Optical Media: Berlin Lectures 1999

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9780745640914: Optical Media: Berlin Lectures 1999

This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. Kittler begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organized. He also discusses the development of various mechanical devices, such as the camera obscura and the laterna magica, which were closely connected to the printing press and which played a pivotal role in the media war between the Reformation and the Counter-Reformation. After examining this history, Kittler then addresses the ways in which images were first stored and made to move, through the development of photography and film. He discusses the competitive relationship between photography and painting as well as between film and theater, as innovations like the Baroque proscenium or "picture-frame" stage evolved from elements that would later constitute cinema. The central question, however, is the impact of film on the ancient monopoly of writing, as it not only provoked new forms of competition for novelists but also fundamentally altered the status of books. In the final section, Kittler examines the development of electrical telecommunications and electronic image processing from television to computer simulations. In short, this book provides a comprehensive introduction to the history of image production that is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture.

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Friedrich A. Kittler
Editore: Polity Press, United Kingdom (2010)
ISBN 10: 0745640915 ISBN 13: 9780745640914
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Descrizione libro Polity Press, United Kingdom, 2010. Paperback. Condizione libro: New. 1. Auflage. 228 x 152 mm. Language: English . Brand New Book. This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. Kittler begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organized. He also discusses the development of various mechanical devices, such as the camera obscura and the laterna magica, which were closely connected to the printing press and which played a pivotal role in the media war between the Reformation and the Counter-Reformation. After examining this history, Kittler then addresses the ways in which images were first stored and made to move, through the development of photography and film. He discusses the competitive relationship between photography and painting as well as between film and theater, as innovations like the Baroque proscenium or picture-frame stage evolved from elements that would later constitute cinema. The central question, however, is the impact of film on the ancient monopoly of writing, as it not only provoked new forms of competition for novelists but also fundamentally altered the status of books. In the final section, Kittler examines the development of electrical telecommunications and electronic image processing from television to computer simulations. In short, this book provides a comprehensive introduction to the history of image production that is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture. Codice libro della libreria AAH9780745640914

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Friedrich Kittler
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ISBN 10: 0745640915 ISBN 13: 9780745640914
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Descrizione libro John Wiley and Sons. Condizione libro: New. Brand New. Codice libro della libreria 0745640915

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Friedrich A. Kittler
Editore: Polity Press, United Kingdom (2010)
ISBN 10: 0745640915 ISBN 13: 9780745640914
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Descrizione libro Polity Press, United Kingdom, 2010. Paperback. Condizione libro: New. 1. Auflage. 228 x 152 mm. Language: English . Brand New Book. This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. Kittler begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organized. He also discusses the development of various mechanical devices, such as the camera obscura and the laterna magica, which were closely connected to the printing press and which played a pivotal role in the media war between the Reformation and the Counter-Reformation. After examining this history, Kittler then addresses the ways in which images were first stored and made to move, through the development of photography and film. He discusses the competitive relationship between photography and painting as well as between film and theater, as innovations like the Baroque proscenium or picture-frame stage evolved from elements that would later constitute cinema. The central question, however, is the impact of film on the ancient monopoly of writing, as it not only provoked new forms of competition for novelists but also fundamentally altered the status of books. In the final section, Kittler examines the development of electrical telecommunications and electronic image processing from television to computer simulations. In short, this book provides a comprehensive introduction to the history of image production that is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture. Codice libro della libreria AAH9780745640914

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Josef Kittler
Editore: Polity Press 2009-11-20 (2009)
ISBN 10: 0745640915 ISBN 13: 9780745640914
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Descrizione libro Polity Press 2009-11-20, 2009. Condizione libro: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Codice libro della libreria NU-BER-00131873

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Friedrich A. Kittler
Editore: Polity Press 2009-11-20, Oxford (2009)
ISBN 10: 0745640915 ISBN 13: 9780745640914
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Descrizione libro Polity Press 2009-11-20, Oxford, 2009. paperback. Condizione libro: New. Codice libro della libreria 9780745640914

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Kittler, Friedrich
Editore: Polity Press (2009)
ISBN 10: 0745640915 ISBN 13: 9780745640914
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Descrizione libro Polity Press, 2009. Condizione libro: New. This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. Kittler begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organized. Num Pages: 332 pages. BIC Classification: JFD; TBX. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 154 x 229 x 22. Weight in Grams: 392. . 2009. 1st Edition. Paperback. . . . . . Codice libro della libreria V9780745640914

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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97807456409140000000

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Friedrich A. Kittler
ISBN 10: 0745640915 ISBN 13: 9780745640914
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Descrizione libro 2009. Paperback. Condizione libro: New. 1st. 153mm x 226mm x 18mm. Paperback. This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. Kittler begins by looking at European paint.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 332 pages. 0.388. Codice libro della libreria 9780745640914

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Josef Kittler
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Descrizione libro Paperback. Condizione libro: New. Not Signed; This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. Kittler begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was or. book. Codice libro della libreria ria9780745640914_rkm

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Kittler, Friedrich
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ISBN 10: 0745640915 ISBN 13: 9780745640914
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Descrizione libro Polity Press. Condizione libro: New. This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. Kittler begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organized. Num Pages: 332 pages. BIC Classification: JFD; TBX. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 154 x 229 x 22. Weight in Grams: 392. . 2009. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. Codice libro della libreria V9780745640914

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