laugh.”

“They’re just trying to rattle you,” Cora said with a smile. “And I’m sure they won’t really bob their hair.” Really, it seemed unlikely. The magazines were full of short-haired girls, but in Wichita, bobs were still a rarity. “I do think it looks good on some girls,” Cora said shyly. “Short hair, I mean. And it must feel cooler, and lighter. Just think—you could throw all your hairpins away.”

Viola looked at her, eyebrows raised.

“Don’t worry. I won’t do it.” Cora again touched the back of her neck. “I might if I were younger.”

The rain was coming down faster, rapping hard on the roof of the car.

Viola crossed her arms. “Well, if my girls do cut their hair, I can tell you now, it won’t be so they can throw away hairpins. They’ll do it to be provocative. To look provocative. That’s what passes for fashion these days. That’s what young people are all about now.” She sounded suddenly stricken, more confused than indignant. “I don’t understand it, Cora. I raised them to have propriety. But both of them are suddenly obsessed with showing the world their knees. They roll their skirts up after they leave the house. I can tell by the waistbands. I know they defy me. They roll their stockings down, too.” She gazed out into the rain, lines branching beneath her eyes. “What I don’t know is why, what’s going on in their little heads, why they don’t care about the message they’re sending. When I was young, I never felt the need to show the general public my knees.” She shook her head. “Those two cause me more grief than all four of my boys. I envy you, Cora. You’re lucky to only have sons.”

Maybe, Cora thought. She did love the very maleness of the twins, their robust he...

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Laura Moriarty
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ISBN 10: 0718158970 ISBN 13: 9780718158972
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Descrizione libro Penguin Books Ltd, United Kingdom, 2012. Paperback. Condizione libro: New. Language: English . Brand New Book. On a summer s day in 1922 Cora Carlisle boards a train from Wichita, Kansas, to New York City, leaving behind a marriage that s not as perfect as it seems and a past that she buried long ago. She is charged with the care of a stunning young girl with a jet-black fringe and eyes wild and wise beyond her fifteen years. This girl is hungry for stardom and Cora for something she doesn t yet know. Cora will be many things in her lifetime - an orphan, a mother, a wife, a mistress - but in New York she is a chaperone and her life is about to change. It is here under the bright lights of Broadway, in a time when prohibition reigns and speakeasies with their forbidden whispers behind closed doors thrive, that Cora finds what she has been searching for. It is here, in a time when illicit thrills and daring glamour sizzle beneath the laws of propriety that her life truly begins. It is here that Cora and her charge, Louise Brooks, take their first steps towards their dreams. Codice libro della libreria APG9780718158972

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Laura Moriarty
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Descrizione libro Penguin Books Ltd, United Kingdom, 2012. Paperback. Condizione libro: New. Language: English . Brand New Book. On a summer s day in 1922 Cora Carlisle boards a train from Wichita, Kansas, to New York City, leaving behind a marriage that s not as perfect as it seems and a past that she buried long ago. She is charged with the care of a stunning young girl with a jet-black fringe and eyes wild and wise beyond her fifteen years. This girl is hungry for stardom and Cora for something she doesn t yet know. Cora will be many things in her lifetime - an orphan, a mother, a wife, a mistress - but in New York she is a chaperone and her life is about to change. It is here under the bright lights of Broadway, in a time when prohibition reigns and speakeasies with their forbidden whispers behind closed doors thrive, that Cora finds what she has been searching for. It is here, in a time when illicit thrills and daring glamour sizzle beneath the laws of propriety that her life truly begins. It is here that Cora and her charge, Louise Brooks, take their first steps towards their dreams. Codice libro della libreria APG9780718158972

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Descrizione libro Penguin Books Ltd, United Kingdom, 2012. Paperback. Condizione libro: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. On a summer s day in 1922 Cora Carlisle boards a train from Wichita, Kansas, to New York City, leaving behind a marriage that s not as perfect as it seems and a past that she buried long ago. She is charged with the care of a stunning young girl with a jet-black fringe and eyes wild and wise beyond her fifteen years. This girl is hungry for stardom and Cora for something she doesn t yet know. Cora will be many things in her lifetime - an orphan, a mother, a wife, a mistress - but in New York she is a chaperone and her life is about to change. It is here under the bright lights of Broadway, in a time when prohibition reigns and speakeasies with their forbidden whispers behind closed doors thrive, that Cora finds what she has been searching for. It is here, in a time when illicit thrills and daring glamour sizzle beneath the laws of propriety that her life truly begins. It is here that Cora and her charge, Louise Brooks, take their first steps towards their dreams. Codice libro della libreria APE9780718158972

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Descrizione libro Michael Joseph, 2012. Condizione libro: New. 2012. 1st Printing. Paperback. On a summer's day in 1922 Cora Carlisle boards a train from Wichita, Kansas, to New York City, leaving behind a marriage that's not as perfect as it seems and a past that she buried long ago. She is charged with the care of a stunning young girl with a jet-black fringe and eyes wild and wise beyond her fifteen years. Num Pages: 432 pages. BIC Classification: FA. Category: (G) General (US: Trade). Dimension: 198 x 130 x 27. Weight in Grams: 308. . . . . . . Codice libro della libreria V9780718158972

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Descrizione libro Michael Joseph. Condizione libro: New. 2012. 1st Printing. Paperback. On a summer's day in 1922 Cora Carlisle boards a train from Wichita, Kansas, to New York City, leaving behind a marriage that's not as perfect as it seems and a past that she buried long ago. She is charged with the care of a stunning young girl with a jet-black fringe and eyes wild and wise beyond her fifteen years. Num Pages: 432 pages. BIC Classification: FA. Category: (G) General (US: Trade). Dimension: 198 x 130 x 27. Weight in Grams: 308. . . . . . Books ship from the US and Ireland. Codice libro della libreria V9780718158972

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Descrizione libro Penguin, 2013. Condizione libro: New. Codice libro della libreria GH9780718158972

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Descrizione libro Penguin Books Ltd. Paperback. Condizione libro: new. BRAND NEW, The Chaperone, Laura Moriarty, On a summer's day in 1922 Cora Carlisle boards a train from Wichita, Kansas, to New York City, leaving behind a marriage that's not as perfect as it seems and a past that she buried long ago. She is charged with the care of a stunning young girl with a jet-black fringe and eyes wild and wise beyond her fifteen years. This girl is hungry for stardom and Cora for something she doesn't yet know. Cora will be many things in her lifetime - an orphan, a mother, a wife, a mistress - but in New York she is a chaperone and her life is about to change. It is here under the bright lights of Broadway, in a time when prohibition reigns and speakeasies with their forbidden whispers behind closed doors thrive, that Cora finds what she has been searching for. It is here, in a time when illicit thrills and daring glamour sizzle beneath the laws of propriety that her life truly begins. It is here that Cora and her charge, Louise Brooks, take their first steps towards their dreams. Codice libro della libreria B9780718158972

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Descrizione libro Paperback. Condizione libro: New. Not Signed; On a summer's day in 1922 Cora Carlisle boards a train from Wichita, Kansas, to New York City, leaving behind a marriage that's not as perfect as it seems and a past that she buried long ago. She is charged with the care of a stunning young girl with a jet-black fringe and eyes wild and wise beyond. book. Codice libro della libreria ria9780718158972_rkm

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