DECONSTRUCTING DISNEY - Brossura

Byrne, Eleanor

Brossura

ISBN 10: 0745314511 ISBN 13: 9780745314518

Casa editrice: Pluto Press, 1999

Riassunto

Demonising Disney is nothing new. Disney films have long been synonymous with a certain conservative, patriarchal, heterosexual ideology, occupying a centre-stage position at the heart of the evil empire. Deconstructing Disney takes issue with knee-jerk polarities, overturning classical oppositions and recognising that, just as the Disney ‘text’ has changed, so too must the terms of critical engagement. This book is a sharply focused deconstruction of the political culture — and the cultural politics — of the Disney canon in the years since the emergence of the so-called New World Order. Eleanor Byrne and Martin McQuillan offer a critical encounter with Disney which alternates between readings of individual texts and wider thematic concerns such as race, gender and sexuality, the broader context of American contemporary culture, and the global ambitions and insularity of the last great superpower. The movies discussed include The Little Mermaid, The Lion King, Pocohontas, Snow White, Bedknobs and Broomsticks, Dumbo, Peter Pan, The Jungle Book, Hercules and Mulan.

Su questo libro

L'autore:

Eleanor Byrne is a Lecturer in post-Colonial Literature at University College Worcester and writes on aspects of culture and postcoloniality. Martin McQuillan is Pro-Dean of Research in the Faculty of Performance, Visual Arts and Communication at the University of Leeds. He is the author, along with Eleanor Byrne, of Deconstructing Disney (Pluto, 1999), Paul de Man (2000) and editor of Deconstruction: A Reader (2000), The Narrative Reader (2000), and Theorising Muriel Spark: Gender, Race, Deconstruction (2002) and co-editor of Post-Theory: New Directions in Criticism (1999).

Product Description:

This is a deconstruction of the political culture - and the cultural politics - of a Disney canon in the years since the emergence of the so-called New World Order. McQuillan and Byrne offer a critical encounter with Disney which alternates between readings of individual texts and wider thematic concerns such as race, gender and sexuality, the broader context of contemporary culture in the United States, and the global ambitions and insularity of the last great superpower. Disney films have long been synonymous with a certain conservative, patriarchal, heterosexual ideology, occupying a position centre-stage at the heart of the evil empire; demonising Disney is nothing new. What this book sets out to do, however, is to take issue with knee-jerk polarities, overturning classical oppositions and recognising that, just as the Disney "text" has changed, so too must the terms of critical engagement alter. If we are interested in the political circumstances which oppress us, the authors argue, then we can never know too much about Disney.

Su questa edizione

• Editore: Pluto Press
• Data di pubblicazione: 1999
• ISBN 10: 0745314511
• ISBN 13: 9780745314518
• Rilegatura: Copertina flessibile
• Numero di pagine: 224